Back in October the Auckland Council hosted the Auckland Heritage Festival, where, as the name would suggest all things heritage and Auckland was celebrated. There are a wide range of events during the festival weeks from walks, talks, exhibitions and workshops. I was able to attend two events – a talk at the Devonport Museum on Mt Cambria (more on that down the page) and a walk ‘n’ talk at Hampton Park.
Hampton Park is situated in the heart of commercial Otara, a pocket of farm land amongst the warehouses, factories and offices. Having never been there or even for that matter heard of it, I was intrigued to find out more. The park is in fact a working farm and whilst the public are able to walk around it there are no proper footpaths and no other facilities (there is a house and it is lived in by the family who farm the park as well others – if visiting please respect their privacy).
The story of Hampton Park begins long before people arrived in the area. Geologically it is part of the wider volcanic landscape of Auckland, here in Otara there are (or were) three volcanoes, the largest of which was called Te Puke o Taramainuku (‘the hill of Taramainuku’, a Tainui ancestor). The small scoria cone that sits in Hampton Park is the smallest of the three and is probably the smallest of all the Auckland volcanoes. It is so small that it has no formal name, simply being referred to as the Hampton Park volcano.
The beginnings of the human story in the area is much like the human story all over Tamaki Makaurau. Here like everywhere else MΔori terraced the flanks of the cones and grew crops in the good volcanic soil. The larger cones would have provided a place of refuge when in need. The small cone in Hampton Park shows some evidence of terracing but later changes has blurred this somewhat. Alongside the driveway between the house and the church there is a large rectangular kumara pit which has remarkably survived. For more on the MΔori use and occupation of the maunga of Tamaki Makaurau read here.
The large rectangular kumara pit between the house and the church.
Terracing on the sides of the Hampton Park volcano.
In 1852 the Rev. Gideon Smales, a Wesleyan missionary, bought 460 acres from the fencible Major Gray, settling there with his wife and children in 1855. The land was cleared of rocks, stone walls were built and crops and livestock brought in. Gideon Smales called the farm Hampton Park as he wished to model it on the English gentleman’s estate. It was said to have once rivalled Sir George Grey’s Kawau Island estate for its ‘botanical excellence’.
The current homestead.
One of the many stone walls found on the farm, in the background is the cone of Hampton Park volcano
The farm grew oats, hay, barley, wheat and had an extensive orchard which included cider apple trees, pomegranates, oranges, figs and plums to name a few. In addition, to the more practical elements of the farm, the gardener – a veteran of the Crimean War – built a sunken garden in the form of the fort of Sebastopol. The remains of which can still be seen today. The excessive amount of stone on the estate resulted in it being used for a great many projects including the sunken garden, a rockery with a high stone wall and cave and of course the stone walls.
The stone walls which were constructed with the stone cleared away for cultivable fields was done so under the supervision of James Stewart who immigrated to New Zealand from Yorkshire. Due to the vast quantity of stone the walls were higher than was the norm and it was said there was over five miles of walls on the estate.
As is to be expected on a farm there are a number of buildings but perhaps the most striking are the remains of the stone stables, again built from stone quarried from the estate. Although not long after they were built a vagrant worker came to the estate looking for work, he was given a meal and allowed to sleep in the stables. That night the stables burnt down and the vagrant disappeared. They were never rebuilt properly although they were partly roofed over as barn and milking shed. Nearby are the derelict tin shed of the 1930s barn.
The 1930s barnThe site of a workers cottage
Two other buildings which still stand are the homestead and the church. The current homestead is the second to have stood on the estate, the first was burnt down in 1940 and the current homestead was built – only the front steps remain of the original house. The first homestead was built in 1855, it was three storied and had ten rooms which was later extended to eighteen rooms in 1869.
Images of the first two homesteads on site with the Rev. Gideon Smales on the left.
The small chapel – St John’s church – is also constructed using stone from a nearby quarry. Interestingly, the mortar for both the church and the house was made of burnt shell from Howick beach, the timber arrived via the Tamaki river and was brought overland by bullock teams. The first service to be held in the church was on Sunday the 12th January 1862. When the Rev. Gideon Smales died in 1894 he bequeathed the chapel and four acres jointly to the Anglican and Methodist Churches. It is still used today for services once a month.
The Missing Maunga
Beyond the settler history of the park there is another story that is reflected in the wider landscape of Auckland Tamaki Makaurau. As mentioned earlier the small volcano cone at Hampton Park is one of three in the immediate area, which may confuse the visitor, as nothing of the other two remain to be seen.
The inside of the Hampton Park volcano. The roofs of the industrial estate in the background is where Te Puke o Taramainuku would have stood and the green mound at the rear is all that is left of Matanginui (see below).
Te Puke o Taramainuku has been completely quarried away beginning in 1955 and now is vast expanse of factories, beyond is Greenmount or Matanginui which had minor quarrying from around 1870 which began in earnest during the 1960s. The quarry eventually became a landfill giving way to the gently sloping mound/hill we see today.
Another view of the missing maunga/volcanoes.
The quarrying of the volcanic cones around Auckland in the late 1800s up until the mid fairly recently was not an unusual. Many of the cities defining features were quarried away to make way for development and to use the raw material of scoria and basalt in the infrastructure of a city. An earlier event at the Devonport Museum told of the history of Takararo/Mt Cambria, another volcanic cone wedged between Takarunga/Mt Victoria and Maungauika/North Head which was mostly quarried away and only more recently became the pleasant parkland area it is today.
The parkland that was Takarora/Mt Cambria with Takarunga/Mt Victoria in the background.
Other volcanoes that have been subjected to quarrying to the point of total removal include –
Te Apunga-o-Tainui/McLennan Hills; Waitomokia/Mt Gabriel; Εtuataua Volcano/Quarry Hill; Maungataketake/Elletts Mountain; Te Pou Hawaiki (the second smallest cone and now a carpark);Te TΔtua-a-Riukiuta/Three Kings; Rarotonga/Mt Smart; Maungarahiri/Little Rangitoto; Te Tauoma/Purchas Hill to name a few.
There are also many others which have been partially quarried, of the fifty three volcanoes in Auckland only thirteen appear to have been untouched by the bulldozer and the digger. This is not to say that those that remain have been completely untouched by human hands. For as long as there has been people in Tamaki Makaurau then the landscape and its features will have been adapted and utilised to suit the needs and requirements of its inhabitants.
For more information regarding the volcanoes of Auckland I recommend the following book –
B. W. Hayward (2019) The Volcanoes of Auckland. A field guide. Published by Auckland University Press
Auckland was recently subjected to what the meteorologists refer to as a ‘weather event’. High winds and a months worth of rainfall caused damage and chaos throughout the city. None more so than on the islands of the Hauraki Gulf including Otata.
Reports came in of erosion and the lost of the shingle beach exposing the clay beds. It was decided that a visit to the island would be necessary, to assess and record the damage to the midden site. In addition, Louise Furey, the archaeology curator at the Auckland Museum, invited Bruce Hayward and Robert Brassey for a second opinion on the stratigraphy of the site (the former a geologist and the latter an archaeologist who had worked on the nearby islands of Motatapu and Tiritiri Matangi).
The first attempt to visit the island was thwarted, yet again by bad weather. However, on the second attempt we were graced with a stunning day with tides and winds in our favour and so we set off early morning. It was with some luck that only a few days earlier, the wind and tide redeposited much of the shingle back onto the beach, making landing on the island a little safer. On our arrival we could see that the sea had not been kind to the midden and much of the beach had indeed been washed away, leaving the midden sitting up high.
We spent the day measuring levels, recording and describing what could be seen. An Auckland Museum photography was on site to provide a photographic record of the midden in detail (look out for the video during Archaeology Week 2022). There was also a great deal of discussion regarding the stratigraphy – the outcomes of which can wait until the published report.
