Category Archives: Gallery

Two Days in napier

Just recently the husband and I had a child free weekend away, during this time we spend two days exploring the town of Napier in the Hawkes Bay.  Naturally I was drawn to the town’s heritage and as per usual my first stop was to the local museum – MTG Hawkes Bay.

The exterior of the museum.

Situated in the main part of town near the seafront, it is attached to the library and spread over three floors.  The ground floor gallery is taken up by two exhibitions – Tenei Tonu and Turuturu, Fingers, Feathers and Fibre. Tenei Tonu showcased the taonga, both historic and contemporary, alongside the stories of the local Iwi Ngati Kahunguru. Turuturu took up a space which joined the museum to the library and is a fascinating albeit brief look at the importance of weaving in Maori culture.

Turuturu are weaving pegs used to keep a garment off the ground when it is being made. The main peg is the right one and can be elaborately decorated. It represents the mana of Te Whare Pora – the knowledge-bank of the art-form. The peg itself upholds the mana of the growing garment and it spiritually connects the maker to the world of thought and concentration. The peg also grounds the maker so they do not get lost in their intellectual world. (quoted from the MTG Hawkes Bay website)

On the second floor was three collections – one of an amazing display of heirloom silverware whilst the second was called Five Pakeha Painters – Perspectives on the Hawkes Bay.  This small exhibition of artwork acknowledged the importance of art as a form of dialogue between the artist, the land and the social norms of the time.  The third exhibition was titled The House of Webb – A Victorian Family’s Journey to Ormondsville.  This is a temporary exhibition (it finishes on the 3rd November) showcasing life in Victorian Napier through the belongings, diaries and letters of the Webb Family.  In 1884 the Webb family left their comfortable life in England and travelled to Napier and then further south to Ormondsville, this exhibition showed what life was like for these early settlers, some of their trials and how they survived those early days. 

The final gallery to be explored was in the basement of the museum – here the visitor is taken through that fateful day in 1931 when the Hawkes Bay was hit by a massive earthquake which destroyed almost all of Napier and killed over three hundred people.

At 10:47am on 3 February 1931, a devastating earthquake struck Hawke’s Bay. In that moment it seemed the end of the world had come. People were thrown off their feet; buildings shuddered and collapsed as the ground pitched violently. In central Napier, fires broke out within minutes and rushed through the city. Amidst the burning, falling buildings, the bright blue sky of a summer’s day was obscured by smoke and dust. People could only watch as their home was destroyed around them. In desperation the injured screamed for help, others ran for the safety of the beach, or home to find their families. (Quoted from the MTG Hawkes Bay website)

As well as the thoughtful display of objects and stories, there is also a short film of ‘Survivor Stories’ which brings home how devasting the earthquake was to the people of the Hawkes Bay.  Time here will forever be divided between ‘before and after the earthquake’.

The second place to be visited was the Napier Prison…yes on purpose…and no not in shackles…

Napier Prison is New Zealand’s oldest prison, it was first opened in 1852 and was closed to inmates in 1993.  Situated on Bluff Hill and next to the quarry where early inmates were expected to do hard labour extracting the stone that would build walls which now surround the prison.  In 2002 the prison was restored to the state it is in by a local family who turned it into a back-packers (not my first choice of accommodation) but nowadays it is a tourist attraction and even on the cold wet day we visited there were a quite a few visitors.

The forbidding entrance of Napier Prison – visitors must knock…

As a visitor you can either go on a guided tour or do the self-guided audio tour which we did.  The facilities also host scare tours in the evenings and has an Escape Room Experience for those wanting something a bit different.  On two separate occasions and for quite different reasons, the prison has been the focus of a TV show – one looking to enhance the visitor experience from a heritage perspective and the other capitalising on the prison’s spookier stories. The prison has also through its time been used as a psychiatric unit, a lighthouse and a meeting place for Alcoholic Anonymous groups.

Above is a block called ‘The Pound’ – the padded cells and caged exercise area chilling reminders that once upon a time mental illness was treated with a lot less compassion.

