I am a serial collector of bits and bobs from the foreshore.
If I lived in the UK some might call me a mudlark but here in New Zealand I cannot lay claim to such a title. Generally speaking I pick up shells, stones and bits of seaglass that catch my eye, these end up either in my garden or in a bowl on the bookshelf – (at which my husband spends an inordinate amount of time tutting at…). However, I also have an eye for ceramics and it these which are the subject of this particular article.
If you are a regular reader of this blog you may have read two previous articles regarding the area around Fitzpatrick’s Bay on the Inner Waitemata (read here). As I have previously mentioned it is one of my favourite places to walk to even more so because of the untold history of the area. The ceramics that I have picked up from the beach have all been found below the tide line and I believe they provide further evidence for the range of occupation of the beach and area above it.
The following is a summary of these ceramic pieces.
There is a total of 1.7 kilograms of ceramic sherds in the collection which equates to two hundred and twenty-three sherds. For ease of assessment I divided the collection into four groups; whiteware, blue and white, stoneware and others.
This group is so named not because of the fabric type but simply because it consists of plain and generally undecorated sherds of a white and in some cases yellowy colour. Of the seventy individual sherds twelve represent vessel bases and fifteen vessel rims. Two rim sherds had molded decoration as did two body sherds. There was a single large handle, most likely from a teapot, in addition there was body sherd with the base of a fine handle indicating it came from tea cup. Two further sherds had a wide banded molded decoration. One of the more interesting pieces in this group was the molded foot of a vessel (see picture).
Several pieces appear to be yellow ware – a type of pottery so named as a result of the clay used which turns yellow as a result of impurities in the clay. This particular ceramic type is mostly American in origin and had its peak of production between 1860 and 1870.
The vessels represented are mostly from plates, cups/saucers and bowls.
The date range based on fabric type for this group appears to be from the mid nineteenth to the mid twentieth century.
Stoneware refers to a type of pottery fired at high temperatures (1200degrees Celsius) which then becomes non-porous through vitrification and therefore any glazing is purely decorative. Generally, this type of ceramic is used to bottles (ie ginger beer), jugs and large containers.
In the group found at Fitzpatrick’s four were bottle rims (two of which are of a type found on ginger beer bottles), three represent the shoulders of large containers and two are bases, the remaining eighteen are body sherds. There are approximately sixteen vessels represented.
Fabric types range in colour from a creamy brown to medium grey; the sherds range in thickness from 3.5mm – 13mm.
Only one has part of name stamped on the exterior – ‘…FIELD’
Blue and White
As the name would suggest this group consists of sherds which have blue and white decoration. Of the seventy-two sherds, twenty-two are rims pieces and eleven are bases. The majority of the sherds are transfer print, with the ubiquitous Willow Pattern being well represented (twenty-four sherds). Flow ware, a blurred transfer printing technique (1820-1900) is also represented (ten sherds) as is edge molded ware – feather/shell pattern (1830 – 1860).
Two sherds are possibly pearlware – indicated by a bluish concentration of glaze in vessel crevices. Pearlware was developed by Josiah Wedgewood in 1779 but was in decline by 1820. If these pieces are indeed pearlware it is possible they represent heirloom pieces and not an early date for settlement in the area.
Several pieces are heavily discoloured with much paler decoration suggesting an older date to the newer shinier looking sherds. In addition, there are several sherds with blue annular decoration most likely dating to the early 1900s.
This group is in essence all the other sherds that did not fit into the other three categories. There are fifty-four sherds in total of which almost half are of a type with yellow/green glaze, several with a white annular slip.
Of the remaining sherds; three are red earthenware with a yellow tin glaze, probably one vessel and most likely to be from a large mixing bowl; two, possibly three have mulberry coloured transfer print; six are green transfer print; three are brown transfer print; three have a black flow transfer print and the remainder have a single colour glaze suggest a mid-20th century date. The different coloured transfer prints were popular in the mid to late nineteenth century.
The study of nineteenth and twentieth century ceramic types is hampered by the huge variety present. Dating of the ceramics depends largely on fabric type and glaze. Generally speaking creamwares are earliest (1762-1800), followed by pearlwares (1775-1840) and then whitewares (1820 – ). For more information on the differences of these fabric/glaze types the following article is useful starting point – https://cartarchaeology.wordpress.com/2017/02/17/creamware_to_whiteware/
In a previous blog post I suggested that the earliest occupation of the bay was by a James Fitzpatrick and his family who settled and lived here from around 1840/50 – James tried his hand at anything and was at various times a farmer, a gumdigger and had a small brickworks on the edge of the beach. The earliest parts of the assemblage would corroborate an early occupation, such as the pearlware, the early transfer print and the shell-edge moulded ware. When the Fitzpatricks’ left the area is not known.
Following this time, the bay was rarely occupied until the late 1800s and early 1900s when the grassy area was utilised as a campsite during the summer months for Aucklanders wishing to get away from it all. There was at this time a caretaker’s house on the hill above the beach. Once again, the assemblage follows in these footsteps, with many of the sherds being of a type to be expected for the time and usage.
The small handful of mid twentieth century sherds goes some way to corroborate the local story of American soldiers being temporarily stationed in the area during WWII.
