Tag Archives: artefacts

It’s All A Lark

Just a few of my favourite things…

My addiction to beachcombing came about as I was walking my old dog, Brad, and I started to spot bits of pottery and glass in the sand of our favourite haunt. So begun a collection which I have written about elsewhere on here. But my curiosity and collecting did not stop with just one wee beach on the edge of the Waitemata…this blog is short catalogue of just some of the pieces I have found, these are prize possessions.

As some may be aware I live in New Zealand and as some may also be aware we have a relatively short history of human occupation – approximately 800 years give or take a decade or two – compared to other countries around the world. The finds below are restricted to the last one hundred and fifty years or so when Europeans first arrived in Aotearoa New Zealand and are by far the most numerous things to be found.

1, Glass stoppers

Long before plastic and screw tops many bottles were closed off with a glass stopper. The most common variety found are the ones in the picture below, used to seal sauce or relish bottles. Originally they would have had a ring of cork around the neck to ensure a tight seal. These very durable objects are a beachcombers delight. It is not a huge collection but each find of a glass stopper gives me an odd sense of joy…

2. Ceramics

Sea pottery is also a relatively common find on beaches and waterways around the world and here in New Zealand it is no different. The variety of ceramics is often quite surprising, the most common are the plain white or cream pieces. But the most sought after are the early pieces of transfer print earthenwares imported from the UK or brought out with the first settlers. These come in a variety of patterns and colours, my favourite (along with many others) are the blue and white patterned pieces including the ever present ‘willow pattern’. I have written extensively on the ceramics found at Fitzpatrick’s Bay, please feel free to check it out here. Included in this category are also stonewares, I have yet to find a complete example but I have many neck sections and bases.

Just a small selection of my blue and whites…typical of what can be found.
My one and only mocha ware piece.
And perhaps my favourite piece thus far, part of small cup with a hand painted house and windmill.
Unlike the pretty pieces often easily spotted, I thought I was very lucky to find amongst the detritus this well worn fragment of a toothpaste lid.

3. Glass

I have chosen to call this section glass as opposed to seaglass as there will be some who dispute my examples as seaglass. When I started to collect I was most surprised to find that there is an International Seaglass Association and they have defined true seaglass as;

Genuine sea or beach glass comes from discarded bottles, tableware, or household items and is found in oceans, lakes, and rivers. Genuine sea or beach glass tends to have: Lettering, embossed images, and distinguishing features such as handles, bottle necks, etc. A frosted patina on the surface with small “C”-shaped patterns, surface cracking, rounded edges, and small crevices where grains of sand may be found.

Much of the glass I find does fall into this category but the most interesting pieces are not so worn by tide and time. These are the bottle necks or fronts with lettering that can be researched. The other smaller (proper seaglass) pieces I collect go into the art pieces I make to sell at a local market (Magpie Designs)

The triangular piece is the top of a gin bottle with its distinct squat neck, on the right is a beer bottle.

The next photos shows a knarly chunk of sharp glass I found whilst larking under the harbour bridge. I wouldn’t normally have bothered to bring this home but the lettering got me curious. A quick search online found the following on the Auckland Museum website.

Grey & Menzies Ltd (1902-1962)
Established in 1902 following the merger of J Grey & Sons and Thames cordial manufacturer Menzies. The firm operated as Grey and Menzies until 1964 when a merger with CL Innes Ltd resulted in the soft drink brand of Innes Tartan. John Grey established J Grey cordial & aerated water manufacturers at Eden Cres. Auckland in 1874, and in 1880 his sons joined the business it became J Grey & Sons 1880-1902

Robert Menzies was born in Scotland in 1854 and came to New Zealand in 1858, working initially for Buteman Bros, Thames. He later worked for B Ballin (Thames), John Grey and George Gledhill before purchasing Buteman Bros. in partnership with Samuel Hirst to form Menzies & Co at Thames. In August 1902, with two partners he established Menzies Ltd, and leased a property in Stanley Street, Auckland but a month later joined with John Grey & Sons to form Grey & Menzies Ltd

The Grey and Menzies merger occurred in 1902 – the company now covered a considerable area including Northland, Auckland, South Auckland and Thames. The company began to introduce new lines including the ginger beer that became Tartan Dry Ginger Ale. In 1916 the company purchased the Paeroa spring, aerating and bottling the water in Auckland under the “Paeroa Water” label – later to become Lemon & Paeroa. In the early 1920s they began making Orange and Lemon Crush under license from the Crush Co’s reg’d USA patent office.”