Beside The Pound is ‘The Hole’ – use your imagination…

The above photos show a small selection of numerous information boards that provide a light moment amongst the many somber ones.

The above photos are of the main block and exercise yard, the bottom picture is of a well discovered a short while ago. The well room is in what was once the infirmary before being divided into other rooms during the prisons back packing days.

Above is a plaque about one of the prison’s most well known executioners. – the role of executioner would often fall to one of the inmates and Tom Long was no exception.

On a personal note, it was a fascinating place, however the sense of relief when I walked back out the front gates was immense. The heavy sense of foreboding made for an uncomfortable visit, there were places I simply could not enter.  I took no photos of the ‘hanging yard’ or the graveyard (where only three burials are had), the feelings of deep sadness were enough to stop me pressing the shutter. The ‘hanging yard’ in particular had an effect on me…but having said that I am glad I went, it was educational and an eye-opener to life behind bars in New Zealand’s oldest prison.

The remaining photos are just a few from around a city well known for its art deco architecture and seafront gardens.

The view of Napier Port from the lookout on Bluff Hill.

Please note that all photos are my own – the MTG Hawkes Bay do not allow photography in many of their galleries, hence the paucity of photos from this lovely museum.

Symonds St CEMETERY

Last week was New Zealand Archaeology Week and as part of this I joined a group of like minded people with the aim of learning a bit more about Auckland’s early history via the evidence provided with one of our earliest cemeteries – the Symonds St Cemetery. The commentary was provided by Dr Heather Battles and our hosts were the Auckland Archaeological Society/NZAA.

The above shows an aerial view of the cemetery as it is today and its divisions based on the religious affiliations of the interred.

The cemetery is one of New Zealand’s oldest urban cemeteries and was established in 1841, the same year Auckland became the capital of this fledgling colonial country. Although today it is part of the inner city back in the mid 1800s it was some distance from the colonial township.

This was unusual for the time – burials were usually found within a churchyard setting whilst in this case the churches for the various denominations were some distance from the cemetery itself. It has been suggested that concerns over public health were what prompted this new urban model but also it “reflected the influence of broader Enlightenment ideas on the new colony, which stressed the seperation between church and state” (from NZ Heritage listing summary).

Enlightenment values could also be seen in the idea of a cemetery for all – here religious affiliations became less important – to an extent…whilst the cemetery is the last resting place of a diverse range of religions, they are segregated within the cemetery itself. One of my earliest pieces of fieldwork as an undergrad student at Auckland University was to do a comparative study of two of the areas within the cemetery looking at the monuments and asking what can they tell us about colonial society. Unfortunately it has been quite some time since then and I do not remember much but what did stand out to me was how elaborate the Wesleyan monuments were when compared to the other parts of the cemetery which is in direct contrast to their sermons on humility and modesty.

The earliest phase of the cemetery was probably about 3.75 hectares but by 1842 it had expanded to around 7.5 hectares. This part of Auckland is one of many ups and downs and today you can see many of the monuments are beginning to tumble down the gully (if they haven’t already). The cemetery was divided into the four main denominations (Anglican, Catholic, Jewish and Wesleyan/non-conformist) on either side of the main route south out of Auckland. This ridgeway later became known as Symonds Street. The land size that each group received was based upon the census of the time.

The 1860s and 1870s saw a change in attitude towards the cemetery and some beautification occured, with trees being planted (some are still there today) and paths being laid. In turn the monuments start to become more elaborate. Eventually, space became an issue and the cemetery was closed to new burials in 1886 unless you already had family members interred there. At the same time a new urban cemetery was created at Waikumete. By 1909 Symonds Street Cemetery became a public reserve suffering from various modifications when the Grafton Bridge was built to span the steep sided gully. Much later in the mid 1960s further damage was done to the cemetery with the southern motorway was constructed. During this time some 4100 bodies were removed and reinterred in two memorial sites within the cemetery.