The vast quantity of sherds (note I have also perused the beach at nearby Kendall’s Bay, which was also used as a campsite in the late 1800s and early 1900s and have found only a fraction of the Fitzpatrick’s assemblage) and as only a small number are quite worn from being tumbled about in the sea it is fair to say the majority come from an unknown dump site, situated not far from the beach. There are two possible contenders for the dump site; the first is situated at the northern end of the beach and is heavily eroded away, a number of the sherds were found on the beach below this point. The second is at the southern end of the bay where there is a modern drainage ditch which may have cut through the dump serving to wash many of the sherds down onto the beach.
The likelihood is that both were in use at various times, the first one was perhaps in use by the campers of the late nineteenth and early twentieth centuries whilst the second which would be situated at the bottom of short sharp drop (typical of very early dump sites) dates to when there was a farmhouse on the hill above the beach as well as the later caretaker’s house.
In this the
second part of my small study of land use and settlement in the Upper Waitemata
we are staying within the area defined in part one – from Island Bay to
Kendall’s Bay, keeping within the coastal strip. This part will take a look at the early colonial/settler
history of the area, with the emphasis being on the early or pre-WWII. After this point in time there is plenty of
written records and several good books written on the history of Birkenhead and
I have no desire to rehash already well-known information.
Captain James Cook sailed through the Hauraki Gulf past Waiheke Island and made
a note that there might be sheltered harbours to the west. The only other Europeans around at the end of
the eighteenth century were whalers and as of yet no records have been found of
any exploration into the upper Waitemata.
It appears that it is not until 1820 that Europeans began to show an
interest in this sheltered inland harbour.
Samuel Marsden is often credited with being the first to explore the area, in
his diaries he states that he left the HMS Coromandel at Waiheke and was guided
by Te Morenga to Riverhead where he then travelled overland to the Kaipara
River – a route travelled by Maori for centuries.
next twenty years there were undoubtedly forays by other Europeans into the
Waitemata, perhaps looking for timber and other such opportunities however
their stories are as yet unknown. In
1840 the HMS Herald was the next major ship to visit the Waitemata, onboard was
the Lieutenant Governor of NZ Hobson and the Surveyor General Felton
Matthew. They spent the next two weeks
exploring the harbour – Herald Island is named after the ship and of course
Hobsonville after the Governor who had initially favoured the place as the capital
of New Zealand.
further afield from our area of study there are records from around this time
which make a note of sailors rowing up Hellyers Creek to a place called The
Lagoon to restock their freshwater supplies, however, “it has also been recorded that in 1841 a Mr Hellyer, lived on the bank
of the creek which now bears his name.
He brewed beer which no doubt was a great incentive to those earlier
seamen who rowed up the harbour…”
In 1841 our
area of study was part of a large land purchase called the Mahurangi Block, it
extended from Takapuna/Devonport to Te Arai and encompassed the majority of the
present-day North Shore. The first parcels of land to be auctioned in 1844 were
between Northcote and Lake Pupuke. Much of the early purchases in the
Birkenhead area were part of a land speculation trend without the land being
settled or farmed. Significant chunks of
land sold were the area from Rangitira Rd/Beach Rd to Soldiers Bay which was
sold to William Brown in 1845 and the area from Balmain and Domain Rds to the
shore encompassing one hundred and ten acres being sold to a James Woolly also
in 1845. However, it does not seem that
either of them actually lived here. It
was common practice for land to bought speculatively and sold on in smaller
parcels to settlers fresh off the boat so to speak, such as the ‘Tramway
Company’ a land development company who bought large tracts of land in what is
settlers of the Birkenhead area who are known were Henry Hawkins, Hugh McCrum,
John Creamer, Joseph Hill, James Fitzpatrick and William Bradney. All of whom appeared to have had a go at
farming but little else is known about them.
those early settlers who chose the Birkenhead area were in for a hard time, as
mentioned in part one the soil was not conducive to farming in the traditional
sense. Settlement was a rather slow
process particularly when compared to other parts of the North Shore and
Auckland. Not surprising when faced with
the prospect of clearing the bush before they could even build themselves a
dwelling. Many of the early dwellings
were simple one room nikau whares, constructed of sod walls with a raupo or
nikau thatched roof. As they cleared the
bush often deposits of kauri gum would be found and sold ensuring a source of
most of these early farmers only managed a subsistence living, there were the
occasional success story. Birkenhead
became quite well known for its fruit orchards, the first of which was
established by Henry Hawkins. There are
two differing accounts as to where Hawkins had his orchard, some maintain it
was near Soldiers Bay and others say it was on the ridge where Birkenhead Ave
now runs. It is of course possible that
both are correct, one of the earliest estates to be subdivided and sold was the
Balmain Estate (also known as the Balmain Township) which extended over a much
wider area than just the Balmain Rd of today.
The steep sided valley of Soldiers Bay would appear to not be conducive
to a fruit orchard, the thick kauri groves would have been quite a hindrance to
say the least. However, an advertisement
in the local paper for 1855 has H J Hawkins selling 700 fruit trees from his
farm at The Glen, Soldiers Bay. Later in 1870-71 Hawkins is recorded as owning
allotment two and three in Birkenhead – this is situated on the ridge which is
now Birkenhead Ave.
early settler is mentioned in relation to a dwelling on a map dated to 1849,
the house was owned by a John Crisp and was situated close to what is now
Fitzpatrick Bay. Unfortunately, I have been unable to corroborate this.
a local history study of Island Bay and surroundings (Island Bay. A Brief History) there is an 1844 map which shows a
dwelling occupied by a Mr George Skey. The bottom part of the block was
developed into a small farm and sold as a going concern around 1849. It had its own jetty and a farm boundary
ditch, unfortunately I have been unable to track down this map to verify this
information and the area where the farm is said to be (and relatively well
preserved) is part of the Muriel Fisher Reserve which is currently closed due
to kauri dieback. Having said that, it
is definitely something to consider and requires further investigation.