The following photos are of the site as it was seen on March 28th 2022 – these photos are my own.
Main Beach from the boat – the grey band is the remaining shingle, the dark brown band is the clay and above that are the midden layers.
The area of last years excavation – where the cobbles and branch is sticking out of the edge is where I excavated last year. The base of this square was at ankle height but is now almost chest height.
Taking levels.
For more information see a previous article on Otata here or visit the Noises website here and here for articles by Emma Ash (Assistant Archaeology Curator, Auckland Museum).
Coastal sites are always at the mercy of the environment and it can be heartbreaking to watch them year after year become less and less. The greatest shame is in the loss of the information that would have been gained if time and funds had allowed. Yes, it is true that excavation is destruction but when a site is under threat from elsewhere then surely it is time to step in and save that information for future generations. This is often done in urban areas before large developments are undertaken. Rescue archaeology shouldn’t just be about pre-development but also about the natural damage being done to archaeological sites.
Recently I was contacted by a reader of this blog who showed me a small but intriguing artefact he had found on the beach at Fitzpatrick’s Bay (Waitemata Harbour, Auckland, New Zealand). The photo was of a single piece of clay pipe stem, not all that unusual in itself. Clay pipes are one of the most common finds on any settler/colonial sites. However it was the legend stamped onto the opposing sides of the stem that caught my attention – ‘SQUATTERS BUDGEREE!!’ – yes there are two exclamation marks at the end of the legend.
Such an unusual name must have a good story…
A quick online search located an article published in the Australian Historical Archaeology journal which was able to provide the background to the name (see below for the reference to the article and link) and some eloquent discussion on the symbolism associated with this particular pipe.
This particular type of clay tobacco pipe was manufactured between 1840 and 1865 for the Australian market and was one of the ‘first commercial products specifically branded to appeal to the Australian colonial market’. It should be noted that these were most likely manufactured in the UK and not actually in Australia. Although Gojak and Courtney (2018) suggest that the mold was created by someone with local knowledge. When first manufactured the pipe itself spoke volumes about the political and social situation in Australia at the time.
Australia in the late 1830s and 1840s was undergoing a period of pastoral expansion which resulted in the dispossession and often violence towards indigenous people. Events came to a head with the Myall Creek massacre in 1838, here around thirty Indigenous people were murdered. This went against the then colonial government who tried to reign in the pastoralists and protect the Indigenous people. The government hunted down a number of those who were responsible for the massacre, seven of which were executed.
The symbolism therefore advocated for the pastoral interests at a time when there was a significant divide in colonial society…the symbolism of the pipe matched what many people already believed, that Aboriginal society was widely thought to be doomed…reflecting the belief in the inevitability of the strong and advanced overcoming the weak and primitive.
Gojak, D., & Courtney, K. (2018). Squatters Budgeree: a distinctive clay tobacco pipe produced for the Australian colonial market. Australasian Historical Archaeology, 36, 5β15
The bowl was decorated with coarse depictions of Indigenous people drinking alcohol on the side with word ‘budgeree!!’ And a pastoralist with animals under a cabbage tree on the side with the word ‘squatter’. The symbolism of the two opposing scenes clearly spoke to many in colonial Australia of the differences between the Aboriginal world of chaos and savagery and the world of the pastoralist – serene, productive, sobriety and quiet reflection. Even the exclamation marks at the end of the legend serve to emphasise the indignation of the pastoralists who felt they were being unfairly treated by the government in favour of the Indigenous people.
Unfortunately, all that was found at Fitzpatricks was a short fragment of stem but the words stamped on the stem are also a political statement. Both words originate in New South Wales – ‘squatter’ refers to the pastoralists who grazed their herds on land without government sanction, whilst ‘budgeree’ is a form of pidgin local dialect and comes from the Dharug language from Sydney. It means ‘something that is good’ or ‘someone who is doing well’. Thus the words can be read that the ‘pastoralists are doing really well’.
From this point on colonial society became split into two camps, those who supported the pastoralists and those who did not. Using the ‘Squatters Budgeree’ pipe became a political act – a way of displaying support for the pastoralists. Not dissimilar to our modern inclination of showing support for various causes on a t-shirt.
Photo by D J Payne and used with permission.
Photo by D J Payne and used with permission.
So, what is an Australian tobacco pipe doing in New Zealand? Other Squatter Budgeree pipes have occasionally turned up during excavations in New Zealand, such as, at Paremata on the Porirua Harbour and the Victoria Hotel site in Auckland. In the case of Paremata, a military site, it could be that it arrived as a personal item with troops from Australia at the time of the New Zealand wars. Whilst the excavation of the Victoria Hotel yielded a large number of clay pipes, amongst which was a variety of Australian themed types, including the Squatters Budgeree. At the time almost all of New Zealand’s imports came through Australia and it is most likely that these pipes were part of a general lot. It is equally possible that such pipes were sold in New Zealand from a job lot, so to speak, when the Squatter pipes went out of fashion after 1860.
In regard to our small but perfect specimen, the jury is out but given the bay’s proximity to the new settlement of Auckland, the connection to the harbour and of course our understanding of the early settlement of Fitzpatricks Bay – the reader can make their own judgements…
Reference – ‘Squatters Budgeree: a distinctive clay tobacco pipe produced for the Australian colonial market.’ By Denis Gojak and Kris Courtney. Australian Historical Archaeology Vol 36 2018 pp5-15.
Written with special thanks to D J Payne who brought the pipe stem to my attention and provided the photos for this blog post. Please do not use the photos without permission.
Te Wiki o Te Reo MΔori – Placenames in the Landscape.
Last week it was Te Wiki o Te Reo MΔori – MΔori Language Week and even if this post is a little late, it seemed a good idea to take a look at the names MΔori gave to their places as a way of celebrating the language of New Zealand’s first people.
As you may already know as a landscape archaeologist I have a fondness for place names (see an earlier post on Cornish Place names) so felt it was about time I had a look at place names here in Aotearoa (New Zealand).
Place names in today’s Aotearoa are either of European origin or MΔori, however it should be remembered that many of the places which today have a European name did indeed have a MΔori name prior. As mentioned above the purposes of this blog it is the MΔori names which are of interest. The European names will be considered in a separate article at a later date.
The need to give a place a name is universal to people across the world, it is our way of defining who we are and our relationship with the world surrounding us. The names of places can commemorate an event, define a landscape feature, be used to help travellers find their way, as a warning or as a way to signify a place of importance. In regard to MΔori place names difficulties arise when trying to give a literal translation into English, for some words there are more than one meaning (as it is with English). Often the meanings behind a word are not easily definable. Words such a Mana and Tapu can be given an English interpretation but in actuality have a much more complex meaning to MΔori. Add to this the fact that when MΔori words were first written down by Europeans often the words were misheard and misspelt – a wrongly placed vowel can change the meaning of a word quite drastically.
What follows is just a few of the many place names and their interpretations.
One of the most important common words that make up MΔori place names relate to features in the environment. Thus a word that begins with ‘Awa’ could refer to a river, gulley or valley; ‘Manga’ though is a stream or tributary and is not to be confused with ‘Maunga’ or mountain. The prefixes can be followed by other descriptive terms such as, iti/small, nui/big, roa/long. They can also have the names of people attached to them, the names of gods and the names of birds, fish and fruit. The latter often indicating the good places to forage for the said kai (food). From the perspective of the landscape archaeologist (or anyone interested in the past) the interpretation of place names can give us clues to the past, fleshing out the otherwise dry facts with the human story.
One of the most important part of any society is the ability to feed the people. As a result there are many place names which indicate the places that are good for food gathering and growing.
Awatuna – eel (tuna) creek (awa).
Kaipataki – to eat (kai) flounder (pataki).
Kaipara – to eat (kai) fernroot (para).