Today the cemetery is around 5.8 hectares with approximately 10,000 individuals interred there, however it is estimated only around a quarter of those have any kind of visible monuments. Even so it is still an important repository of information on early colonial Auckland and New Zealand.

Below are some images from the Catholic part of the cemetery.

The following images are also from the Catholic part of the cemetery, the first shows the Catholic church some distance away and separated by the southern motorway. The second photo shows the memorial plaque for those whose bodies were re-interred as a result of the motorway construction.

The pictures below are from the Anglican part of the cemetery and show some of the disrepair the monuments are in. The third photo along is of a very distinctive memorial in the shape of a church.

There are several well known New Zealanders buried in the cemetery such as William Hobson, New Zealand’s first Governor who signed the Treaty of Waitangi and died in 1842. The first picture is his memorial whilst the remaining two pictures are of Frederick Manning’s burial, another well known New Zealander.

The construction of Grafton Bridge caused some modifications to the cemetery below.
Last but no least is the walled Jewish cemetery, perhaps the most well kept area of the whole cemetery…

Further information

The construction of the motorway and its impact on the cemetery.

Timespanner

Symonds Street Cemetery – Our Auckland Stuff

Friends of Symonds St Cemetery

My Son – Temples in the Jungle

During a recent holiday in Vietnam I visited the temple precinct of My Son, the principal religious center of the Champa. The following are a few photos (read many) of this day trip with a bit of background for good measure.

Who were the Champa?

Essentially the Champa were a collection of independent polities who ruled central and southern Vietnam from around the second century AD. The independent states became united in the fourth century under the rule of King Bhadravarman of Indrapura during the 4th century. Between the 7th and 10th centuries the Cham controlled the trade in spices and silk out of the South China Sea. Hoi An was the main port of the principality of Indrapura and whilst the capital of the Champa was in the area of the modern village of Dong Duang – both are situated near to My Son.

Map of Vietnam – Hoi An and Da Nang are roughly central on the coast.

From around the fourth century the Cham adopted Hinduism as their principle religion although many were eventually converted to Islam from the 10th century onwards. Today whilst the majority are Muslim there are still some that retain the Hindu faith and traditions.

The name Champa comes from the Sanskrit word ‘campaka’ which refers to species of flowering tree similar to a magnolia.

By 1832 the northern Vietnamese Emperor Minh Mang had annexed and absorbed the Cham polities

My Son

My Son is situated in a valley near the village of Duy Phu approximately 69km from DaNang and was the site of religious ceremonies for the HIndu Cham rulers between the 4th and 14th centuries. It also served as a royal burial place. There are in excess of seventy temples in addition to many stele containing important inscriptions in both Sanskrit and Cham.

An aerial view of the now jungle covered valley, the bare patches are some of the temples accessible to the visitor.

The Hinduism of the Champa was Shaiva with elements of local religious cults such as that of the earth goddess Lady Po Nagar. A number of the features at My Son are the linga – a black stone pillar representing Shiva and the yoni representing the mother.

Unfortunately the valley was carpet bombed by the Americans during the Vietnam war and many of the temples were severely damaged and in some cases totally destroyed. In recent years efforts have been made to rebuild the temples (the work is ongoing).

The hollows are indeed bomb craters – this part of the site has been left untouched – as awful as the bombing of such an important site is, the act is part of the history of My Son and as such needs to be remembered and preserved if we are to learn anything from it.

All but one of the temples are constructed from red brick (the only stone built temple is in the area known as B1). The decorative carvings which adorn the temple exteriors were cut directly into the bricks themselves. Although there has been some discussion about the type of mortar used in construction of the temples, it is now generally accepted that the mortar consisted of a sticky clay solution similar to the brick clay.

There are four types of buildings –

  1. Kalan – the brick sanctuary used to house the diety.
  2. Mandapa – the entry hallway associated with a sanctuary.
  3. Kasagrha – ‘fire-house’ usually with a saddle shaped roof and used to house valuables or to cook for the diety.
  4. Gopura – the gate tower leading into a walled temple complex.