Every object has a story…

The next photo is of a sweet wee ink bottle, again found under the Harbour Bridge. It was a strange moment…I was about to leave the area having found very little that morning, thinking about a post I had seen on Instagram about these cute glass ink bottles when I spotted nestled in the seaweed one of the very same. Known as Boat ink bottles for their shape and distinctive lip used for a pen rest they come in a variety of colours. During a recent visit to the Dargaville Museum north of Auckland I saw a vast collection of these bottles in all their beautiful colours.

I did a happy dance, much to the dog’s surprise, when I found this.

4. Clay Pipes

Finding clay pipes on the shores of Auckland’s harbour can be a bit hit and miss, however I do have a small collection of pipe stems and bowls. None of which have any visible decoration or makers mark, given the softness of the kaolin clay used to make these items it should not be surprising that it would easily wear away. Not so long ago I was sent pictures of a pipe stem found at Fitzpatrick’s Bay which did have a stamped name on it, ‘squatters budgeree’ which I have written about here.

For those who would like to know more about clay tobacco pipes in New Zealand the following links may be of interest. For those elsewhere there are a multitude of websites and books on the humble clay pipe.

Mechanics Bay, Auckland

Underground Overground, Christchurch

As you can see pipe stems are far more numerous than bowls due to the tendency for stems to go soft with long use and be broken off and discarded. The center bowl is a much prized part of the collection being a terracotta bowl rather then the usual kaolin, which may be why it survived in better condition than the others.

5. Kauri Gum

For those who are not familiar with Aotearoa New Zealand’s flora, there is a native tree called kauri. It is a slow growing hardwood which was much sought after by settlers and Māori alike. Its many attributes was the tendency to ooze sap which over time solidifies and becomes much like amber. Early settlers would often turn to gumdigging as a way of supplementing other income or when there was no other income.

The gum was used by Māori as a type of chewing gum (fresh gum), as a fire starter and when burnt and mixed with animal fat for tattoo moko. The early settlers used it in a variety of ways, much like amber for trinkets and jewellery. However, in the mid 1800s it was discovered that when mixed with linseed oil it made an effective varnish and as such was in great demand in the UK and Europe. Kauri gum became Auckland’s main export at this time – between 1850 and 1950 approximately 450,000 tons were exported. The growth of early Auckland owed much to this industry.

The area in which I live once had extensive kauri forests, so it is not surprising to find chunks of gum washing up (and down) onto the beaches. I collect them because of the history they remind me of. Below are a just a couple of the many pieces currently residing in my rockery…

For more on kauri gum read here.

6. A Gun Flint

I only have one gun flint and only a partial one at that. Gun flints are part of the striking mechanism for a flintlock gun and were in use in the UK from the 17th to the 19th century. For more on how they were used read here. Here in New Zealand the musket, which also used a flintlock mechanism, contributed to a period in our history known as the Musket Wars.

‘After Europeans brought muskets (long-barrelled, muzzle-loading guns) to New Zealand, these weapons were used in a series of battles between Māori tribes, mostly between 1818 and 1840. As many as 20,000 people may have died, directly or indirectly. Tribal boundaries were also changed by the musket wars.’ From Te Ara Encyclopedia

Although there is no telling who used this particular gun flint (it was found at Fitzpatrick’s Bay) it is a sobering reminder of our past – the good and the bad.

7. A Fossil

No I’m not talking about the other half…but rather this small reminder that the earth is old and for me at least, a reminder that our time here is but a moment.

