Category Archives: Gallery

Some Photos from Roman Baths in Bath (and why it inspired me to write “A Roman Moon”)

Holidaying in the UK in winter can be rather satisfying.  Mainly because you don’t have to contend with the vast crowds which are usual in the warmer months at popular spots.  One such place was the Roman bath complex in Bath, here we were able to meander around the buildings and displays without being jostled by eager tourists trying to capture the perfect selfie.  This physical space allowed the imagination a chance to wander the halls of time.  A multitude of questions and possible scenarios playing out in my minds eye and so ‘A Roman Moon’ was born.

 

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The imposing stucture of Bath Abbey looms over the now open Great Bath – originally the Great Bath would have been roofed, most likely with an arched roof.

 

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Looking down on the Great Bath.

Bath complexes in the Roman period were not simply places to wash and clean the body but also places to meet, socialise, to be seen and make those all important contacts.  At the Roman town of Aquae Sulis (Bath) the baths rose to prominence from the late first century AD as a result of the natural hot springs which were a feature of the landscape and worshipped for many generations prior to the arrival of the Romans.

As with so many aspects of the Iron Age/Celtic landscape of the time, the natural springs here had its own diety who was recorded by the Romans with the name of Sulis.  The Romans were very good at adopting and blending local cultures with their own as part of their overall colonisation package. For the Romans the local goddess Sulis had much in common with one of their own – Minerva.  Thus the hot springs became dedicated to the amalgamated goddess of Sulis Minerva.

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The very roman looking head of a statue believed to be Sulis Minerva herself – most likely stood within the sacred space of the actual temple.

The success of Aquae Sulis (even the towns name pays homage to the goddess – ‘the waters of Sulis’) is down to it also being a place of pilgrimage.  People from all around would come to the town to make offerings or petitions to the goddess.  One such method to ensure the goddess knew what was required was to write a message on a sheet of lead.  For this purpose a trained scribe would be employed.  Once  the wording was just so the lead sheet was folded or rolled and then thrown into the sacred spring – a number of these have been recovered from the spring, mostly they were curses for relatively small wrong doings.

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A few examples of the inscribed lead sheets.

As well as the lead sheets, other gifts were found during excavations.  Thousands of coins (and even today people throw coins into the spring), jewellery, pewter dishes and cups usually inscribed with a dedication to Sulis Minerva.  The cups may have been used to drink the waters (as we continue to do so today) or as libation vessels.  The belief in the healing powers of the spring waters was an important part of the towns fame.

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Some of the jewellery finds from the spring.  It is interesting to note the continuity of ritual in this act of depositing important items into a watery context.  For more on this read here.
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And a few of the more everyday items found during excavations – people lived and worked here too.

Besides Sulis Minerva there were within the temple complex depictions of other deities.

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A relief carving of the goddess Luna – the disc of the moon can be seen behind her head and she holds a whip for driving her chariot across the sky.  This carving would have decorated one of the buildings in the temple precinct. 
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This massive pediment would have originally adorned the entrance to the temple of Sulis Minerva.  Although interpreted as a gorgon others have suggested it may in fact be Oceanus or even the sun god Sol (or Bel, ‘the shining one’ if you are looking for Celtic diety which is also the nickname of our heroines bodyguard and friend…). 
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This unassuming relief carving is believed to depict the triple goddess, a distinctly Celtic personification.  As to who and what this may be is a complicated discussion but foremost is the ability of the goddess to have many faces – to be one and the same.  Often the triple goddess in modern pagan/wiccan practice refers to the maiden, the mother and the crone however there is no way of telling if this was the case in the past.   An interesting take on this can be read here.

The rituals in Roman religion took place mostly outdoors, the temples buildings were often small affairs where only the priests or priestesses would be allowed to enter.  Public ceremonies would have been conducted outside in the surrounding precinct.  Within the precinct there would have been altars dedicated to the diety set up by individuals in anticpation of a divine favour or to give thanks, these would have been decorated in offerings of all kinds or with bowls of incense.

“The temple, in its original late first century form, was a purely classical building set on a high podium reached by a steep flight of steps.  Its porch was dominated by four massive Corinthian columns supporting an ornate pediment.  Behind lay a simple room, the cella, where only priests could enter to tend the flames kept burning around the life-sized cult statue of Sulis Minerva” (from ‘The Essential Roman Baths” – a guidebook).

The above is a selection of the numerous altar stones and memorials found in the Roman layers during excavations.

 

The complex at Aquae Sulis was quite extensive – with facilities for men and women to bath seperately which was rare and spoke volumes about the wealth of the town.  At the heart of the complex is the Great Bath, a rectangular swimming bath surrounded by a walkway with alcoves for people to sit and relax in.  The bath itself was and still is lined with 45 sheets of Mendip lead.