1880-81 electoral roll lists a small block (allotment 148 – a trapezoidal block
which ran from what is now Rangitira Rd to the western edge of Soldiers Bay) of
twenty-three acres owned by a Mr Clement Partridge who is described as a
settler. The area of Island Bay was one
of those places where early land sales were of the speculative kind. It wasn’t until the “Tramway Company”, a land
development company, bought large tracts of land in the Birkenhead area
including Island Bay, that small dwellings began to appear. Like many of the
bays in the area, Island Bay was a summer place with the majority of dwellings
being bach’s and only a handful were occupied all year round. The road began as a dirt track mostly used by
gumdiggers and was previously known as Victoria Rd West prior to 1913.
What’s in a Name?
often hold clues as to the early settlement of an area and its changing
history. In part one we already looked
at some of the Maori names for places and how they relate to not only how the
landscape was used but also how the people saw themselves within their
world. For Europeans the naming of
places can be a lot more prosaic and, in some cases, the reason for the name is
obvious such as Island Bay, so named for the small island at the end of the
road which was once separated from the mainland and only accessed at low tide
via stepping stones.
however, are much more difficult to ascertain – Kendall Bay is obviously a
European name but at this point in time there are no records of anyone with the
name of Kendall after whom the bay was so named. One possibility is that Kendall may be the
name of gumdigger or gum buyer situated at the bay – gumdigger camps were often
situated at the head of sheltered gullies near fresh water and near to the
coast. Kendall Bay satisfies all of
these requirements. Interestingly, the
bay is also known locally as Shark Bay, undoubtedly because of the shark
fishing grounds exploited by Maori and later Europeans.
Kauri Point is the one placename not to change and to be consistently included
in the majority of maps dating back to 1842 and up to the present day. It would be a fair guess to say the name came
about as a result of the large kauri stands which would have been easily
visible to the first people to sail up the harbour.
also changed through time or have been forgotten. The Upper Waitemata was once called Sandy Bay
on a nautical chart from 1841; another early map refers to Pt Shortland (1842),
the headland where the Naval Base currently is; on other maps the bay we know
today as Onetaunga Bay was once called Quarryman’s Bay.
Quarryman’s Bay, like Brick Bay further up the harbour, refer to the early industrial endeavours of the area’s inhabitants. Both quarrying and brickmaking were popular industries in a land where traditional farming was problematic. One of the occupations of a potential early settler in the area was brickmaker (see below).
is an interesting case of a name that has been around for a long time but its
origins are hazy. The earliest mention that
I have been able to track down is dated to a map of 1863. Today the stream that runs down from the high
ground and empties into Soldiers Bay would have been a lot less silted up and
most likely navigable by waka or rowboat as far as the present-day
carpark. Today there is a causeway which
joins the bottom of Balmain Rd to the reserve which would not have been there
in the early days. This causeway was
most likely constructed in the early twentieth century when a caretakes lived
at the end of the reserve above Fitzpatrick’s Bay.
which gives us any clue as to why Soldier’s Bay is so named…it has been
suggested that the bay gained its name as a result of an encampment of militia
during the unsettled times of the mid-1800s.
At the time, Hone Heke was ‘making life unpleasant’ for settlers in the
north, particularly the Hokianga, and many had moved south to take up land in
Birkenhead. To allay the fears of the
settlers a contingent of soldiers may have been positioned in various
places…hence Soldiers Bay. As mentioned
before the stream would have been navigable to the bottom of present-day
Balmain Rd, just before that though there is a flat spur which would have
provided a good position for an encampment, with a clear view of the harbour
and a fresh water supply.
placename to consider is that of Fitzpatrick’s Bay, this small sandy bay is
today part of the Kauri Point Domain and is a popular recreational reserve for
the local area. There are two possible
people responsible for naming of the Bay – Charles Fitzpatrick or James
examination of Jury Lists and Electoral Rolls shows that a James Fitzpatrick
arrived on the Jane Gifford in 1842 with his wife and daughter. The Jury List of 1842-57 lists James as
living on the North Shore as a brickmaker; in the 1850s and 1860s he was still
living on the North Shore but was now a farmer and a freeholder. Whether or not he was actually living in the
Birkenhead area is difficult to say; Birkenhead itself was not so named until
1863 and up until that point there was very little distinction between
areas. In the 1870-71 electoral roll
James was listed as residing in Takapuna, allotment 15 – a survey of the
cadastral maps of 1868 shows that allotment 15 is in fact in Northcote
(Takapuna refers to Takapuna Parish of which included todays Takapuna,
Birkenhead, Northcote, Hillcrest, Birkdale, Beachhaven and so on). In 1890, James was still in the Takapuna
Parish but was now listed as a gumdigger.