In addition to the many sculptures and statues there are numerous stele (32 known in total) dating between the 5th and 12th century. The stelae can refer to a foundation of a temple, altar or pedestal. As historical documents they are very useful as they list names of kings, cities and occasionally describe important historical events such as the wars between Champa and Cambodia in the 12th century. The statues and carvings are usually representations of Shiva, also there are guardian statues found outside the temples.


The monuments of the My Son sanctuary are the most important constructions of the My Son civilization. The tower temples have a variety of architectural designs symbolizing the greatness and purity of Mount Meru, the mythical sacred mountain home of Hindu gods at the center of the universe, now symbolically reproduced on Earth in the mountainous homeland of the Cham people. They are constructed in fired brick with stone pillars and decorated with sandstone bas-reliefs depicting scenes from Hindu mythology. Their technological sophistication is evidence of Cham engineering skills while the elaborate iconography and symbolism of the tower-temples give insight into the content and evolution of Cham religious and political thought.  

From the UNESCO world heritage centre website
https://whc.unesco.org/en/list/949

Some Photos from Roman Baths in Bath (and why it inspired me to write “A Roman Moon”)

Holidaying in the UK in winter can be rather satisfying.  Mainly because you don’t have to contend with the vast crowds which are usual in the warmer months at popular spots.  One such place was the Roman bath complex in Bath, here we were able to meander around the buildings and displays without being jostled by eager tourists trying to capture the perfect selfie.  This physical space allowed the imagination a chance to wander the halls of time.  A multitude of questions and possible scenarios playing out in my minds eye and so ‘A Roman Moon’ was born.

 

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The imposing stucture of Bath Abbey looms over the now open Great Bath – originally the Great Bath would have been roofed, most likely with an arched roof.

 

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Looking down on the Great Bath.

Bath complexes in the Roman period were not simply places to wash and clean the body but also places to meet, socialise, to be seen and make those all important contacts.  At the Roman town of Aquae Sulis (Bath) the baths rose to prominence from the late first century AD as a result of the natural hot springs which were a feature of the landscape and worshipped for many generations prior to the arrival of the Romans.

As with so many aspects of the Iron Age/Celtic landscape of the time, the natural springs here had its own diety who was recorded by the Romans with the name of Sulis.  The Romans were very good at adopting and blending local cultures with their own as part of their overall colonisation package. For the Romans the local goddess Sulis had much in common with one of their own – Minerva.  Thus the hot springs became dedicated to the amalgamated goddess of Sulis Minerva.

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The very roman looking head of a statue believed to be Sulis Minerva herself – most likely stood within the sacred space of the actual temple.

The success of Aquae Sulis (even the towns name pays homage to the goddess – ‘the waters of Sulis’) is down to it also being a place of pilgrimage.  People from all around would come to the town to make offerings or petitions to the goddess.  One such method to ensure the goddess knew what was required was to write a message on a sheet of lead.  For this purpose a trained scribe would be employed.  Once  the wording was just so the lead sheet was folded or rolled and then thrown into the sacred spring – a number of these have been recovered from the spring, mostly they were curses for relatively small wrong doings.

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A few examples of the inscribed lead sheets.

As well as the lead sheets, other gifts were found during excavations.  Thousands of coins (and even today people throw coins into the spring), jewellery, pewter dishes and cups usually inscribed with a dedication to Sulis Minerva.  The cups may have been used to drink the waters (as we continue to do so today) or as libation vessels.  The belief in the healing powers of the spring waters was an important part of the towns fame.

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Some of the jewellery finds from the spring.  It is interesting to note the continuity of ritual in this act of depositing important items into a watery context.  For more on this read here.

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And a few of the more everyday items found during excavations – people lived and worked here too.

Besides Sulis Minerva there were within the temple complex depictions of other deities.

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A relief carving of the goddess Luna – the disc of the moon can be seen behind her head and she holds a whip for driving her chariot across the sky.  This carving would have decorated one of the buildings in the temple precinct. 