8. Shoes

Occasionally I find parts of shoes, sometimes they are modern (so many jandals) and head straight to the bin but other times they are much older. When I look at these shoes parts I wonder who wore them, what was their life like? Oddly shoes feel very personal and connect me to someone in the past – will a person in the future find the sole of my favourite ugg boots and wonder about me too?

This sole consists of several layers and the copper nails are evidenced by the green spots around the edge.
This piece appears to be part of a heel, the rust suggestive of a ferrous metal. I can hear the wearer tapping their way across the floorboards…

9. A Mystery Object…

This final object confounds me and I hope there is someone out there who might be able to shed some light.

As you can see it is an interesting shape, being 6cm at its tallest, it looks like a crown with a blank space for perhaps a label (?) and locks of hair below. The material at first glance looks like milk glass but I am not sure as it it is quite matt and more like alabaster in appearance. All suggestions welcome…

And there you have it, just a few of my favourite things…

If you have enjoyed this blog please feel free to share, like and comment – tell me your favourite finds!

Mudlarking on the Thames – A Couple of Hours of Joy!

As an Amazon Associate, I earn from qualifying purchases and as such some of the links in this blog are affiliate links. This means if you clink on the link and purchase, I get a small commission, at no extra cost to you. The items I have linked are always ones that I myself have enjoyed/read – all opinions remain my own.

July 2022, it’s hot, humid and even though only 10am the sweat is beginning to accumulate between my shoulder blades and in other unmentionable places. Not for the first time I am surprised at how hot it is in the city. Crossing the road in search of shade, I find myself greeted by the vista of St Pauls Cathedral, but this is not my destination, turning left I head for the Thames and the Millenium Bridge. Today, or at least for a couple of hours, I am joining a group of like-minded people to…mudlark.

I am early, really early, but it gives me time to watch – the river and the people – from a shady spot, which, thankfully, is tickled by an occasional breeze. Observing the tide as it slowly retreats, numerous wooden structures begin to appear, the remains of old jetties and the like can be seen jutting out of the mud. The Thames has been the lifeblood of London for more than two thousand years and although officially it was the Romans who first established a settlement here there were other inhabitants of the area throughout prehistory.

The tide begins to fall…
The excitement builds as more of the foreshore is revealed…
Finally…I am on the foreshore…where do I look first? (note the ubiquitous clay pipe stem).

All of those people, have over thousands of years left traces of their lives on the foreshore of the Thames.

In the past mudlarks were group of souls who spent endless hours sorting and collecting useful debris from the mud to sell – it was an occupation for only the most desperate.

The searched for pieces of coal they could wash and sell on the streets; rags, bones, glass and copper nails they could take to various merchants to recycle…sometimes the children would turn cartwheels in the mud for the amusement of onlookers, who would toss in a penny for them to find. It was a pathetic existence and just a step away from the workhouse.” (L Maiklem ‘A Field Guide to Larking’ 2021).

Nowadays, mudlarks have a much-improved reputation – the twenty first century mudlarks of the Thames foreshore scour the mud and debris for stories of the past. Bits of broken pottery, clay pipes pieces, coins, buckles, pins, tiles, bones and much more all tell the story of London’s history. Not the story of kings and queens but one of ordinary people whose voices are often lost to us but who can speak to us down through time via the bits and bobs they lost and discarded along the river.

As some may already realise, larking is one of my favourite activities – in NZ it is dressed up as beach combing and often consists of finding odds and ends of glass bottles and 19th/20th century ceramics if I’m lucky. So when the opportunity arises for me to become a mudlark for a few hours…well…what can I say…(actually I yelled, ‘here take my money!’)

At this point it is important to note that not just anyone can mudlark on the Thames foreshore and there are a number of rules and regulations to follow. Everyone who is involved in the searching and removal of objects from the foreshore has to hold a permit to do so. There are also exceptions as to where you can and cannot search, for example, the foreshore in front of Westminster is completely out of bounds (for obvious reasons). There are places where only certain permit holders can go and there are rules surrounding the digging/scraping of the foreshore. For more information on the rules and regulations look here.