Fitzpatrick only appears twice in the lists; first in 1867 and as having a
freehold land and house at Kauri Point however by 1890 he had moved to
Morrinsville. Whilst only Charles is
listed specifically as living in our area of study and he would appear to be
the best option for the naming of Fitzpatrick Bay it is still not possible to
rule out James.
Fun in the Sun
area today is made up of three different zones – residential (Island Bay),
defence (Onetaunga Bay) and recreational (Fitzpatrick Bay, Soldiers Bay and
Kendall Bay). In 1888 Governor William
Jervois permanently reserved for the purpose of recreation 133 acres of land
(allotment 162 and 163) in the Parish of Takapuna. It had been his hope that the area was turned
into a national park, a place of tranquillity for Aucklanders. This was the
area from Kendall Bay to the eastern end of Fitzpatrick Bay. In 1913 the Harbour Board acquired a further
forty-two acres which included Kauri Point (allotment 164) which had previously
been owned by Sir John Logan Campbell until his death in 1912. Further to this the area around Fitzpatrick
and Soldiers Bay were then added to the park in 1916. An article in the New Zeland Herald in 1916
stated that the reserve had a fine waterfront and had in the past had been much
used as a camping and picnic ground. It
also mentions a ‘good five roomed house’, our first mention of what was to be
known as the caretakers’ house.
An article from 1900 also in the New Zealand
Herald also mentions how the Kauri Point Domain board had agreed to allow
campers for a small fee. Interestingly
they also denied a request for funds for a wharf. Reading through multiple articles the request
for a wharf in the area is one which is constantly brought up, eventually a
wharf was constructed but not at Fitzpatrick’s or Soldiers Bay but at Onetaunga
Bay and it was paid for and built without the help of the board or their funds.
a new era for this inner harbour landscape; each of the small bays were
transformed in the summer months as families from the city side would spend the
warmer days living under canvas. In the 1920s and 1930s there were seven or
eight families holidaying at Kendall Bay, their camp was at the western end of
the bay where there is a level space and a freshwater stream. At Fitzpatrick’s the camp site was at the
northern end of the bay on the grassy area above the beach. Unlike elsewhere this part of the reserve was
owned by the Birkenhead Borough Council from 1929 who improved it and put in
place a caretaker.
recorded caretaker was a William Henry Rickwood who lived in small house with
his family on the hill above Fitzpatricks.
Oral histories record how Williams’ wife would keep a small store
selling sweets, soft drinks and other useful supplies. There was also a ‘ponga-house’ where Mrs
Rickwood would provide hot water and often sold tea and scones to the visitors. There is very little that remains of this
house today, just a level area with an overgrown collection of European garden
plants such as figs and a rambling rose.
However, there is evidence of both the campers and the caretakers in
form of the rubbish they were throwing away.
Often along the bay sherds of old ceramics dating from the late 1800s to
the mid-1930s can be found, undoubtedly there is a European midden that has
eroded onto the beach.
As well as the tent sites at Kendall
Bay, there were other camping places, near the wharf at Onetaunga Bay and at
Fitzpatricks bay which is the beach at the present Kauri Point Domain. Pre-World War Two and back through the
Depression years, tents appeared each summer for a back-to-nature holiday by
bush and sea. Much of the housework was
left behind at home and there was no problem keeping the children amused. There
were good sandy beaches and the harbour water was clear and clean in those days
before the march of suburbia. (From a pamphlet of remembrances celebrating twenty years of
Kauri Point Centennial Park, available in the Birkenhead Library).
whilst listed as residential today was up until the construction of the Harbour
Bridge mainly a summer town, full of bachs occupied only in the summer by
families from across the water in the city. Unlike the other bays the land
around Island Bay was owned by a land development company, being subsequently
subdivided and sold off. However,
because of issues of transport and roads only a few of the blocks were
permanently occupied. Newspapers from
the early 1900s often have articles describing summer outings by the Ponsonby
Yacht Club to Soldiers Bay and area.
chapter in the history of land use in our area is that of defence. Just prior to the Second World War in 1935
ninety acres of the Kauri Point Domain was taken for defence purposes. The area of Onetaunga Bay (once Quarryman’s
Bay) was developed for a storage facility for naval armaments. This unfortunately put paid to those carefree
summer campers who no longer came in the large numbers, the caretaker at Fitzpatrick’s
was still Mr Rickwood in 1938, as listed in the Wises Directory, but with the
outbreak of WWII everything changed.
In 1942 the
Americans had arrived in response to the Japanese threat in the South Pacific.
Kauri Point Domain, Fitzpatrick’s bay included, were given over to the Americans
and a large number of powder magazines were built. There are several unusual features on the
beach at Fitzpatrick’s Bay, which may relate to these days.
After the war the Domain reverted to being parkland but never again were campers allowed back to any of the bays. Today the Naval depot forms a large wedge between Kauri Point Domain and Kauri Point Centennial Park.
Just recently the husband and I had a child free weekend away, during this time we spend two days exploring the town of Napier in the Hawkes Bay. Naturally I was drawn to the town’s heritage and as per usual my first stop was to the local museum – MTG Hawkes Bay.
Situated in the main part
of town near the seafront, it is attached to the library and spread over three
floors. The ground floor gallery is
taken up by two exhibitions – Tenei Tonu and Turuturu, Fingers, Feathers and Fibre.