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This massive pediment would have originally adorned the entrance to the temple of Sulis Minerva.  Although interpreted as a gorgon others have suggested it may in fact be Oceanus or even the sun god Sol (or Bel, ‘the shining one’ if you are looking for Celtic diety which is also the nickname of our heroines bodyguard and friend…). 

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This unassuming relief carving is believed to depict the triple goddess, a distinctly Celtic personification.  As to who and what this may be is a complicated discussion but foremost is the ability of the goddess to have many faces – to be one and the same.  Often the triple goddess in modern pagan/wiccan practice refers to the maiden, the mother and the crone however there is no way of telling if this was the case in the past.   An interesting take on this can be read here.

The rituals in Roman religion took place mostly outdoors, the temples buildings were often small affairs where only the priests or priestesses would be allowed to enter.  Public ceremonies would have been conducted outside in the surrounding precinct.  Within the precinct there would have been altars dedicated to the diety set up by individuals in anticpation of a divine favour or to give thanks, these would have been decorated in offerings of all kinds or with bowls of incense.

“The temple, in its original late first century form, was a purely classical building set on a high podium reached by a steep flight of steps.  Its porch was dominated by four massive Corinthian columns supporting an ornate pediment.  Behind lay a simple room, the cella, where only priests could enter to tend the flames kept burning around the life-sized cult statue of Sulis Minerva” (from ‘The Essential Roman Baths” – a guidebook).

The above is a selection of the numerous altar stones and memorials found in the Roman layers during excavations.

 

The complex at Aquae Sulis was quite extensive – with facilities for men and women to bath seperately which was rare and spoke volumes about the wealth of the town.  At the heart of the complex is the Great Bath, a rectangular swimming bath surrounded by a walkway with alcoves for people to sit and relax in.  The bath itself was and still is lined with 45 sheets of Mendip lead.

 

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A model of the bath and temple complex in its heyday. 

 

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The Great Bath – looking across to one of the alcoves.

 

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The East Bath – a rectangular tepid bath – the doors would have led to heated rooms known as tepidariums. 

 

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The remains of the extensive hypercaust system – ensuring visitors were kept warm and comfortable at all times.

 

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One of many mosaics which would have adorned the floors of the rooms within the complex.

 

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The arched overflow was part of the Roman engineering which kept the water flowing through the complex and still does today.

 

 

 

 

 

 

 

 

 

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The dark interior of the circular bath, here bathers would complete their visit to the steam rooms with a cold plunge to rinse off – note the coins littering the bottom of the pool. 

The complex at Aquae Sulis was quite extensive – with facilities for men and women to bath seperately which was rare and spoke volumes about the wealth of the town.  At the heart of the complex is the Great Bath, a rectangular swimming bath surrounded by a walkway with alcoves for people to sit and relax in.  The bath itself was and still is lined with 45 sheets of Mendip lead.

 

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A model of the bath and temple complex in its heyday. 

 

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The Great Bath – looking across to one of the alcoves.

 

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The East Bath – a rectangular tepid bath – the doors would have led to heated rooms known as tepidariums. 

 

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The remains of the extensive hypercaust system – ensuring visitors were kept warm and comfortable at all times.

 

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One of many mosaics which would have adorned the floors of the rooms within the complex.

 

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The arched overflow was part of the Roman engineering which kept the water flowing through the complex and still does today.

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The above shows a reconstruction picture of how the town may have looked at its height based upon what has been discovered through various archaeological excavations.  In “A Roman Moon” astute readers will note that I did away with the amphitheatre, replacing it with a Forum.  Why? Well, to begin with the evidence for an amphitheatre is at this stage is quite thin on the ground and I am sure that a town of such importance would have had a Forum.  In addition, you can also put it down to the authors whim, a bit of ‘literary licence’.