For the casual visitor to London there are two ways to get involved mudlarking – get a day permit from the Ports of London Authority or join a mudlarking tour. The Thames Explorer Trust do daily tours and give you plenty of time on the foreshore to fossick. Needless to say, my foray into mudlarking was with the Thames Explorer Trust, as I found it to be the cheapest and easiest way to get involved.

Our guide (standing in the hat) giving us a whistle-stop tour of London’s history through its artefacts.

Our guide for the morning was both knowledgeable and enthusiastic (and a fellow NZer!) She began the tour with a whirlwind introduction to the history of London and the types of artefacts we might find on the foreshore. Eventually, we were ushered to the steps that led down to the riverside. A few final words of warning from our guide (watch out for the wash of passing boats, no digging or scraping and don’t go past that point over there…) and we were left to our own devices.

The area where we were not allowed to venture – the round posts in the center of the photo are actually surrounding the remains of the Anglo Saxon wharf at Queenhithe. Only certain people are allowed to search in this area.

Bent over, eyes on the ground, the rest of the world receded to a low hum in the background as bit-by-bit London’s past revealed itself. The broken stems of clay pipes were by far the most numerous artefacts, along with red bricks and roof tiles, pottery fragments began to leap out. At first the ubiquitous willow pattern and plain white sherds but then as I looked harder, the green glaze of medieval pottery could be seen. Animal bones were plentiful, some the remains of someone’s fried chicken dinner, whilst others spoke of the butcher and the resources needed to feed the people of London. Oyster shells told a tale of cheap and easy eats (in the past oysters were not a delicacy but a cheap foodstuff for poor people).

The above photos show just some of the things I spotted – in truth I kept forgetting to take photos, I was so engrossed. The first photo is of a roof tile, the nail holes can be seen on either side (I would like to think this was Roman but I cannot say for sure), second photo is the jaw bone of a pig and represents just some of the vast amount of bones found on the foreshore. The third photo is the sole of a leather shoe, age is undetermined but most likely Victorian – the Thames mud is of type which preserves organic remains very well. The fourth picture shows first a chicken leg bone, clay pipe stems and a small sherd of green glazed medieval pottery. The final photo is a close up of the medieval pottery sherd, note the quantity of terracotta brick and tile.

It was, simply, two hours of joy that flew by in seconds.

Please note, as a participant of the tour artefacts could not be removed from the foreshore; if you have one day permit you can remove artefacts but if you are travelling overseas, it is important to know that it is illegal to remove any artefacts over 300 years old from the UK. I would also like to stress that there are many laws around the removal of artefacts from any archaeological site (The Thames can be considered an archaeological site in its entirety) and it is up to the individual to know and understand these laws.

The following books are a good source of information regarding mudlarking on the Thames.

L. Maiklem (2019) ‘Mudlarking. Lost and Found on the River Thames’

L. Maiklem (2021) ‘A Field Guide to Larking – Beachcombing, Mudlarking, Fieldwalking and More.’

J. Sandy & N. Stevens (2021) ‘Thames Mudlarking. Searching for London’s Lost Treasures.’

A little Fiction

STORIES

The silence was constant, the darkness absolute but at least it was comfortable.  Of course, that was not completely true.  Sometimes there would be noise and light but only on rare occasions.  This was one of those occasions.  At first it was only a muffled clipping noise could be heard, plastic heels on a hard linoleum floor.  As the minutes ticked by the noise got louder until it stopped, so close.  They had heard the noise before, anticipation hung in the still air or perhaps it was just the dust motes waiting for something to disturb the stillness so that they at least could continue to be what they were, to do what they were meant to do – float lazily around finding surfaces to decorate.