 

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A model of the bath and temple complex in its heyday. 

 

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The Great Bath – looking across to one of the alcoves.

 

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The East Bath – a rectangular tepid bath – the doors would have led to heated rooms known as tepidariums. 

 

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The remains of the extensive hypercaust system – ensuring visitors were kept warm and comfortable at all times.

 

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One of many mosaics which would have adorned the floors of the rooms within the complex.

 

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The arched overflow was part of the Roman engineering which kept the water flowing through the complex and still does today.

 

 

 

 

 

 

 

 

 

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The dark interior of the circular bath, here bathers would complete their visit to the steam rooms with a cold plunge to rinse off – note the coins littering the bottom of the pool. 

The complex at Aquae Sulis was quite extensive – with facilities for men and women to bath seperately which was rare and spoke volumes about the wealth of the town.  At the heart of the complex is the Great Bath, a rectangular swimming bath surrounded by a walkway with alcoves for people to sit and relax in.  The bath itself was and still is lined with 45 sheets of Mendip lead.

 

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A model of the bath and temple complex in its heyday. 

 

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The Great Bath – looking across to one of the alcoves.

 

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The East Bath – a rectangular tepid bath – the doors would have led to heated rooms known as tepidariums. 

 

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The remains of the extensive hypercaust system – ensuring visitors were kept warm and comfortable at all times.

 

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One of many mosaics which would have adorned the floors of the rooms within the complex.

 

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The arched overflow was part of the Roman engineering which kept the water flowing through the complex and still does today.

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The above shows a reconstruction picture of how the town may have looked at its height based upon what has been discovered through various archaeological excavations.  In “A Roman Moon” astute readers will note that I did away with the amphitheatre, replacing it with a Forum.  Why? Well, to begin with the evidence for an amphitheatre is at this stage is quite thin on the ground and I am sure that a town of such importance would have had a Forum.  In addition, you can also put it down to the authors whim, a bit of ‘literary licence’.

The river running beside the town is the Avon, known then as Afon which is Welsh for river (amusingly making the name of the River Avon, the River River)…

I hope you can see why the ancient town of Aquae Sulis inspired me to write ‘A Roman Moon’ – from the presence of Luna, the triple goddess and the sacred spring all play a part in Sarah’s story.

 

RM cover 1 (2)

 

The Roman Baths Official Website

Wikipedia – Roman Bath

 

Caerphilly Castle

So, I was in the mood for castle…

But before we get to pictures, a bit of background…

Built in 1268 by Gilbert de Clare (also known as “Red Gilbert” due to his hair colour) as part of his conquest Glamorgan and the continuing subjugation of the Welsh by the Normans.  It is constructed on a natural gravel bank in the middle of a river basin and consists of two large artificial lakes within thirty acres making it the second largest castle in Britain.

The water defences of the castle were most likely inspired by a similar design at Kenilworth which de Clare would have witnessed in action during the seige of Kenilworth in 1266.  The vast lakes prevents the castle walls from being undermined – a popular siege tactic at the time.   Caerphilly was also the first concentric castle to be built in Britian and its walls were built using Pennant Stone.

A Brief Timeline

1268 – Construction begins with the daming and digging of the lakes, temporary wooden palisades and buildings.

1270 – Rising tensions with Welsh resulted in the castle being attacked by Llywelyn ap Gruffudd and supporters – the wooden structures were burnt to the ground.

1271 – In an effort to quell the tensions between the Welsh and the Normans the castle is taken over by royal officials who promise to negotiate and arbitrate a solution to the ongoing problems.

1272 – de Clare’s men seize back the castle and work recommences, the castle is completed later that year.

1294 – Once again the castle is attacked but this time by Madog ap Llywelyn.

1316 – And again the castle is attacked, during the Llywelyn Bren uprising.

1326-27 – And again during the overthrow of Edward III…

From the fifteenth century the castle begin to decline…

1776 – Caerphilly is acquired by the Marquesses of Bute but it is not until the third and fourth Marquesses that extensive restoration work begun.

1950 – The castle and grounds were given to the state.

Today – The site is managed by CADW – the Welsh heritage organisation.

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The massive gatehouse entrance  – the large tower in the rear of the picture was designed to be defensible postion even if the entire castle was breached.  A working portcullis and murder holes are visible today.
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One of the massive fireplaces in the gate tower.
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Looking out onto the inner courtyard.
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Looking down onto the tower gatehouse and outer gatehouse towards town.  Originally there would have been a drawbridge across the moat.

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The archers corridor – made of timber with apertures for the archers to aim through and roofed this would have hung of the exterior walls of the castle and provided greater protection to the archers.
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The leaning tower – natural subsidence or as a result of Oliver Cromwell decreeing that the castle be ‘slighted’ during the Civil War?