The river running beside the town is the Avon, known then as Afon which is Welsh for river (amusingly making the name of the River Avon, the River River)…

I hope you can see why the ancient town of Aquae Sulis inspired me to write ‘A Roman Moon’ – from the presence of Luna, the triple goddess and the sacred spring all play a part in Sarah’s story.

 

RM cover 1 (2)

 

The Roman Baths Official Website

Wikipedia – Roman Bath

 

Caerphilly Castle

So, I was in the mood for castle…

But before we get to pictures, a bit of background…

Built in 1268 by Gilbert de Clare (also known as “Red Gilbert” due to his hair colour) as part of his conquest Glamorgan and the continuing subjugation of the Welsh by the Normans.  It is constructed on a natural gravel bank in the middle of a river basin and consists of two large artificial lakes within thirty acres making it the second largest castle in Britain.

The water defences of the castle were most likely inspired by a similar design at Kenilworth which de Clare would have witnessed in action during the seige of Kenilworth in 1266.  The vast lakes prevents the castle walls from being undermined – a popular siege tactic at the time.   Caerphilly was also the first concentric castle to be built in Britian and its walls were built using Pennant Stone.

A Brief Timeline

1268 – Construction begins with the daming and digging of the lakes, temporary wooden palisades and buildings.

1270 – Rising tensions with Welsh resulted in the castle being attacked by Llywelyn ap Gruffudd and supporters – the wooden structures were burnt to the ground.

1271 – In an effort to quell the tensions between the Welsh and the Normans the castle is taken over by royal officials who promise to negotiate and arbitrate a solution to the ongoing problems.

1272 – de Clare’s men seize back the castle and work recommences, the castle is completed later that year.

1294 – Once again the castle is attacked but this time by Madog ap Llywelyn.

1316 – And again the castle is attacked, during the Llywelyn Bren uprising.

1326-27 – And again during the overthrow of Edward III…

From the fifteenth century the castle begin to decline…

1776 – Caerphilly is acquired by the Marquesses of Bute but it is not until the third and fourth Marquesses that extensive restoration work begun.

1950 – The castle and grounds were given to the state.

Today – The site is managed by CADW – the Welsh heritage organisation.

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The massive gatehouse entrance  – the large tower in the rear of the picture was designed to be defensible postion even if the entire castle was breached.  A working portcullis and murder holes are visible today.

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One of the massive fireplaces in the gate tower.

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Looking out onto the inner courtyard.

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Looking down onto the tower gatehouse and outer gatehouse towards town.  Originally there would have been a drawbridge across the moat.

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The archers corridor – made of timber with apertures for the archers to aim through and roofed this would have hung of the exterior walls of the castle and provided greater protection to the archers.

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The leaning tower – natural subsidence or as a result of Oliver Cromwell decreeing that the castle be ‘slighted’ during the Civil War?

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Caerphilly Castle was a defensive stronghold – the lack of windows and decoration combined with forbidding walls was testimony to this fact – it was a castle which meant business.

 

More Information can be found at the following links:

Caerphilly Castle

CADW

 

 

A Tale of Two Pa

The Coromandel is a place rich in Maori history, the most obvious archaeological site are the many pa found on the coastal headlands.  The following are a few photos taken during a weekend in the coastal township of Whitianga.

Before we get to the photos, it is probably necessary for me to give you a brief explanation on what a Pa is, particularly  for those of you who are not familiar with the term.  The word ‘pa’ can refer to any Maori settlement, defended or otherwise, but most commonly it is used to refer to a type of site known as a hillfort – fortified settlements with palisades and defensive terraces.  The majority of pa sites are found in the North Island from Lake Taupo northwards – over 5000 have been recorded to date.  You can read more about Pa here.

The two Pa mentioned in the title of this blog are the Hereheretaura Pa and Whitianga Rock – both were Ngati Hei strongholds, although the latter suffered during a raid by a war party of Ngai te Rangi.  The reserve where Hereheretaura Pa can be found is at the southern end of Hahei Beach is one of two pa in the reserve.  The other – Hahei Pa –  is on the ridge above the track (seen below) but with minimal defensive earthworks unlike Hereheretaura Pa.