Now a loud clicking as the tumblers in the old lock turned, a breath then a snap, crackle and pop.  The ancient and rarely used fluorescent lights shuddered on, illuminating row after row of metal shelves filled to the ceiling with anonymous brown boxes.  Each box was numbered and some of the older ones even had labels, browning around the edges, peeling, faded but labels all the same.  Testimony, that someone had once cared.

From its cushioned interior the broken pot waited, perhaps this time it would be chosen.  Broken it may be but it still had a story to tell.  

At first a lump of cold, dull clay, providing inspiration for a human mind.  Worked and moulded by human hands, its exterior carefully smoothed and decorated.  Then from the hot fire like a phoenix it came.  The incised decorations had meaning, told their own story of the people who made it.  Its beauty admired, given as a gift from an aunt to a niece and filled with grain.  Beautiful and practical, that was its story.  It was valued passing from mother to daughter until a day of violence, rough voices and screaming.  In the aftermath the pot lay broken on the hard-earthen floor, broken into many pieces, its precious contents spilt out.  The crackle and spit of the burning building heralding the end of an era but not the end of the story.

Buried, for what seemed like an eternity.  The only company the ever-present earthworms and the occasional mole. Scratching and burrowing, moving away parts of the whole so that even now safe in the brown box, it was not complete.  Then came the day when the light returned, once more human hands held it, reverently, exclaiming over its beauty.  Carefully washing away the dirt that had accumulated over the centuries, it was drawn, measured and photographed.  Then carefully, oh so carefully, a new home was made for all its broken parts.

At first many hands held it, admired it, there were more drawings and more photographs but gradually the visits into the light became fewer and fewer as the next best thing came along.  It had been a long time since it had felt the warmth of human hands gently caressing the incised decoration that had its own story.  Perhaps today would be the day.  If it had a voice it would have cried out “pick me, pick me” not unlike so many of the other artefacts sitting comfortably in their specially cut foam in their anonymous brown boxes.  Each had story to tell of a time when they were useful and valued, even broken and buried over centuries their stories had not diminished. 

“Pick me, pick me” said the silence.

*****

Standing still at the doorway to the storeroom the woman took a deep breath.  Smiling she wondered where best to start.  Her boss had simply said “choose the ones with the best stories”.  But how do you choose a good story?  What is a good story? With a small satisfied sigh,  she looked at her tablet with its inventory, deciding to simply start with the artefacts that appealed to her personally.  Hoping on some instinctive level she would choose the ones with the ‘best stories.

Although there was a certain amount of pressure to pick the right artefacts this was a job she had been looking forward to for quite some time.  Finally, a legitimate opportunity for a good rummage in one of the museums oldest storerooms and a chance to prove she was good at her job.  A job she loved.  If she were a person of a certain disposition she would have done a little jig, as it was she simply contented herself with humming her favourite tune. 

Running her fingers lightly along the brown boxes she did a slow circuit of the room, soaking up the slightly musty atmosphere.  There was no real order to the space except in a numerical fashion.  Each box numbered according to when it arrived in the room, so that Mesolithic flints sat happily beside early medieval pottery sherds.  She did briefly wonder if there was analogy for the modern world there.  Either way, here she felt at home, to her each and every one of these artefacts had a good story to tell.  Put them together and their story would be…mind blowing?  No, wrong word, it would be…enlightening.  Smiling and humming she went in search of a trolley.

After an hour she had half a dozen boxes on the trolley, so far so good she thought as she sat on the desk at the end of the room. There were a few errant boxes that for reasons known only to themselves had moved to other locations in the room other than their designated spot.  Perseverance had paid off in those cases.  It had been a risk coming here, her choices were risky too.  This was not the only storeroom there were others with brighter, better and more well-known artefacts stored in them, safer choices, but better stories? 

Perusing the inventory, the woman waited for something to jump out at her.  What she needed for this part of the exhibition was an object that grabbed people’s attention, an item to stop and wonder at, what else is hidden away in the bowels of their museum?  Page after page she flicks through, finally at the bottom of the very last page a hastily added note.  The last few boxes to come into the room, containing artefacts from a small, local society training dig.  The enthusiastic amateurs had come across an ancient settlement but a lack of funding had kept the dig to a single trench, two metres wide and five metres long.  Even so, several of the finds had been remarkable, telling a story of settlement in use for many generations and its eventual but violent demise.