Motukanae – mullet (kanae) island (motu).
Whenuapai – good (pai) land (whenua).
Motukina – island (motu) of kina (a type of sea urchin).
Otamahua – the place where (o) children (tama – short for tamariki) at seagull eggs (hua).
Kaikoura – to eat (kai) crayfish (koura) – its full name is Te Ahi-Kai-koura-a-Tama-ki-te-rangi or where Tama the great traveller stayed and lit a fire to cook crayfish. A place where even today crayfish are sought after.
Arowhenua – there are several possible interpretations of this name – good or desirable land; turning land for cultivation or to desire land.
Hakapupu – estuary of shellfish.
Ororoa – the place of roroa (a type of shellfish).
Tahekeaua – a place to catch herrings by the waterfall – taheke (waterfall) aua (herring).
Mararua – two (rua) plantations/places of cultivation (mara)
Kaikoura 1983 from Archives New Zealand.
Other resources also appear in place names:
Motukauatiti/Motukauatirahi – two bays (Corsair and Cass Bay) noted for the Kaikomako trees, the timber of which was good for firemaking.
Omata – the place of flint/quartz – O meaning ‘the place of’ and mata can mean either flint, quartz, sometimes obsidian but also headland (interpretations can depend on what comes before or after the word).
Otemata – the place of good flint or quartz.
Ratanui – plenty (nui) of rata trees.
Kaitieke – to eat the tieke (saddle-back, a native bird).
Whangamata – obsidian/flint/quartz (mata) harbour (whanga) – obsidian is the most likely candidate as it washes upon the beach here from nearby Mayor Island.
Anatoki – cave of the adze.
From Buller’s ‘A History of the Birds of New Zealand, 2nd edition’ 1888.
Then there are the names that serve to aid those navigating the landscape:
Putarepo – the place at the end of the swamp where it could be crossed.
Puhoi – refers to the slow tidal flow thus it was necessary to wait for high tide for the river to be navigable.
Otira – the place of travellers – indicating an old campsite on the Otira River where food was prepared for the trip through the Hurunui Pass.
Motuara – island (motu) path (ara) – most likely to mean an island in the path of canoes.
Tauranga – resting place/safe anchorage for canoes.
Kaiwaka – literally to eat (kai) canoes (waka) – may refer to the places where the swift flowing river has the ability to destroy a canoe.
Mangawhata – the stream by the storehouse.
Arapuni – two possible interpretations – a path to a camp or a path that has been blocked – Ara meaning path.
Whangaruru – a sheltered (ruru) harbour (whanga).
There are also names that serve to warn people away from place:
Kaitoke – to eat (kai) toke (worms) – indicating a place of poor soil.
Mangakino – bad/useless (kino) stream (manga).
Waikino – bad (kino) water (wai).
Mangamate – stream (manga) of death (mate) – one wonders what happened here to warrant such a name.
Otepopo – literally the place of the decay – or the place of Te Popo.
Motutapu – sacred/forbidden (tapu) island (motu) – possible a name given after the eruptions of Rangitoto and the island was covered in volcanic ash.
Matatapu – sacred headland.
The two islands of Rangitoto (on the left) and Motatapu (right).
Other places are simply descriptive:
Maunganui – big (nui) mountain (maunga)
Tauranga-Kohu – kohu means mist/fog and thus this name could indicate a place where the mists linger.
Waihapa – crooked (hapa) water/stream (wai).
Waihaha – noisy (haha) water/stream (wai).
Pukekahu – hill (puke) of hawks (kahu).
Pakowhai – village/settlement (pa) by the kowhai (native flowering tree).
Mahoenui – the place of many mahoe trees.
Ngaroto – the lakes.
Rotoma – the lake of clear waters.
Ngapuna – the springs
Onehunga – the place of burial
A simple perusal of any map will show that certain prefixes are more common than others and for obvious reasons. Hills (puke), mountains (maunga) rivers (awa), streams (manga), lakes (roto), caves (rua), water (wai) and harbours (whanga) are prolific features of the landscape.
Other names are used to commemorate an event thus Ahuahu (Great Mercury Island) is literally translated as ‘to heap up’ but refers to when Paikea came to the island on the back of a whale, when he landed he was cold and so heaped the warm sand over himself hence the name.
Iwikatea (Balclutha) is a reference to a great battle that occurred here and where the bones of the slain remained for many years.
The Hokianga proper name is Hokianga-nui- a-Kupe or the ‘Great returning place of Kupe’ – it is from here that Kupe returned to Hawaikii.
A panoramic view of the entrance to the Hokianga Harbour- photo by Andyking50 on wikicommons.
Patumahoe literally translates as a weapon made of mahoe, a native tree. But further digging finds a tale of how ‘in a battle at this place a chief was killed with a mahoe stake’.
Tamaki-Makau-Rau (Auckland) is called thus because of its excellent soils and bountiful harbour there were often many fights to establish who would hold this prize – literally it is translated as ‘Tamaki of a hundred lovers’ – tamaki can be translated as battle.
Motu-toa can be translated as the island where warriors fought.
Rotoiti – the full name of this lake is Te Roto-iti-kite-a-Ihenga and is interpreted as the little lake that was discovered by Ihenga.
Te Tawa – here Ihenga pushed his canoe with a piece of tawa wood, it stuck in the ground and he left it there thus naming the place after it. Ihenga features in many of the interpretations of Aoteoroa’s places.
Kirikau – a place where a battle was fought in which the contestants were naked – kiri (skin) kau (bare).
Another grouping of place names relate to the cosmological – the deities, the supernatural and the movement of the sun, moon and stars.
Tapuaenuku – the footsteps of the rainbow god.
Te Puka-A-Maui – the anchor stone of Maui (Stewart Island).
Ruataniwha – literally, the two taniwha (see earlier article on taniwha for more information) – in this case that there were two great taniwha who lived in a lake and fought over a boy who fell in. Their struggles formed the Tukituki and Waipawa Rivers.
Oamaru – the place of the god Maru.
Anakiwa – Cave of Kiwa – Kiwa was a man’s name but was also one of the gods of the sea.
Omaui – the place of Maui.
Oue – the moon on the fourth night.
Otane – the moon on the twenty-seventh night – the place of the moon.
Momorangi – offspring of Rangi (the sky god).
Te Waka-A-Maui – an old name for the South Island – referring to the canoe (waka) from which Maui fished up the North Island.
Otamarau – the place of Tamarau – a spirit who comes in the whirlwinds.
Map of Te Waka-A-Maui (The South Island)
These are all just a few examples of the wide variety of names used by MΔori, there are many more that have not been touched on in this article – to do so would be the work of whole of book. Place names not mentioned are those commemorating a particular person. Ihenga and Kupe have already been mentioned but there are many others such as Mangaotaki (the stream of Taki) or Hekura, the name of a woman from the Arai-te-uru canoe. Or Ohinemutu, the place of the young woman who was killed – she was the daughter of Ihenga who placed a memorial stone at the place of her death calling it Ohinemutu. There are also the places that were named after the arrival of the Europeans such as Hiona, the name given to a pa on the Whanganui River, by the missionaries – it is the MΔori name for Zion. Or Maheno, an island – the name was given by the Europeans.
Then there are the names which are very old and come from the homeland of the first people to set foot in Aotearoa. Names such as, Maketu or Nuhaka, both names are after a place in Hawaikii. Then there is Atiu, one of the oldest names in Marlborough and is a possibly a name transferred from the Cook Islands.
As mentioned before this is but a small insight of the fascinating world of Te Reo and the place names of Aotearoa. From a landscape archaeologist point of view all of these names give an insight to how MΔori viewed their world and the events that shaped their memories of places. Giving us key glimpses into the past. Putting flesh on the bones of the evidence.