Tenei Tonu showcased the taonga, both historic and contemporary, alongside the
stories of the local Iwi Ngati Kahunguru. Turuturu took up a space which joined
the museum to the library and is a fascinating albeit brief look at the
importance of weaving in Maori culture.
Turuturu are weaving pegs used to keep a
garment off the ground when it is being made. The main peg is the right one and
can be elaborately decorated. It represents the mana of Te Whare Pora – the
knowledge-bank of the art-form. The peg itself upholds the mana of the growing
garment and it spiritually connects the maker to the world of thought and
concentration. The peg also grounds the maker so they do not get lost in their
intellectual world. (quoted
from the MTG Hawkes Bay website)
On the second floor was three collections – one of an amazing display of heirloom silverware whilst the second was called Five Pakeha Painters – Perspectives on the Hawkes Bay. This small exhibition of artwork acknowledged the importance of art as a form of dialogue between the artist, the land and the social norms of the time. The third exhibition was titled The House of Webb – A Victorian Family’s Journey to Ormondsville. This is a temporary exhibition (it finishes on the 3rd November) showcasing life in Victorian Napier through the belongings, diaries and letters of the Webb Family. In 1884 the Webb family left their comfortable life in England and travelled to Napier and then further south to Ormondsville, this exhibition showed what life was like for these early settlers, some of their trials and how they survived those early days.
The final gallery to be
explored was in the basement of the museum – here the visitor is taken through
that fateful day in 1931 when the Hawkes Bay was hit by a massive earthquake
which destroyed almost all of Napier and killed over three hundred people.
At 10:47am on 3 February 1931, a devastating
earthquake struck Hawke’s Bay. In that moment it seemed the end of the world
had come. People were thrown off their
feet; buildings shuddered and collapsed as the ground pitched violently. In
central Napier, fires broke out within minutes and rushed through the city.
Amidst the burning, falling buildings, the bright blue sky of a summer’s day
was obscured by smoke and dust. People
could only watch as their home was destroyed around them. In desperation the
injured screamed for help, others ran for the safety of the beach, or home to
find their families. (Quoted from the MTG Hawkes Bay website)
As well as the thoughtful display of objects and stories, there is also a short film of ‘Survivor Stories’ which brings home how devasting the earthquake was to the people of the Hawkes Bay. Time here will forever be divided between ‘before and after the earthquake’.
The second place to be visited was the Napier Prison…yes on purpose…and no not in shackles…
Napier Prison is New Zealand’s oldest prison, it was first opened in 1852 and was closed to inmates in 1993. Situated on Bluff Hill and next to the quarry where early inmates were expected to do hard labour extracting the stone that would build walls which now surround the prison. In 2002 the prison was restored to the state it is in by a local family who turned it into a back-packers (not my first choice of accommodation) but nowadays it is a tourist attraction and even on the cold wet day we visited there were a quite a few visitors.
As a visitor you can either go on a guided tour or do the self-guided audio tour which we did. The facilities also host scare tours in the evenings and has an Escape Room Experience for those wanting something a bit different. On two separate occasions and for quite different reasons, the prison has been the focus of a TV show – one looking to enhance the visitor experience from a heritage perspective and the other capitalising on the prison’s spookier stories. The prison has also through its time been used as a psychiatric unit, a lighthouse and a meeting place for Alcoholic Anonymous groups.
Above is a block called ‘The Pound’ – the padded cells and caged exercise area chilling reminders that once upon a time mental illness was treated with a lot less compassion.
The above photos show a small selection of numerous information boards that provide a light moment amongst the many somber ones.
The above photos are of the main block and exercise yard, the bottom picture is of a well discovered a short while ago. The well room is in what was once the infirmary before being divided into other rooms during the prisons back packing days.
On a personal note, it was a fascinating place, however the sense of relief when I walked back out the front gates was immense. The heavy sense of foreboding made for an uncomfortable visit, there were places I simply could not enter. I took no photos of the ‘hanging yard’ or the graveyard (where only three burials are had), the feelings of deep sadness were enough to stop me pressing the shutter. The ‘hanging yard’ in particular had an effect on me…but having said that I am glad I went, it was educational and an eye-opener to life behind bars in New Zealand’s oldest prison.
The remaining photos are just a few from around a city well known for its art deco architecture and seafront gardens.
Please note that all photos are my own – the MTG Hawkes Bay do not allow photography in many of their galleries, hence the paucity of photos from this lovely museum.
Last week was New Zealand Archaeology Week and as part of this I joined a group of like minded people with the aim of learning a bit more about Auckland’s early history via the evidence provided with one of our earliest cemeteries – the Symonds St Cemetery. The commentary was provided by Dr Heather Battles and our hosts were the Auckland Archaeological Society/NZAA.
The cemetery is one of New Zealand’s oldest urban cemeteries and was established in 1841, the same year Auckland became the capital of this fledgling colonial country. Although today it is part of the inner city back in the mid 1800s it was some distance from the colonial township.
This was unusual for the time – burials were usually found within a churchyard setting whilst in this case the churches for the various denominations were some distance from the cemetery itself. It has been suggested that concerns over public health were what prompted this new urban model but also it “reflected the influence of broader Enlightenment ideas on the new colony, which stressed the seperation between church and state” (from NZ Heritage listing summary).