Feeling her heart beat quicken the woman began to count boxes searching, hoping that no one had moved them.  The sound of her heels clicking a beat along the rows, up, down, pause, up, down, pause.  Damn!  They weren’t there.  Hands on her hips, frowning, her eyes focussing on the boxes that were not the boxes she was looking for.  Taking a step back she scans around, sometimes they were simply a little bit in the wrong place, but no not this time.   If she were of a particular disposition she would have stamped her foot in frustration not once but twice, instead though she closed her eyes and took a deep breath.

Logic dictated that she should check who had last looked at the boxes, there might be some indication as to where were now.  Walking back to the desk where she had left the tablet with its inventory she spied a row of four brown boxes sitting innocently on the desk she had only moments before been sitting on.  Her pace quickened, please let it be them she prayed to no one god in particular.  If she were of a particular disposition she would have ran and slid to a halt at the table, but she was not and she still got there in good time.  A quick glance at the numbers on the outside of the box confirmed it, yes it was them. 

As she lifted the lids on each of the boxes, once more she said a silent prayer of thanks.  The contents of all four boxes would be her centrepiece, they told a real story, a story to resonate through the ages.  The woman placed the boxes on the trolley, satisfied.  Her heels once more clicking sedately on the linoleum floor, a creak of the door, snap as the fluorescents flicker off, bang, the door shuts once more on darkness.  The dust motes swirled about in the air eddies left by the woman’s presence.  A comfortable constant silence reigns – until next time.

*****

Slam, went the car door.  Two bodies wrapped up against the weather, one tall, one small make a mad dash for cover under the museum’s portico.  Stopping to catch their breath the small one links hands with the tall one. There were a lot of people milling under the portico and mum had said very clearly, ‘do not lose your dad, after all, he can’t even find his way out of a paper bag’.  The boy wasn’t really sure what his dad would have been doing in a paper bag.  He shrugs to himself, grown-ups!

Rain and school holidays, not a good time to come to the museum but today was his only day off work and he had promised his son that he would bring him.  He had no idea why he actually agreed, he would have much rather chewed off his own leg than come to the museum.  But there was something about the look the boy’s mother had given him and then there was the boy…equal portions of guilt and love tumbled through his consciousness and he found himself agreeing.  She had pulled him aside, “he loves the museum, and it’s soothing…when he is there he almost like any other kid, stay as long as you can”. 

As they walked through the doors, father and son turned and looked at each other.

“Well, you know it best, where to first?”

The boy smiled, twirling around eyes closed, mentally communicating with the museum, where to first?  He stopped, opened his eyes and pointed.  Following the pointed finger, he spies the new exhibition hall and yes as luck would have it there was a new exhibition.  A display of previously unseen objects from the museum’s storerooms, well fair enough at least it wouldn’t be the same old things although he did fear that was yet to come.  There was a tugging at the end of his arm; the boy was itching to go.  His mother was right he did almost seem like any other kid here. 

Kids, no one tells you no matter what you think will happen, no matter how prepared you are, it is nothing like what actually happens.  He had been so excited knowing he was to have a son, he had imagined footy games, cricket on the beach, surfing, building tree houses and boisterous games of tag.  What he had got was an entirely different kettle of fish.  It wasn’t that he didn’t love him his heart had almost burst when he first held him in his arms.  It was just that things had not quite turned out as expected and in the beginning the readjustment had taken awhile, it had taken too long for his wife, the boy’s mother.

The boy tugged again on his dad’s hand, come on, imagine the treasures in here he tried to say.  He looked up at his dad, his lopsided grin bigger than ever.  He loved the museum, he loved the way it smelled, the way it sounded, the way the objects would speak to him, tell him their stories.  He could spend hours with his nose pressed up against the glass cases just staring and imagining.  His mum always told him that no matter what he would always have his imagination, the endless stories he wrote were testimony to that.  She had packed his journal and brand-new pack of pencils in his backpack, “just in case the mood takes you”, she had said with a wink.