Museums have always been a favourite place of mine. If you ever want to really understand a place then visit the local museum. In New Zealand there appears to be a museum for everything, not all tickle my fancy – thus a car museum or a military museum are not really for me. However, this summer I had the opportunity to visit a number of museums around the south island of New Zealand that, well, did do it for me. These were mostly the small regional museums that told the story of the places they were part of.
Below you will find a few impressions of the museums I did get to visit, there were far more than I actually had either the time and my family’s patience to visit.
Our tour of South Island museums begins on the east coast in the tourist mecca of Kaikoura…
Kaikoura
Kaikoura is a small town on the east coast of the south island famous for whale watching and crayfish. In fact, the Maori word for crayfish is ‘koura’ (kai meaning food or to eat). In recent times it was hit by major earthquake which did substantial damage to the town, the landscape and the people.
The museum is situated opposite the I Site in a unique building known locally as ‘the craypot’. The first museum in the area was established in 1971 and was originally situated in an old warehouse. A grant from the Lotteries Heritage Fund enabled the museum to move to its new headquarters and it was opened in 2016. Governed by the Kaikoura Historical Society it tells the history of the area from its earliest times through to the recent earthquake.
The Kaikoura Museum and Library.
The museum space itself is not huge but it does cram a lot in, as to be expected in such a history rich area. Each section has been thoughtfully set out to explain a part of the regions history, from the natural environment, early settlers, fishing, whaling and more. One of the many issues facing many local history societies is the amount of items which are donated to them and how to properly display them with sensitivity to those who generously donate. At the Kaikoura museum I was impressed with the collections of items such as the saddles or the telephones – each showing the changes over time.
There is also a reconstruction of a jailhouse, a faithful reconstruction of a local store – Davidsons Store – and several full size carts/buggies.
The following pictures give a flavour of the other displays to be found. Unlike many other local/regional museums, here the Maori history of the area is sympathetically integrated into each display rather than being segregated and being treated as something ‘other’. Thus, in the display on fishing the history is explained from its very beginnings before the arrival of Europeans up until most recent times. It is refreshing to see the Maori story being told as an integral part of a places history. Below is a short slide show of some of the fishing display as well as the whaling history.
A display on war and weaponry…the Maori story sits comfortably next to the European story…
Otago Museum is situated in the heart of Dunedin and has close links to the University of Otago. Unlike the other museums in this post, Otago Museum is much larger with multiple rooms covering a range of subjects including geology, natural history, the Pacific Islands, world archaeology, early Maori history, colonial history and much more.
Interestingly the museum itself started life as a collection of rocks. It was during the 1865 New Zealand Exhibition in Dunedin in which Sir James Hector displayed a collection of geology samples he had collected during the Geological Survey of Otago. He labelled them ‘Otago Museum’ and thus the museum was born. After the exhibition the rocks stayed in Dunedin and were housed in the old Exchange Building which became the Otago Museum for ten years.
The first curator was Frederick Wollaston Hutton and it was under his management that the collection expanded eventually outgrowing the Exchange. In 1877 a new museum was opened and it is still there today, albeit with some embellishments. When opened the museum held 3674 items, today there are some 1.5 million objects and only a small proportion of those are displayed in the eight permanent galleries.
Animal Attic – a haven of taxidermy
Beautiful Science – digital installations
Maritime – celebration of Dunedins maritime history
Nature – New Zealand’s natural history with emphasis on the South
Pacific Cultures – art and culture of Oceania
People of the World – Egyptians, Greeks, Romans and more
Southern Land, Southern People – the prehistoric past
Tangata Whenua – the taoka of Kai Tahu, the South Islands principal iwi
I only had a brief time to explore the museum, it will definitely be on my list to revisit should I ever get to Dunedin again. The following are handful of photos from this large regional museum.
Defying the norms of classification this extraordinary museum (or is it an art gallery?) will often have you wondering if you have accidentally been transported into some strange dimension. Situated at the entrance of the Victorian precinct in the beautiful town of Oamaru, it is perhaps the most unexpected and quirky delight. Founded in 2011 by a group of people who are passionate about steampunk and wanted to share that passion.
Steampunk (in the words of HQ itself) ‘is a quirky and fun genre of science fiction that features steam-powered technology. It is often set in an alternate, futuristic version of 19th century Victorian England…’ I would also add that there can also be Mad Max or even a Frankenstein vibe to some of the inventions, making one wonder what is going on in some peoples minds.
Overall, it is a fascinating place to visit and certainly offers up a distinct visitor experience which you will not likely forget. Below are a few photos to give you an idea of what to expect.
This regional museum can be found in the heart of Arrowtown, established in 1948 it was originally situated in the billiard rooms of the Ballarat Hotel. In 1955 it moved to its current home in the old Bank of New Zealand building. In the following photos you will see that the museum encompasses the original bank’s stables and the original bakers oven which were built around 1875.
The museum itself documents the social history of the gold rush era as well as the early pioneers and farmers of the area. An unexpected delight and probably the teenagers favourite was the recreation of a street in the lower part of the museum. Here we found a ‘grog’ shanty complete with a town drunk; a blacksmith’s smithy and a Victorian school house.
Coaltown can be found in the West Coast township of Westport, it is part of the i-site building and was opened in 2013. The museum itself is contained within a single large room sectioned off to cover the stories of this remote part of New Zealand – the Buller District of the norther west coast, including the towns of Denniston, Stockton and Millerton. Starting with the early gold rush days through to the settling of the district and then the development of the coal mining it not only looks at the technology of mining but also the geology which makes the area so favourable. There are displays on the maritime heritage (important for the transport of the coal to market), other forms of transport and unionism Importantly, the museum does not forget the people and the social aspects of a community dependent on mining and the men underground.
It was a cold and wet Sunday afternoon when I visited and to be honest if it wasn’t for the weather and wanting to stay dry for a bit I may not have ventured into the museum…a mining museum is not entirely my cup of tea. However I am glad I did, it is a well presented museum with plenty of stories to be told. Perhaps one of the most mind boggling displays was that of an eight ton coal wagon perched at high in the building showing the steepest part of the incline at Denniston…
The following are just a few photos of some of the displays…
The final museum in this multitude of museums was the Nelson Provincial Museum and in it was exactly what you would expect of a museum which collates and tells the story of regional New Zealand. In it’s own words it ‘is the kaitiaki (guardian) of social and natural history and Taonga from the Nelson and Tasman regions.Β We are New Zealandβs oldest museum tracing our origin back to the foundation of the Literary and Scientific Institution of Nelson in May 1841.‘
Beyond this there are additional exhibitions such as the ‘Tupaia. Voyage to Aotearoa’ and ‘Slice of Life: The World Famous Dunedin Study’. In the first I discovered that I am a rubbish navigator and in the second my son experienced some of what it was like to grow up in the 70s, 80s and 90s.
I am a serial collector of bits and bobs from the foreshore.
If I lived in the UK some might call me a mudlark but here in New Zealand I cannot lay claim to such a title. Generally speaking I pick up shells, stones and bits of seaglass that catch my eye, these end up either in my garden or in a bowl on the bookshelf – (at which my husband spends an inordinate amount of time tutting atβ¦). However, I also have an eye for ceramics and it these which are the subject of this particular article.
If you are a regular reader of this blog you may have read two previous articles regarding the area around Fitzpatrickβs Bay on the Inner Waitemata (read here). As I have previously mentioned it is one of my favourite places to walk to even more so because of the untold history of the area. The ceramics that I have picked up from the beach have all been found below the tide line and I believe they provide further evidence for the range of occupation of the beach and area above it.
The following is a summary of these ceramic pieces.
There is a total of 1.7 kilograms of ceramic sherds in the collection which equates to two hundred and twenty-three sherds. For ease of assessment I divided the collection into four groups; whiteware, blue and white, stoneware and others.
The total number of sherds found on the foreshore laid out in their groupings.