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Caerphilly Castle was a defensive stronghold – the lack of windows and decoration combined with forbidding walls was testimony to this fact – it was a castle which meant business.

 

More Information can be found at the following links:

Caerphilly Castle

CADW

 

 

A Tale of Two Pa

The Coromandel is a place rich in Maori history, the most obvious archaeological site are the many pa found on the coastal headlands.  The following are a few photos taken during a weekend in the coastal township of Whitianga.

Before we get to the photos, it is probably necessary for me to give you a brief explanation on what a Pa is, particularly  for those of you who are not familiar with the term.  The word ‘pa’ can refer to any Maori settlement, defended or otherwise, but most commonly it is used to refer to a type of site known as a hillfort – fortified settlements with palisades and defensive terraces.  The majority of pa sites are found in the North Island from Lake Taupo northwards – over 5000 have been recorded to date.  You can read more about Pa here.

The two Pa mentioned in the title of this blog are the Hereheretaura Pa and Whitianga Rock – both were Ngati Hei strongholds, although the latter suffered during a raid by a war party of Ngai te Rangi.  The reserve where Hereheretaura Pa can be found is at the southern end of Hahei Beach is one of two pa in the reserve.  The other – Hahei Pa –  is on the ridge above the track (seen below) but with minimal defensive earthworks unlike Hereheretaura Pa.

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Walking in the Te Pare Reserve – Hereheretaura Pa in the distance.
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Hereheretaura Pa – the lines of banks and ditches can be seen in the early morning light.
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One of several bank and ditch earthworks clearly visible at Hereheretaura Pa.
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The view from Hereheretaura Pa looking northwards.

Whitianga Rock is on the opposite side of the estuary from Whitianga, a short ferry ride across from town takes you to the start point for a walk around the site.  The site is positioned on a thin finger of land jutting into the estuary harbour with steep cliffs on three sides.  By the time Captain James Cook arrived in 1769 the site had already been abandoned, even so it impressed Cook enough for him to state;

“A little with[in] the entrance of the river on the East side is a high point or peninsula jutting out into the River on which are the remains of one of their Fortified towns,  the Situation is such that the best Engineer in Europe could not have choose’d a better for a small number of men to defend themselves against a greater, it is strong by nature and made more so by Art”.

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Information board at the start of the walk.
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House terraces on the landward side.
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The first bank and ditch earthworks and now a path down to Brick Bay.
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Post holes for palisades ground into rock.
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More palisade postholes…
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An artists recreation of the palisade as evidenced by the postholes in the previous picture.
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An artist reconstruction of how the site looked prior to the devastating raid. The line across the middle is the earthwork mentioned above which is now a lane leading to Brick Bay on the southern side.
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Artist reconstruction
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All across the site are numerous shellfish middens – not surprising given the sites position.
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Another midden…
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And another midden…
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The view from the top over to Whitianga township.

A Visit to the Shire

On a fine but crisp morning the family and I made the two hour journey to the set of Hobbiton where the scenes for the Shire were filmed for both the Lord of the Rings and The Hobbit movies.  I am big fan of the works of JRR Tolkien and whilst I was dubious about the movies they still have much going for them.  I was also dubious about visiting what is obviously a place with the overseas tourist in mind.  However, I must admit to being pleasantly surprised – Hobbiton was delightful!  The managment work hard to maintain the spirit of what Tolkien describes in loving detail.  My visit was a balm to my frazzled self and the following are a few photos of our time there, I only wish we could have spent more time there.

Hobbiton is situated on the Alexander farm near Matamata, Waikato and was first discovered during an aerial reconaissance for suitable filming locations for the Lord of the Rings trilogy.  The original set was constructed of untreated timber, ply and polystyrene – it was always the intention to return the site to its original condition.  However, with the filming of The Hobbit an agreement was struck between Peter Jackson and the Alexander family and Hobbiton was born, this time with more permanent materials.

The following are just a few of the many Hobbit holes, each individual in their own way with gardens and furniture.  It seems as if the occupants have just stepped away and will be back in a tick…

“In a hole in the ground there lived a hobbit.  Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.”  (The Hobbit.  J.R.R. Tolkien).

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Of course we were all looking forward to getting to the most important Hobbit hole of them all – Bagend…

“It had a perfectly round door like a porthole, painted gree, with a shiny, yellow brass knob in the exact middle. The door opened on to a tube-shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted…” (The Hobitt. J.R.R. Tolkien)

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The oak tree in the picture above is an artificial tree made from steel and silicon with over 250,000 fake leaves…

 

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My daughter was very happy to be standing outside of Bagend.

 

From here our guide led us down to the Party field with its huge tree (this one is real and the reason for choosing this small part of the Waikato for a film set).