As they wandered around the new exhibition they saw stuffed animals in scary poses, shiny beetles and beautiful butterflies pinned very carefully to a board, everything was named (common and Latin), everything creatively displayed.  Each display had an information board with their stories.  Many of the stories were about where the animal had come from, who had found it and the hardships that were undertaken in the name of science.  The boy wasn’t that impressed, again he decided it must be a grown-up thing, killing something in the name of science, it was not a part of the museum he liked much.  But although just a kid he understood that you didn’t need to like everything about something or someone in order to love it – no one was perfect.

He tugged on his dad’s hand again, something was calling him forward.  It was the archaeology section, now this was more like it.  His soul sang for this was his nirvana.  Here artefacts spoke of human lives, told their stories, here he could lose himself totally.  He moved quickly from case to case his dad trailing dutifully behind him.

“Slow down kiddo, we have all the time in the world.”

The boy came to a complete halt in front of a case displaying a beautiful blackened pot, its swirly incised decoration speaking to him.  There were other artefacts, bronze clothes pins, other pieces of pottery, part of an iron skillet and an iron knife blade, both rusted but still identifiable, jet beads lovingly set into a shape of necklace.  The board said that they all came from the same excavation, not far from where the boy lived with his mother.  It was exciting to know that under his feet as he walked around his town there could be more stories waiting to be discovered.  He looked at his dad, who was just smiling at him in a funny kind of way.

“Go on, your mum said she had packed your journal, it’s okay.  I like to watch you write your stories, I’ll just be over here keeping an eye on you.”

The boys grin said it all.

*****

She had drawn the short straw, the volunteer who was rostered on to look after this section answering the public’s questions had called in sick, a migraine or something.  So here she was, she didn’t really mind, she liked to see people interact with the artefacts.  The boy and his father had intrigued her. 

They were in a world of their own, the boy strangely silent.  The father seemed a little uncomfortable, he looked like he’d much rather be out tackling the elements than in here.  The boy had sat down on the floor with his back leaning against the plinth, on his lap was a book and in his hand a pencil, he leaned back eyes closed, obviously deep in thought.  Suddenly as if someone had fired a starting gun his eyes flicked open and the pencil flew across the page.  Her eyes glanced at the father, he was smiling, he had seen this before.  Father and son settled in, one watching the other, just being.

An hour later, the pencil was put away.  She was intrigued, her feet moving of their own volition she walked over to the boy.

“Hello, I’m the curator who put this section together.  Do you like it?”

The boy nodded smiling his lopsided smile.  His dad hurried over “he doesn’t speak but he does understand everything, just doesn’t talk” he shrugged apologetically.

“But you like to write, don’t you?” she asked, not fazed by his father’s explanation.

The boy nodded again, a moment of silence stretched out and then he handed her the journal.  Taking the journal, she moved to the bench the father had previously occupied, sat down and started to read.  Both father and son sat quietly and waited.

When she had finished, she turned to look at the boy, “you have a rare talent, you can see the story behind each artefact, I honestly can say I felt like I was transported back in time.  Thank you.  You are a very clever young man.”  It was a truth, not words to bolster a child’s confidence.

“I would love you to come back another day, so I can show you some of the other artefacts in storerooms and you can write more stories.  Perhaps we can convince the museum to publish some of them.  People need to hear your stories”.

Because the boy was of a particular disposition he did do a jig, his joy obvious to all.  His father felt a lump in his throat and not trusting himself to speak just smiled and nodded his thanks.  She handed over her card and got his details too – she knew a good story when she saw one. 

It’s all about the story, we all have them tucked away inside, sometimes we tell ourselves, sometimes we tell others.  They are in everything and everyone we touch.  Some are short lived and some will resonate through time but in the end, it is our story and how it ends is up to us.