Whiteware
This group is so named not because of the fabric type but simply because it consists of plain and generally undecorated sherds of a white and in some cases yellowy colour. Of the seventy individual sherds twelve represent vessel bases and fifteen vessel rims. Two rim sherds had molded decoration as did two body sherds. There was a single large handle, most likely from a teapot, in addition there was body sherd with the base of a fine handle indicating it came from tea cup. Two further sherds had a wide banded molded decoration. One of the more interesting pieces in this group was the molded foot of a vessel (see picture).
Several pieces appear to be yellow ware β a type of pottery so named as a result of the clay used which turns yellow as a result of impurities in the clay. This particular ceramic type is mostly American in origin and had its peak of production between 1860 and 1870.
The vessels represented are mostly from plates, cups/saucers and bowls.
The date range based on fabric type for this group appears to be from the mid nineteenth to the mid twentieth century.
All of the whiteware group.
Stoneware
Stoneware refers to a type of pottery fired at high temperatures (1200degrees Celsius) which then becomes non-porous through vitrification and therefore any glazing is purely decorative. Generally, this type of ceramic is used to bottles (ie ginger beer), jugs and large containers.
In the group found at Fitzpatrickβs four were bottle rims (two of which are of a type found on ginger beer bottles), three represent the shoulders of large containers and two are bases, the remaining eighteen are body sherds. There are approximately sixteen vessels represented.
Fabric types range in colour from a creamy brown to medium grey; the sherds range in thickness from 3.5mm β 13mm.
Only one has part of name stamped on the exterior β ββ¦FIELDβ
The total range of stonewares.
Blue and White
As the name would suggest this group consists of sherds which have blue and white decoration. Of the seventy-two sherds, twenty-two are rims pieces and eleven are bases. The majority of the sherds are transfer print, with the ubiquitous Willow Pattern being well represented (twenty-four sherds). Flow ware, a blurred transfer printing technique (1820-1900) is also represented (ten sherds) as is edge molded ware β feather/shell pattern (1830 β 1860).
Two sherds are possibly pearlware β indicated by a bluish concentration of glaze in vessel crevices. Pearlware was developed by Josiah Wedgewood in 1779 but was in decline by 1820. If these pieces are indeed pearlware it is possible they represent heirloom pieces and not an early date for settlement in the area.
Several pieces are heavily discoloured with much paler decoration suggesting an older date to the newer shinier looking sherds. In addition, there are several sherds with blue annular decoration most likely dating to the early 1900s.
Other
This group is in essence all the other sherds that did not fit into the other three categories. There are fifty-four sherds in total of which almost half are of a type with yellow/green glaze, several with a white annular slip.
Of the remaining sherds; three are red earthenware with a yellow tin glaze, probably one vessel and most likely to be from a large mixing bowl; two, possibly three have mulberry coloured transfer print; six are green transfer print; three are brown transfer print; three have a black flow transfer print and the remainder have a single colour glaze suggest a mid-20th century date. The different coloured transfer prints were popular in the mid to late nineteenth century.
Conclusions
The study of nineteenth and twentieth century ceramic types is hampered by the huge variety present. Dating of the ceramics depends largely on fabric type and glaze. Generally speaking creamwares are earliest (1762-1800), followed by pearlwares (1775-1840) and then whitewares (1820 – ). For more information on the differences of these fabric/glaze types the following article is useful starting point – https://cartarchaeology.wordpress.com/2017/02/17/creamware_to_whiteware/
In a previous blog post I suggested that the earliest occupation of the bay was by a James Fitzpatrick and his family who settled and lived here from around 1840/50 β James tried his hand at anything and was at various times a farmer, a gumdigger and had a small brickworks on the edge of the beach. The earliest parts of the assemblage would corroborate an early occupation, such as the pearlware, the early transfer print and the shell-edge moulded ware. When the Fitzpatricksβ left the area is not known.
Following this time, the bay was rarely occupied until the late 1800s and early 1900s when the grassy area was utilised as a campsite during the summer months for Aucklanders wishing to get away from it all. There was at this time a caretakerβs house on the hill above the beach. Once again, the assemblage follows in these footsteps, with many of the sherds being of a type to be expected for the time and usage.
The small handful of mid twentieth century sherds goes some way to corroborate the local story of American soldiers being temporarily stationed in the area during WWII.
The vast quantity of sherds (note I have also perused the beach at nearby Kendallβs Bay, which was also used as a campsite in the late 1800s and early 1900s and have found only a fraction of the Fitzpatrickβs assemblage) and as only a small number are quite worn from being tumbled about in the sea it is fair to say the majority come from an unknown dump site, situated not far from the beach. There are two possible contenders for the dump site; the first is situated at the northern end of the beach and is heavily eroded away, a number of the sherds were found on the beach below this point. The second is at the southern end of the bay where there is a modern drainage ditch which may have cut through the dump serving to wash many of the sherds down onto the beach.
The likelihood is that both were in use at various times, the first one was perhaps in use by the campers of the late nineteenth and early twentieth centuries whilst the second which would be situated at the bottom of short sharp drop (typical of very early dump sites) dates to when there was a farmhouse on the hill above the beach as well as the later caretakerβs house.
In this the
second part of my small study of land use and settlement in the Upper Waitemata
we are staying within the area defined in part one β from Island Bay to
Kendallβs Bay, keeping within the coastal strip. This part will take a look at the early colonial/settler
history of the area, with the emphasis being on the early or pre-WWII. After this point in time there is plenty of
written records and several good books written on the history of Birkenhead and
I have no desire to rehash already well-known information.
In 1769
Captain James Cook sailed through the Hauraki Gulf past Waiheke Island and made
a note that there might be sheltered harbours to the west. The only other Europeans around at the end of
the eighteenth century were whalers and as of yet no records have been found of
any exploration into the upper Waitemata.
It appears that it is not until 1820 that Europeans began to show an
interest in this sheltered inland harbour.
Reverend
Samuel Marsden is often credited with being the first to explore the area, in
his diaries he states that he left the HMS Coromandel at Waiheke and was guided
by Te Morenga to Riverhead where he then travelled overland to the Kaipara
River β a route travelled by Maori for centuries.
During the
next twenty years there were undoubtedly forays by other Europeans into the
Waitemata, perhaps looking for timber and other such opportunities however
their stories are as yet unknown. In
1840 the HMS Herald was the next major ship to visit the Waitemata, onboard was
the Lieutenant Governor of NZ Hobson and the Surveyor General Felton
Matthew. They spent the next two weeks
exploring the harbour β Herald Island is named after the ship and of course
Hobsonville after the Governor who had initially favoured the place as the capital
of New Zealand.
Slightly
further afield from our area of study there are records from around this time
which make a note of sailors rowing up Hellyers Creek to a place called The
Lagoon to restock their freshwater supplies, however, βit has also been recorded that in 1841 a Mr Hellyer, lived on the bank
of the creek which now bears his name.
He brewed beer which no doubt was a great incentive to those earlier
seamen who rowed up the harbourβ¦β
An early but seriously water worn pipe end found on the beach at Kendall’s Bay – it is easy to imagine the early sailor who dropped their pipe overboard as they sailed up the Waitemata.
In 1841 our
area of study was part of a large land purchase called the Mahurangi Block, it
extended from Takapuna/Devonport to Te Arai and encompassed the majority of the
present-day North Shore. The first parcels of land to be auctioned in 1844 were
between Northcote and Lake Pupuke. Much of the early purchases in the
Birkenhead area were part of a land speculation trend without the land being
settled or farmed. Significant chunks of
land sold were the area from Rangitira Rd/Beach Rd to Soldiers Bay which was
sold to William Brown in 1845 and the area from Balmain and Domain Rds to the
shore encompassing one hundred and ten acres being sold to a James Woolly also
in 1845. However, it does not seem that
either of them actually lived here. It
was common practice for land to bought speculatively and sold on in smaller
parcels to settlers fresh off the boat so to speak, such as the βTramway
Companyβ a land development company who bought large tracts of land in what is
now Birkenhead.