Enlightenment values could also be seen in the idea of a cemetery for all – here religious affiliations became less important – to an extent…whilst the cemetery is the last resting place of a diverse range of religions, they are segregated within the cemetery itself. One of my earliest pieces of fieldwork as an undergrad student at Auckland University was to do a comparative study of two of the areas within the cemetery looking at the monuments and asking what can they tell us about colonial society. Unfortunately it has been quite some time since then and I do not remember much but what did stand out to me was how elaborate the Wesleyan monuments were when compared to the other parts of the cemetery which is in direct contrast to their sermons on humility and modesty.
The earliest phase of the cemetery was probably about 3.75 hectares but by 1842 it had expanded to around 7.5 hectares. This part of Auckland is one of many ups and downs and today you can see many of the monuments are beginning to tumble down the gully (if they haven’t already). The cemetery was divided into the four main denominations (Anglican, Catholic, Jewish and Wesleyan/non-conformist) on either side of the main route south out of Auckland. This ridgeway later became known as Symonds Street. The land size that each group received was based upon the census of the time.
The 1860s and 1870s saw a change in attitude towards the cemetery and some beautification occured, with trees being planted (some are still there today) and paths being laid. In turn the monuments start to become more elaborate. Eventually, space became an issue and the cemetery was closed to new burials in 1886 unless you already had family members interred there. At the same time a new urban cemetery was created at Waikumete. By 1909 Symonds Street Cemetery became a public reserve suffering from various modifications when the Grafton Bridge was built to span the steep sided gully. Much later in the mid 1960s further damage was done to the cemetery with the southern motorway was constructed. During this time some 4100 bodies were removed and reinterred in two memorial sites within the cemetery.
Today the cemetery is around 5.8 hectares with approximately 10,000 individuals interred there, however it is estimated only around a quarter of those have any kind of visible monuments. Even so it is still an important repository of information on early colonial Auckland and New Zealand.
Below are some images from the Catholic part of the cemetery.
The following images are also from the Catholic part of the cemetery, the first shows the Catholic church some distance away and separated by the southern motorway. The second photo shows the memorial plaque for those whose bodies were re-interred as a result of the motorway construction.
The pictures below are from the Anglican part of the cemetery and show some of the disrepair the monuments are in. The third photo along is of a very distinctive memorial in the shape of a church.
There are several well known New Zealanders buried in the cemetery such as William Hobson, New Zealand’s first Governor who signed the Treaty of Waitangi and died in 1842. The first picture is his memorial whilst the remaining two pictures are of Frederick Manning’s burial, another well known New Zealander.
Tucked away in east Auckland is the suburb of Howick, here you can find a gem of living history – the Howick Historical Village.
Over the years the family and I have visited the village on numerous occasions, it is pleasant escape from the technology and mass produced entertainment which so very much a part of our lives today. Although the bones of the place are immovable the addition of monthly live days and special events makes every visit different in some way.
The Village depicts life as it was in nineteenth century New Zealand with particular emphasis on the fencible settlement of Howick. Colonial Howick was originally founded by Governor George Grey who concerned about the potential threats from both Maori and the French. He established a chain of settlements around the southern part of Auckland as both an early warning system and a line of defence for the burgeoning new town.
Governor Grey originally requested troops to man these settlements however, it was decided to send retired soldiers to settle the area as members of the Royal New Zealand Fencible Corps, these were men who had served in the wars of Britain in the 1830s and 1840s. To be eligible to emigrate under the scheme the veterans had to be under 48 years of age and of ‘good character’ with ‘industrious habits’. If they qualified they were given free passage to New Zealand with their families, a cottage and an acre of land. In return they were required to partake in certain military activities and after seven years the land and the cottage would be theirs. Although they were given a small pension they were also expected to undertake work of some kind in the new colony.
Between 1847 and 1854 some 2500 fencibles and their families arrived in New Zealand, doubling the population of Auckland at the time. Other fencible villages included Panmure, Otahuhu and Onehunga. The live days at the Village have volunteers dressed in costume doing activities you might see on any given day in a fencible/colonial village including soldiers parading, wood turning, blacksmithing, ladies doing the chores such as washing, sewing and baking. There are also special themed days such as ‘A Colonial Christmas’ or an Easter egg hunt or a summer fete.
The Village today is based around Bell House which was given to the Howick Historical Society in 1972, negotiations at the time then secured a further five acres of land which later became the seven acres it is today. It took eight years of fundraising and working bees by many volunteers to turn it into a living museum. Many of the cottages on site were donated and transported to the village, of which there are now thirty buildings. It was officially opened on the 8th of March 1980.
Today the village is enjoyed by school groups as part of their education outside of the classroom modules and students on school holiday programmes – children are encouraged to dress in period appropiate costumes, leaving technology behind. Having attended during a school visit with my sons class, I can vouch for it being throughly enjoyed by all. On that occasion, the students learnt how to churn butter, played games of the times, baked bread in a wood fired oven, drew water from a well and attended a session in a nineteenth century school.
One of the striking aspects of the village are the gardens which have in themselves become an important heritage project with links to the Heritage Tree Crops Association and Auckland Seed Savers. Vegetables, herbs and eggs from the free range chickens are often available to buy at the main entrance. Another less well known part of the village is its research library which contains many documents and photographs for the early days of Howick – a vital resource for those who interested in the history of the area or those researching family trees.