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Walking in the Te Pare Reserve – Hereheretaura Pa in the distance.

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Hereheretaura Pa – the lines of banks and ditches can be seen in the early morning light.

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One of several bank and ditch earthworks clearly visible at Hereheretaura Pa.

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The view from Hereheretaura Pa looking northwards.

Whitianga Rock is on the opposite side of the estuary from Whitianga, a short ferry ride across from town takes you to the start point for a walk around the site.  The site is positioned on a thin finger of land jutting into the estuary harbour with steep cliffs on three sides.  By the time Captain James Cook arrived in 1769 the site had already been abandoned, even so it impressed Cook enough for him to state;

“A little with[in] the entrance of the river on the East side is a high point or peninsula jutting out into the River on which are the remains of one of their Fortified towns,  the Situation is such that the best Engineer in Europe could not have choose’d a better for a small number of men to defend themselves against a greater, it is strong by nature and made more so by Art”.

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Information board at the start of the walk.

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House terraces on the landward side.

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The first bank and ditch earthworks and now a path down to Brick Bay.

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Post holes for palisades ground into rock.

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More palisade postholes…

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An artists recreation of the palisade as evidenced by the postholes in the previous picture.

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An artist reconstruction of how the site looked prior to the devastating raid. The line across the middle is the earthwork mentioned above which is now a lane leading to Brick Bay on the southern side.

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Artist reconstruction

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All across the site are numerous shellfish middens – not surprising given the sites position.

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Another midden…

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And another midden…

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The view from the top over to Whitianga township.

A Visit to the Shire

On a fine but crisp morning the family and I made the two hour journey to the set of Hobbiton where the scenes for the Shire were filmed for both the Lord of the Rings and The Hobbit movies.  I am big fan of the works of JRR Tolkien and whilst I was dubious about the movies they still have much going for them.  I was also dubious about visiting what is obviously a place with the overseas tourist in mind.  However, I must admit to being pleasantly surprised – Hobbiton was delightful!  The managment work hard to maintain the spirit of what Tolkien describes in loving detail.  My visit was a balm to my frazzled self and the following are a few photos of our time there, I only wish we could have spent more time there.

Hobbiton is situated on the Alexander farm near Matamata, Waikato and was first discovered during an aerial reconaissance for suitable filming locations for the Lord of the Rings trilogy.  The original set was constructed of untreated timber, ply and polystyrene – it was always the intention to return the site to its original condition.  However, with the filming of The Hobbit an agreement was struck between Peter Jackson and the Alexander family and Hobbiton was born, this time with more permanent materials.

The following are just a few of the many Hobbit holes, each individual in their own way with gardens and furniture.  It seems as if the occupants have just stepped away and will be back in a tick…

“In a hole in the ground there lived a hobbit.  Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.”  (The Hobbit.  J.R.R. Tolkien).

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Of course we were all looking forward to getting to the most important Hobbit hole of them all – Bagend…

“It had a perfectly round door like a porthole, painted gree, with a shiny, yellow brass knob in the exact middle. The door opened on to a tube-shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted…” (The Hobitt. J.R.R. Tolkien)

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The oak tree in the picture above is an artificial tree made from steel and silicon with over 250,000 fake leaves…

 

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My daughter was very happy to be standing outside of Bagend.

 

From here our guide led us down to the Party field with its huge tree (this one is real and the reason for choosing this small part of the Waikato for a film set).

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And then it was on over the bridge to the Green Dragon for mug of ale and food…

 

Two very happy hours later we turn and say goodbye to what can only be described as a magical place…

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“By some curious chance one morning long ago in the quiet of the world, when there was less noise and more green, and the hobbits were still numerous and properous, and Bilbo Baggins was standing at the door after breakfast smoking an enormous long wooden pipe that reached nearly down to his wooly toes (neatly brushed) – Gandalf came by.” (The Hobbit. J.R.R. Tolkien)

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