The earliest
settlers of the Birkenhead area who are known were Henry Hawkins, Hugh McCrum,
John Creamer, Joseph Hill, James Fitzpatrick and William Bradney. All of whom appeared to have had a go at
farming but little else is known about them.
Unfortunately,
those early settlers who chose the Birkenhead area were in for a hard time, as
mentioned in part one the soil was not conducive to farming in the traditional
sense. Settlement was a rather slow
process particularly when compared to other parts of the North Shore and
Auckland. Not surprising when faced with
the prospect of clearing the bush before they could even build themselves a
dwelling. Many of the early dwellings
were simple one room nikau whares, constructed of sod walls with a raupo or
nikau thatched roof. As they cleared the
bush often deposits of kauri gum would be found and sold ensuring a source of
income.
A reconstructed nikau/ raupo whare at Howick Historical Village – a living history museum in east Auckland.Lumps of kauri gum found at Kendall’s Bay.
Even though
most of these early farmers only managed a subsistence living, there were the
occasional success story. Birkenhead
became quite well known for its fruit orchards, the first of which was
established by Henry Hawkins. There are
two differing accounts as to where Hawkins had his orchard, some maintain it
was near Soldiers Bay and others say it was on the ridge where Birkenhead Ave
now runs. It is of course possible that
both are correct, one of the earliest estates to be subdivided and sold was the
Balmain Estate (also known as the Balmain Township) which extended over a much
wider area than just the Balmain Rd of today.
The steep sided valley of Soldiers Bay would appear to not be conducive
to a fruit orchard, the thick kauri groves would have been quite a hindrance to
say the least. However, an advertisement
in the local paper for 1855 has H J Hawkins selling 700 fruit trees from his
farm at The Glen, Soldiers Bay. Later in 1870-71 Hawkins is recorded as owning
allotment two and three in Birkenhead β this is situated on the ridge which is
now Birkenhead Ave.
Another
early settler is mentioned in relation to a dwelling on a map dated to 1849,
the house was owned by a John Crisp and was situated close to what is now
Fitzpatrick Bay. Unfortunately, I have been unable to corroborate this.
According to
a local history study of Island Bay and surroundings (Island Bay. A Brief History) there is an 1844 map which shows a
dwelling occupied by a Mr George Skey. The bottom part of the block was
developed into a small farm and sold as a going concern around 1849. It had its own jetty and a farm boundary
ditch, unfortunately I have been unable to track down this map to verify this
information and the area where the farm is said to be (and relatively well
preserved) is part of the Muriel Fisher Reserve which is currently closed due
to kauri dieback. Having said that, it
is definitely something to consider and requires further investigation.
Soldiers Bay at low tide – the tree covered area to the left is part of the Muriel Fisher Reserve and the probable site of allotment 148.
Whilst the
1880-81 electoral roll lists a small block (allotment 148 β a trapezoidal block
which ran from what is now Rangitira Rd to the western edge of Soldiers Bay) of
twenty-three acres owned by a Mr Clement Partridge who is described as a
settler. The area of Island Bay was one
of those places where early land sales were of the speculative kind. It wasnβt until the βTramway Companyβ, a land
development company, bought large tracts of land in the Birkenhead area
including Island Bay, that small dwellings began to appear. Like many of the
bays in the area, Island Bay was a summer place with the majority of dwellings
being bachβs and only a handful were occupied all year round. The road began as a dirt track mostly used by
gumdiggers and was previously known as Victoria Rd West prior to 1913.
Whatβs in a Name?
Placenames
often hold clues as to the early settlement of an area and its changing
history. In part one we already looked
at some of the Maori names for places and how they relate to not only how the
landscape was used but also how the people saw themselves within their
world. For Europeans the naming of
places can be a lot more prosaic and, in some cases, the reason for the name is
obvious such as Island Bay, so named for the small island at the end of the
road which was once separated from the mainland and only accessed at low tide
via stepping stones.
The island after which Island Bay is so named…
Others,
however, are much more difficult to ascertain β Kendall Bay is obviously a
European name but at this point in time there are no records of anyone with the
name of Kendall after whom the bay was so named. One possibility is that Kendall may be the
name of gumdigger or gum buyer situated at the bay β gumdigger camps were often
situated at the head of sheltered gullies near fresh water and near to the
coast. Kendall Bay satisfies all of
these requirements. Interestingly, the
bay is also known locally as Shark Bay, undoubtedly because of the shark
fishing grounds exploited by Maori and later Europeans.
Kendall’s Bay or Shark Bay on a foggy morning.
Interestingly,
Kauri Point is the one placename not to change and to be consistently included
in the majority of maps dating back to 1842 and up to the present day. It would be a fair guess to say the name came
about as a result of the large kauri stands which would have been easily
visible to the first people to sail up the harbour.
Names have
also changed through time or have been forgotten. The Upper Waitemata was once called Sandy Bay
on a nautical chart from 1841; another early map refers to Pt Shortland (1842),
the headland where the Naval Base currently is; on other maps the bay we know
today as Onetaunga Bay was once called Quarrymanβs Bay.
Quarrymanβs Bay, like Brick Bay further up the harbour, refer to the early industrial endeavours of the areaβs inhabitants. Both quarrying and brickmaking were popular industries in a land where traditional farming was problematic. One of the occupations of a potential early settler in the area was brickmaker (see below).
Just a few of the many bricks found on the beach at Fitzpatrick’s Bay – possibly either as a result of a small brick making industry or as a result of the demolition of the house on the hill which may have had a brick chimney.
Soldiers Bay
is an interesting case of a name that has been around for a long time but its
origins are hazy. The earliest mention that
I have been able to track down is dated to a map of 1863. Today the stream that runs down from the high
ground and empties into Soldiers Bay would have been a lot less silted up and
most likely navigable by waka or rowboat as far as the present-day
carpark. Today there is a causeway which
joins the bottom of Balmain Rd to the reserve which would not have been there
in the early days. This causeway was
most likely constructed in the early twentieth century when a caretakes lived
at the end of the reserve above Fitzpatrickβs Bay.
The modern causeway which now links Kauri Point Domain to the bottom of Balmain Rd – there are oral histories which tell of access to the beaches being further up the valley.
None of
which gives us any clue as to why Soldierβs Bay is so namedβ¦it has been
suggested that the bay gained its name as a result of an encampment of militia
during the unsettled times of the mid-1800s.
At the time, Hone Heke was βmaking life unpleasantβ for settlers in the
north, particularly the Hokianga, and many had moved south to take up land in
Birkenhead. To allay the fears of the
settlers a contingent of soldiers may have been positioned in various
placesβ¦hence Soldiers Bay. As mentioned
before the stream would have been navigable to the bottom of present-day
Balmain Rd, just before that though there is a flat spur which would have
provided a good position for an encampment, with a clear view of the harbour
and a fresh water supply.
The final
placename to consider is that of Fitzpatrickβs Bay, this small sandy bay is
today part of the Kauri Point Domain and is a popular recreational reserve for
the local area. There are two possible
people responsible for naming of the Bay β Charles Fitzpatrick or James
Fitzpatrick.
An
examination of Jury Lists and Electoral Rolls shows that a James Fitzpatrick
arrived on the Jane Gifford in 1842 with his wife and daughter. The Jury List of 1842-57 lists James as
living on the North Shore as a brickmaker; in the 1850s and 1860s he was still
living on the North Shore but was now a farmer and a freeholder. Whether or not he was actually living in the
Birkenhead area is difficult to say; Birkenhead itself was not so named until
1863 and up until that point there was very little distinction between
areas. In the 1870-71 electoral roll
James was listed as residing in Takapuna, allotment 15 β a survey of the
cadastral maps of 1868 shows that allotment 15 is in fact in Northcote
(Takapuna refers to Takapuna Parish of which included todays Takapuna,
Birkenhead, Northcote, Hillcrest, Birkdale, Beachhaven and so on). In 1890, James was still in the Takapuna
Parish but was now listed as a gumdigger.