For more information on The Howick Historical Village go to:-
During the last school holidays the kids and I decided to venture beyond the safe confines of the North Shore. Our destination? The well known and much loved Cornwall Park and One Tree Hill. What follows is a brief description and overview of the history of this iconic parkland in the heart of Auckland.
Essentially the parkland most people know is in fact two parks, Cornwall Park and One Tree Hill, are separate entities under different management but with very similar objectives. At the heart of the area is the volcanic cone, the largest and most recent of the forty eight which make up the Auckland isthmus – it last erupted around 20,000 years ago.
The Maori Story
The Maori name for the hill is Maungakiekie which can be translated as ‘the mountain of the kiekie’. The kiekie or Freycinetia banksia is a type of vine which once grew on the slopes of the volcanoe and is better known as the fruit salad tree. Its fruit is edible.
However, this name seems to be a recent attribution as traditional histories dating from around the 16th century, do refer to the hill as Te Totara i Ahua or ‘the totara that stands alone’.
It is said that a branch of the Ngati Awa who were migrating from Northland to Taranaki had stopped for awhile in Tamaki (Auckland). During this time the chiefs’ son was born and was named Korokino. The cutting of the umbilical cord has great significance in Maori culture and Korokino’s was cut using a sharpened totara stick. The cord was then buried on the summit and the totara sprig was planted in the soil used as backfill. It took root and grew into a magnificent and tapu tree.
Unfortunately, it was gone by the late 1700s and no European ever saw it. Early colonists would often write of a large pohutakawa on the summit in the early 1800s and this is what gave rise to its modern name – One Tree Hill. However, the story of the tree then goes ‘pear-shaped’ as in the mid 1800s it is felled for firewood. In 1875 Logan Campbell replanted – possibly a puriri – within a stand of pines which served as a wind belt. But the native tree did not survive and all but one pine tree survived until 2000 when it too fell to an axe when the City Council deemed it unsafe.
One Tree Hill, in the 1990s when the lone pine was still standing, (to the right of the obelisk). From wikimedia commons.
What most people will notice as they make their way to the summit is the how uneven the ground is, dips, hollows, banks and seemingly random humps and bumps will catch the unwary walker. These landscape features are the remains of the Maori settlement. There are at least one hundred and seventy terraces covering approximately forty five hectares and it is regarded as one of the largest pa (hillfort) in New Zealand. The traditional occupants of the site were the Wai O Hua tribe and their histories refer to it as the head pa of their paramount chief Kiwi Tamake in the early 1700s.
An example of some of the many terraces and platforms.
Perhaps one of the more unusual archaeological features in the park is the Rongo stone. Rongo stones are carved stones which are regarded as manifestations of a god and are used ritually to aid the growth and harvest of crops. This particular Rongo positioned on plinth near the BBQ area is not in it’s original context. It was originally rescued by Logan Campbell from the side of the road where it had been unceremoniously dumped and taken back to the Park. It is known as Te Toka i Tawhio or ‘the stone which has traveled around’.
Humps and bumps in the landscape…
The eroded edge of a shell midden.
More terraces and platforms.
One of many defensive banks.
Building platforms overlooking one of the volcanic craters
My daughter standing in one of the many hollows – possibly a storage pit for kumara.
A large midden suffering under modern footsteps.
Terraces, defensive walls, storage pits, boundaries and middens are all part of the archaeology on One Tree Hill and attest to a well populated landscape. Which perhaps is what makes the next phase of the story even more unusual…
The Early Settlers
In 1840 Governor Hobson chose the Tamaki isthmus to be the capital of New Zealand. There were several reasons for this, the good harbours and fertile soils not withstanding however at the time it was a mostly deserted landscape.
“Terraced volcanic cones and numerous abandoned plantations testified, in 1840, to dense habitation in the days of old. But, paradoxically, so few Maori were living there in 1840 that Tamaki could almost be regarded at the time as a population void…there was no well-established tribe to be displaced” (R.C.J. Stone, 2007, Logan Campbell’s Auckland. Tales from the Early Years).
Into this early settler world came John Logan Campbell (1817-1912) for whom much of the early history of Auckland and Cornwall Park is intricately tied to.
John Logan Campbell c.1880
Logan Campbell was born in Edinburgh and in 1839 graduated as a Doctor of Medicine, later that year he set sail for New South Wales, arriving in New Zealand in 1840. On that ship was also a William Brown who became Logan Campbell’s business partner. The two men built the first house in Auckland – Acacia Cottage – which still stands and they opened the first shop. Both men quickly took advantage of being ‘in at the ground floor’ as the new settlement of Auckland took off. Logan Campbell in particular rose in prominence rapidly and was/is regarded the ‘father of Auckland’.
In 1853 Logan Campbell and William Brown bought what was then known as the Mount Prospect Estate and renamed it One Tree Hill. By 1873 the partnership with Brown was dissolved and Logan Campbell became the sole owner. In 1901 he gifted the land to the city of Auckland during a Royal visit by the then Duke and Duchess of York and Cornwall (later King George V and Queen Mary) and it was renamed in their honor as Cornwall Park.
In 1903 the park was formally opened.