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And then it was on over the bridge to the Green Dragon for mug of ale and food…

 

Two very happy hours later we turn and say goodbye to what can only be described as a magical place…

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“By some curious chance one morning long ago in the quiet of the world, when there was less noise and more green, and the hobbits were still numerous and properous, and Bilbo Baggins was standing at the door after breakfast smoking an enormous long wooden pipe that reached nearly down to his wooly toes (neatly brushed) – Gandalf came by.” (The Hobbit. J.R.R. Tolkien)

www.hobbitontours.com

Some Megaliths From Brittany

There is a bit of a story behind this trip to Brittany…      

It is possible to catch an overnight ferry from Plymouth (Devon, UK) to Roscoff (France).  You arrive in France at about 5am and then you get to spend the day exploring the local environment before catching the ferry back to Plymouth at around 7pm that night.

For my hubby and I this was always a bit of an adventure and a chance to stock up on wine and cheese.  Regardless to say this was in the time before children.

Well it just so happens that on one trip I convinced my hapless other half to drive just a ‘wee’ way down to Brittany to see the stones at Carnac.  Anyway, the drive was longer than expected and I wish we had more time, it was quite literally a flying visit, as there was a very real possibility of us missing the ferry back to the UK.

The sites I visited were the stone alignments at Kerzerho and Le Menec as well as the Giants of Kerzerho.

Le Menec

Probably the most popular of all the stone alignments in this part of France, it is certainly the one everyone thinks of when talking of Carnac.  The alignment consists of 12 lines of some 1100 stones.  The orientation begins southwest – northeast and then about halfway makes a minor adjustment to its direction and ends in the east.  The stones have an average height of one metre although the tallest stones are found at the western end standing at three metres and the shortest stones are at the eastern end measuring 1.5 metres.

The remains of a stone enclosure can be seen at the western end amongst some farm buildings.  There was once a similar enclosure at its western end.

Kerzerho Alignments

These have a similar layout to Le Menec and cover almost two kilometres.  Today there are several hundred stones but it is believed the original number at least 1100.  The alignment  runs east to west and is intersected by a road and a village.

Kerzerho Giants

Two huge standing stones sit nestled in forest, they are six metres high and weigh approximately 40 tonnes between them.  They are aligned north to south and are thus perpendicular to the Kerzerho alignment.

The following are the few photos I managed to take.

 

Useful websites include:

www.megalithes-morbihan.com

Megaliths of Carnac

Megalithic Portal – Guide to Brittany

 

Megalithic Malta

In 1999 I visited the fascinating island of Malta with my then boyfriend (now husband), dragging the poor lad around more archaeology than he had seen in all his life…

Whilst there is a huge amount of archaeology in Malta, from all periods in time, it was the megalithic monuments which caught my attention during this trip.  Not to mention we only had a week on the island and you would probably need a whole lot more time to visit all the archaeological sites Malta has to offer.

Unfortunately at the time of our visit the Hypogeum or Hal Saflieni was closed for some desperately needed love and attention – much to my disappointment.

It is believed the first human inhabitants of Malta came from Sicily in the Neolithic.  This early phase is named for the site that epitomises this time – Ghar Dalam, a cave site in the south of the island.  This early phase begins approximately 5000BC and ends with the first temples being built around 4100BC.  The Temple Period is divided into four phases.

Zebbug – 4100-3700BC

Mgarr – 3800-3600BC

Safliene – 3300-3000BC

Tarxien – 3150-2500BC

The temples for which the first two phases are named have now disappeared either under the urban sprawl of Valetta or as is the case of Mgarr subsumed into the backstreets of the town itself.  The Safliene phase is characterised by Hal Safliene (Hypogeum), a subterranean temple carved out of the limestone bedrock to accommodate 7000 dead.

The final Tarxien phase is the one visitors to Malta will be most aware of.  The temple complexes of Tarxien, Mnajdra, Hagar Qim on Malta and Ggantija on Gozo constitute the climax of the temple building phase.

Although the temples complexes span quite a period of time they do have some common features in terms of the architecture.  To begin each will have a oval forecourt bounded by the temple facade constructed of large stone slabs.  The doorways all consist of two large uprights topped with an equally large lintel.  The passageways are always paved.  Once inside the complex, the visitor finds themselves in an open area which then  gives way to a series of D-shaped chambers or ‘apses’.

The main variation from one site to another is the number of ‘apses’. Often the walls of the temples are decorated with carvings in relief of spirals and naturalistic forms of plants and animals.  Cup marks are also a popular form of decoration.

Here are some of the photos of this trip.

Further sources of information:

Sacred Sites Webpage

The Megalithic European by Julian Cope

Visit Malta Webpage

Megalithic Temples of Malta – Wikipedia