Photo of gumdiggers outside a raupo whare on the Manukau Pennisula ca 1891 (from Auckland Libaries heritage Collections 07064)
Charles Fitzpatrick only appears twice in the lists; first in 1867 and as having a freehold land and house at Kauri Point however by 1890 he had moved to Morrinsville. Whilst only Charles is listed specifically as living in our area of study and he would appear to be the best option for the naming of Fitzpatrick Bay it is still not possible to rule out James.
Addendum
Not long after this post was written, I was contacted by a gentleman who currently lives south of Auckland near Hamilton. He was happy to confirm that James Fitzpatrick was indeed the correct person after whom the bay was named – James was his great great grandfather. He was also able to confirm that James did have a small brick kiln in the bay.
The first photo shows the slope near the beach where the brick kiln was situated; the second and third photos show one wall of the kiln in situ, but taken two years apart. Erosion, foot traffic and such has meant much of what was exposed has now disappeared. The last photo shows a close up of the soil with evidence for burning.
Fun in the Sun
The study
area today is made up of three different zones β residential (Island Bay),
defence (Onetaunga Bay) and recreational (Fitzpatrick Bay, Soldiers Bay and
Kendall Bay). In 1888 Governor William
Jervois permanently reserved for the purpose of recreation 133 acres of land
(allotment 162 and 163) in the Parish of Takapuna. It had been his hope that the area was turned
into a national park, a place of tranquillity for Aucklanders. This was the
area from Kendall Bay to the eastern end of Fitzpatrick Bay. In 1913 the Harbour Board acquired a further
forty-two acres which included Kauri Point (allotment 164) which had previously
been owned by Sir John Logan Campbell until his death in 1912. Further to this the area around Fitzpatrick
and Soldiers Bay were then added to the park in 1916. An article in the New Zeland Herald in 1916
stated that the reserve had a fine waterfront and had in the past had been much
used as a camping and picnic ground. It
also mentions a βgood five roomed houseβ, our first mention of what was to be
known as the caretakersβ house.
Photo of the proposed plan for a park at Kauri Point dated to 1913.
An article from 1900 also in the New Zealand
Herald also mentions how the Kauri Point Domain board had agreed to allow
campers for a small fee. Interestingly
they also denied a request for funds for a wharf. Reading through multiple articles the request
for a wharf in the area is one which is constantly brought up, eventually a
wharf was constructed but not at Fitzpatrickβs or Soldiers Bay but at Onetaunga
Bay and it was paid for and built without the help of the board or their funds.
The grassy area at Fitzpatrick’s used by campers since the 1900s if not earlier.
This marked
a new era for this inner harbour landscape; each of the small bays were
transformed in the summer months as families from the city side would spend the
warmer days living under canvas. In the 1920s and 1930s there were seven or
eight families holidaying at Kendall Bay, their camp was at the western end of
the bay where there is a level space and a freshwater stream. At Fitzpatrickβs the camp site was at the
northern end of the bay on the grassy area above the beach. Unlike elsewhere this part of the reserve was
owned by the Birkenhead Borough Council from 1929 who improved it and put in
place a caretaker.
The site of the caretakers house – the bushes behind the pine trees conceal the remains of the house and the third photo shows a large rambling fig which was part of the garden.
The only
recorded caretaker was a William Henry Rickwood who lived in small house with
his family on the hill above Fitzpatricks.
Oral histories record how Williamsβ wife would keep a small store
selling sweets, soft drinks and other useful supplies. There was also a βponga-houseβ where Mrs
Rickwood would provide hot water and often sold tea and scones to the visitors. There is very little that remains of this
house today, just a level area with an overgrown collection of European garden
plants such as figs and a rambling rose.
However, there is evidence of both the campers and the caretakers in
form of the rubbish they were throwing away.
Often along the bay sherds of old ceramics dating from the late 1800s to
the mid-1930s can be found, undoubtedly there is a European midden that has
eroded onto the beach.
A small selection of the beach finds found on the beach below the campground and caretakers house at Fitzpatrick’s.
As well as the tent sites at Kendall
Bay, there were other camping places, near the wharf at Onetaunga Bay and at
Fitzpatricks bay which is the beach at the present Kauri Point Domain. Pre-World War Two and back through the
Depression years, tents appeared each summer for a back-to-nature holiday by
bush and sea. Much of the housework was
left behind at home and there was no problem keeping the children amused. There
were good sandy beaches and the harbour water was clear and clean in those days
before the march of suburbia. (From a pamphlet of remembrances celebrating twenty years of
Kauri Point Centennial Park, available in the Birkenhead Library).
Island Bay
whilst listed as residential today was up until the construction of the Harbour
Bridge mainly a summer town, full of bachs occupied only in the summer by
families from across the water in the city. Unlike the other bays the land
around Island Bay was owned by a land development company, being subsequently
subdivided and sold off. However,
because of issues of transport and roads only a few of the blocks were
permanently occupied. Newspapers from
the early 1900s often have articles describing summer outings by the Ponsonby
Yacht Club to Soldiers Bay and area.
Defence
A final
chapter in the history of land use in our area is that of defence. Just prior to the Second World War in 1935
ninety acres of the Kauri Point Domain was taken for defence purposes. The area of Onetaunga Bay (once Quarrymanβs
Bay) was developed for a storage facility for naval armaments. This unfortunately put paid to those carefree
summer campers who no longer came in the large numbers, the caretaker at Fitzpatrickβs
was still Mr Rickwood in 1938, as listed in the Wises Directory, but with the
outbreak of WWII everything changed.
In 1942 the
Americans had arrived in response to the Japanese threat in the South Pacific.
Kauri Point Domain, Fitzpatrickβs bay included, were given over to the Americans
and a large number of powder magazines were built. There are several unusual features on the
beach at Fitzpatrickβs Bay, which may relate to these days.
After the war the Domain reverted to being parkland but never again were campers allowed back to any of the bays. Today the Naval depot forms a large wedge between Kauri Point Domain and Kauri Point Centennial Park.
The wedge of buildings and land is the naval depot – Kauri Point Domain is to the top and Kauri Point Centennial Park the dark area to bottom and along.
Just recently the husband and I had a child free weekend away, during this time we spend two days exploring the town of Napier in the Hawkes Bay.Β Naturally I was drawn to the townβs heritage and as per usual my first stop was to the local museum β MTG Hawkes Bay.
The exterior of the museum.
Situated in the main part
of town near the seafront, it is attached to the library and spread over three
floors. The ground floor gallery is
taken up by two exhibitions β Tenei Tonu and Turuturu, Fingers, Feathers and Fibre.
Tenei Tonu showcased the taonga, both historic and contemporary, alongside the
stories of the local Iwi Ngati Kahunguru. Turuturu took up a space which joined
the museum to the library and is a fascinating albeit brief look at the
importance of weaving in Maori culture.