When Logan Campbell died in 1912 he left instructions and funds for the construction of a monument to the Maori people whom he admired a great deal. However, it was not until the late 1930s that work began on the obelisk. It was completed in 1940 but the unveiling was not held until the 28th April 1948 after WWII was over in keeping with the Maori tradition of not holding ceremonies during times of war.
John Logan Campbell’s memorial to the achievements of the Maori people.
The obelisk is 33m high and was designed by Atkinson Abbott. Logan Campbell is buried at the foot of the monument under the flat paved forecourt.
Today both parks are well used by Auckland residents and it is still farmed with sheep and cows wandering the slopes of the hill. It is a place where people meet, families picnic, dogs walk, joggers jog and children play. Every city needs its green spaces in order to breath and here in Auckland we are lucky to have this and so many other such spaces…
On June 10th 1886 Mt Tarawera erupted along a line of craters that extended sixteen kilometres and the space of a few hours the nearby village of Te Wairoa and the world famous Pink and White Terraces were covered in over a metre of volcanic mud and ash.
The death toll for the area was believed to have been as high as 153 – Te Wairoa at the time was a bustling village with two tourist hotels serving visitors to the Pink and White Terraces, two stores, a school, a blacksmith and a bakery. By the end of the day not a single village house was left standing.
Today the site of Te Wairoa consists of several hectares of fields within which the visitor can walk amongst the excavated remains on the village. There is also a lovely river walk and a musuem dedicated to the Maori and Victorian artefacts recovered from the site. The following are a few of the photos which I took during a visit in 2015.
Some of the displays from the museum
The unexcavated remains of two of the many houses in the area.
The above is the house of Tuhoto, a 100yr old tohunga (tribal priest) who bore the brunt of the blame for the disaster. He had openly condemned the people for their decadent lifestyle and had predicted that disaster would fall on the community. When the mountain exploded, he like so many was buried in his hut and local Maori were so angry they refused to dig him out. He was eventually rescued by the Europeans (four days later) but died not long after in a sanitorium.
The Coromandel is a place rich in Maori history, the most obvious archaeological site are the many pa found on the coastal headlands. The following are a few photos taken during a weekend in the coastal township of Whitianga.
Before we get to the photos, it is probably necessary for me to give you a brief explanation on what a Pa is, particularly for those of you who are not familiar with the term. The word ‘pa’ can refer to any Maori settlement, defended or otherwise, but most commonly it is used to refer to a type of site known as a hillfort – fortified settlements with palisades and defensive terraces. The majority of pa sites are found in the North Island from Lake Taupo northwards – over 5000 have been recorded to date. You can read more about Pa here.
The two Pa mentioned in the title of this blog are the Hereheretaura Pa and Whitianga Rock – both were Ngati Hei strongholds, although the latter suffered during a raid by a war party of Ngai te Rangi. The reserve where Hereheretaura Pa can be found is at the southern end of Hahei Beach is one of two pa in the reserve. The other – Hahei Pa – is on the ridge above the track (seen below) but with minimal defensive earthworks unlike Hereheretaura Pa.
Whitianga Rock is on the opposite side of the estuary from Whitianga, a short ferry ride across from town takes you to the start point for a walk around the site. The site is positioned on a thin finger of land jutting into the estuary harbour with steep cliffs on three sides. By the time Captain James Cook arrived in 1769 the site had already been abandoned, even so it impressed Cook enough for him to state;
“A little with[in] the entrance of the river on the East side is a high point or peninsula jutting out into the River on which are the remains of one of their Fortified towns, the Situation is such that the best Engineer in Europe could not have choose’d a better for a small number of men to defend themselves against a greater, it is strong by nature and made more so by Art”.
For most people Thames is the town you whizz though on the way to the more exciting destinations in the Coromandel and to be honest this is what we often do except on this one occasion when it was decided to stop at the small local museum.
The Thames Museum featured in an episode of ‘Heritage Rescue’ during 2016 and as such was brought to my attention fuelling a quick pit stop along with the obligatory pie and coffee. The entry fee is $5 an adult or in our case, $10 for a family of two adults and two children. For this you get entry into an Aladdin’s cave of memorabilia from the 1800s and later. The early fridge and scary looking dentists chair filled both tween and teen with horror.
The first room was divided into spaces depicting life in a Victorian household. Leading on from this was a space where a short film would have been shown (but for whatever reason was not on the day we were visiting) and in cabinets along the walls were a variety of early Maori artefacts. This part of the museum was a little disappointing, there were very few explanatory notes as to what the artefacts were, where they were found or even who donated them. Unfortunately it did give the impression of being an afterthought which seems a shame given the rich Maori history of the area.
A third room held a collection of tools and equipment (including several dreaded dentist chairs which I forgot to photograph) whilst the final room where the spaces which were given a make over by the TV show ‘Heirtage Rescue’.
The brillant blue of the painted walls setting off the easy to read maps and displays. A small side room off this main space was given over to handcrafted models of the towns heritage buildings.
Like so many of our small town museums this one is run solely by volunteers and as such they should be applauded for their efforts in bringing the history of their town to life. Having said that it was at times difficult to navigate visually around the museum, particularly as the general feel is one of an overstuffed Victorian home. There is something to be said for a more minimalist approach. It was a stark and distinct difference between the areas given a make over by museum professionals and those not yet tackled, perhaps to the detriment of the remainder of the museum.