Turuturu are weaving pegs used to keep a
garment off the ground when it is being made. The main peg is the right one and
can be elaborately decorated. It represents the mana of Te Whare Pora β the
knowledge-bank of the art-form. The peg itself upholds the mana of the growing
garment and it spiritually connects the maker to the world of thought and
concentration. The peg also grounds the maker so they do not get lost in their
intellectual world. (quoted
from the MTG Hawkes Bay website)
On the second floor was three collections β one of an amazing display of heirloom silverware whilst the second was called Five Pakeha Painters β Perspectives on the Hawkes Bay.Β This small exhibition of artwork acknowledged the importance of art as a form of dialogue between the artist, the land and the social norms of the time.Β The third exhibition was titled The House of Webb β A Victorian Familyβs Journey to Ormondsville.Β This is a temporary exhibition (it finishes on the 3rd November) showcasing life in Victorian Napier through the belongings, diaries and letters of the Webb Family.Β In 1884 the Webb family left their comfortable life in England and travelled to Napier and then further south to Ormondsville, this exhibition showed what life was like for these early settlers, some of their trials and how they survived those early days.Β
The final gallery to be
explored was in the basement of the museum β here the visitor is taken through
that fateful day in 1931 when the Hawkes Bay was hit by a massive earthquake
which destroyed almost all of Napier and killed over three hundred people.
At 10:47am on 3 February 1931, a devastating
earthquake struck Hawkeβs Bay. In that moment it seemed the end of the world
had come. People were thrown off their
feet; buildings shuddered and collapsed as the ground pitched violently. In
central Napier, fires broke out within minutes and rushed through the city.
Amidst the burning, falling buildings, the bright blue sky of a summerβs day
was obscured by smoke and dust. People
could only watch as their home was destroyed around them. In desperation the
injured screamed for help, others ran for the safety of the beach, or home to
find their families. (Quoted from the MTG Hawkes Bay website)
As well as the thoughtful display of objects and stories, there is also a short film of βSurvivor Storiesβ which brings home how devasting the earthquake was to the people of the Hawkes Bay.Β Time here will forever be divided between βbefore and after the earthquakeβ.
The second place to be visited was the Napier Prisonβ¦yes on purposeβ¦and no not in shacklesβ¦
Napier Prison is New Zealandβs oldest prison, it was first opened in 1852 and was closed to inmates in 1993.Β Situated on Bluff Hill and next to the quarry where early inmates were expected to do hard labour extracting the stone that would build walls which now surround the prison.Β In 2002 the prison was restored to the state it is in by a local family who turned it into a back-packers (not my first choice of accommodation) but nowadays it is a tourist attraction and even on the cold wet day we visited there were a quite a few visitors.
The forbidding entrance of Napier Prison – visitors must knock…
As a visitor you can either go on a guided tour or do the self-guided audio tour which we did.Β The facilities also host scare tours in the evenings and has an Escape Room Experience for those wanting something a bit different.Β On two separate occasions and for quite different reasons, the prison has been the focus of a TV show β one looking to enhance the visitor experience from a heritage perspective and the other capitalising on the prisonβs spookier stories. The prison has also through its time been used as a psychiatric unit, a lighthouse and a meeting place for Alcoholic Anonymous groups.
Above is a block called ‘The Pound’ – the padded cells and caged exercise area chilling reminders that once upon a time mental illness was treated with a lot less compassion.
Beside The Pound is ‘The Hole’ – use your imagination…
The above photos show a small selection of numerous information boards that provide a light moment amongst the many somber ones.
The above photos are of the main block and exercise yard, the bottom picture is of a well discovered a short while ago. The well room is in what was once the infirmary before being divided into other rooms during the prisons back packing days.
Above is a plaque about one of the prison’s most well known executioners. – the role of executioner would often fall to one of the inmates and Tom Long was no exception.
On a personal note, it was a fascinating place, however the sense of relief when I walked back out the front gates was immense. The heavy sense of foreboding made for an uncomfortable visit, there were places I simply could not enter.Β I took no photos of the ‘hanging yard’ or the graveyard (where only three burials are had), the feelings of deep sadness were enough to stop me pressing the shutter. The ‘hanging yard’ in particular had an effect on me…but having said that I am glad I went, it was educational and an eye-opener to life behind bars in New Zealandβs oldest prison.
The remaining photos are just a few from around a city well known for its art deco architecture and seafront gardens.
The view of Napier Port from the lookout on Bluff Hill.
Please note that all photos are my own – the MTG Hawkes Bay do not allow photography in many of their galleries, hence the paucity of photos from this lovely museum.
Last week was New Zealand Archaeology Week and as part of this I joined a group of like minded people with the aim of learning a bit more about Auckland’s early history via the evidence provided with one of our earliest cemeteries – the Symonds St Cemetery. The commentary was provided by Dr Heather Battles and our hosts were the Auckland Archaeological Society/NZAA.
The above shows an aerial view of the cemetery as it is today and its divisions based on the religious affiliations of the interred.
The cemetery is one of New Zealand’s oldest urban cemeteries and was established in 1841, the same year Auckland became the capital of this fledgling colonial country. Although today it is part of the inner city back in the mid 1800s it was some distance from the colonial township.
This was unusual for the time – burials were usually found within a churchyard setting whilst in this case the churches for the various denominations were some distance from the cemetery itself. It has been suggested that concerns over public health were what prompted this new urban model but also it “reflected the influence of broader Enlightenment ideas on the new colony, which stressed the seperation between church and state” (from NZ Heritage listing summary).
Enlightenment values could also be seen in the idea of a cemetery for all – here religious affiliations became less important – to an extent…whilst the cemetery is the last resting place of a diverse range of religions, they are segregated within the cemetery itself. One of my earliest pieces of fieldwork as an undergrad student at Auckland University was to do a comparative study of two of the areas within the cemetery looking at the monuments and asking what can they tell us about colonial society. Unfortunately it has been quite some time since then and I do not remember much but what did stand out to me was how elaborate the Wesleyan monuments were when compared to the other parts of the cemetery which is in direct contrast to their sermons on humility and modesty.
The earliest phase of the cemetery was probably about 3.75 hectares but by 1842 it had expanded to around 7.5 hectares. This part of Auckland is one of many ups and downs and today you can see many of the monuments are beginning to tumble down the gully (if they haven’t already). The cemetery was divided into the four main denominations (Anglican, Catholic, Jewish and Wesleyan/non-conformist) on either side of the main route south out of Auckland. This ridgeway later became known as Symonds Street. The land size that each group received was based upon the census of the time.
The 1860s and 1870s saw a change in attitude towards the cemetery and some beautification occured, with trees being planted (some are still there today) and paths being laid. In turn the monuments start to become more elaborate. Eventually, space became an issue and the cemetery was closed to new burials in 1886 unless you already had family members interred there. At the same time a new urban cemetery was created at Waikumete. By 1909 Symonds Street Cemetery became a public reserve suffering from various modifications when the Grafton Bridge was built to span the steep sided gully. Much later in the mid 1960s further damage was done to the cemetery with the southern motorway was constructed. During this time some 4100 bodies were removed and reinterred in two memorial sites within the cemetery.
Today the cemetery is around 5.8 hectares with approximately 10,000 individuals interred there, however it is estimated only around a quarter of those have any kind of visible monuments. Even so it is still an important repository of information on early colonial Auckland and New Zealand.
Below are some images from the Catholic part of the cemetery.
The following images are also from the Catholic part of the cemetery, the first shows the Catholic church some distance away and separated by the southern motorway. The second photo shows the memorial plaque for those whose bodies were re-interred as a result of the motorway construction.
The pictures below are from the Anglican part of the cemetery and show some of the disrepair the monuments are in. The third photo along is of a very distinctive memorial in the shape of a church.
There are several well known New Zealanders buried in the cemetery such as William Hobson, New Zealand’s first Governor who signed the Treaty of Waitangi and died in 1842. The first picture is his memorial whilst the remaining two pictures are of Frederick Manning’s burial, another well known New Zealander.
The construction of Grafton Bridge caused some modifications to the cemetery below.
The motorway on ramp
Memorials to those re-interred when the motorway was built
Behind this wall is the motorway on ramp – headstones of those who were moved to make way for the on ramp.
Last but no least is the walled Jewish cemetery, perhaps the most well kept area of the whole cemetery…
T M Rowe - Writer 