But before we get to pictures, a bit of background…
Built in 1268 by Gilbert de Clare (also known as “Red Gilbert” due to his hair colour) as part of his conquest Glamorgan and the continuing subjugation of the Welsh by the Normans. It is constructed on a natural gravel bank in the middle of a river basin and consists of two large artificial lakes within thirty acres making it the second largest castle in Britain.
The water defences of the castle were most likely inspired by a similar design at Kenilworth which de Clare would have witnessed in action during the seige of Kenilworth in 1266. The vast lakes prevents the castle walls from being undermined – a popular siege tactic at the time. Caerphilly was also the first concentric castle to be built in Britian and its walls were built using Pennant Stone.
A Brief Timeline
1268 – Construction begins with the daming and digging of the lakes, temporary wooden palisades and buildings.
1270 – Rising tensions with Welsh resulted in the castle being attacked by Llywelyn ap Gruffudd and supporters – the wooden structures were burnt to the ground.
1271 – In an effort to quell the tensions between the Welsh and the Normans the castle is taken over by royal officials who promise to negotiate and arbitrate a solution to the ongoing problems.
1272 – de Clare’s men seize back the castle and work recommences, the castle is completed later that year.
1294 – Once again the castle is attacked but this time by Madog ap Llywelyn.
1316 – And again the castle is attacked, during the Llywelyn Bren uprising.
1326-27 – And again during the overthrow of Edward III…
From the fifteenth century the castle begin to decline…
1776 – Caerphilly is acquired by the Marquesses of Bute but it is not until the third and fourth Marquesses that extensive restoration work begun.
1950 – The castle and grounds were given to the state.
Today – The site is managed by CADW – the Welsh heritage organisation.
Caerphilly Castle was a defensive stronghold – the lack of windows and decoration combined with forbidding walls was testimony to this fact – it was a castle which meant business.
More Information can be found at the following links:
The Coromandel is a place rich in Maori history, the most obvious archaeological site are the many pa found on the coastal headlands. The following are a few photos taken during a weekend in the coastal township of Whitianga.
Before we get to the photos, it is probably necessary for me to give you a brief explanation on what a Pa is, particularly for those of you who are not familiar with the term. The word ‘pa’ can refer to any Maori settlement, defended or otherwise, but most commonly it is used to refer to a type of site known as a hillfort – fortified settlements with palisades and defensive terraces. The majority of pa sites are found in the North Island from Lake Taupo northwards – over 5000 have been recorded to date. You can read more about Pa here.
The two Pa mentioned in the title of this blog are the Hereheretaura Pa and Whitianga Rock – both were Ngati Hei strongholds, although the latter suffered during a raid by a war party of Ngai te Rangi. The reserve where Hereheretaura Pa can be found is at the southern end of Hahei Beach is one of two pa in the reserve. The other – Hahei Pa – is on the ridge above the track (seen below) but with minimal defensive earthworks unlike Hereheretaura Pa.
Whitianga Rock is on the opposite side of the estuary from Whitianga, a short ferry ride across from town takes you to the start point for a walk around the site. The site is positioned on a thin finger of land jutting into the estuary harbour with steep cliffs on three sides. By the time Captain James Cook arrived in 1769 the site had already been abandoned, even so it impressed Cook enough for him to state;
“A little with[in] the entrance of the river on the East side is a high point or peninsula jutting out into the River on which are the remains of one of their Fortified towns, the Situation is such that the best Engineer in Europe could not have choose’d a better for a small number of men to defend themselves against a greater, it is strong by nature and made more so by Art”.
For most people Thames is the town you whizz though on the way to the more exciting destinations in the Coromandel and to be honest this is what we often do except on this one occasion when it was decided to stop at the small local museum.
The Thames Museum featured in an episode of ‘Heritage Rescue’ during 2016 and as such was brought to my attention fuelling a quick pit stop along with the obligatory pie and coffee. The entry fee is $5 an adult or in our case, $10 for a family of two adults and two children. For this you get entry into an Aladdin’s cave of memorabilia from the 1800s and later. The early fridge and scary looking dentists chair filled both tween and teen with horror.
The first room was divided into spaces depicting life in a Victorian household. Leading on from this was a space where a short film would have been shown (but for whatever reason was not on the day we were visiting) and in cabinets along the walls were a variety of early Maori artefacts. This part of the museum was a little disappointing, there were very few explanatory notes as to what the artefacts were, where they were found or even who donated them. Unfortunately it did give the impression of being an afterthought which seems a shame given the rich Maori history of the area.
A third room held a collection of tools and equipment (including several dreaded dentist chairs which I forgot to photograph) whilst the final room where the spaces which were given a make over by the TV show ‘Heirtage Rescue’.
The brillant blue of the painted walls setting off the easy to read maps and displays. A small side room off this main space was given over to handcrafted models of the towns heritage buildings.
Like so many of our small town museums this one is run solely by volunteers and as such they should be applauded for their efforts in bringing the history of their town to life. Having said that it was at times difficult to navigate visually around the museum, particularly as the general feel is one of an overstuffed Victorian home. There is something to be said for a more minimalist approach. It was a stark and distinct difference between the areas given a make over by museum professionals and those not yet tackled, perhaps to the detriment of the remainder of the museum.
On a fine but crisp morning the family and I made the two hour journey to the set of Hobbiton where the scenes for the Shire were filmed for both the Lord of the Rings and The Hobbit movies. I am big fan of the works of JRR Tolkien and whilst I was dubious about the movies they still have much going for them. I was also dubious about visiting what is obviously a place with the overseas tourist in mind. However, I must admit to being pleasantly surprised – Hobbiton was delightful! The managment work hard to maintain the spirit of what Tolkien describes in loving detail. My visit was a balm to my frazzled self and the following are a few photos of our time there, I only wish we could have spent more time there.
Hobbiton is situated on the Alexander farm near Matamata, Waikato and was first discovered during an aerial reconaissance for suitable filming locations for the Lord of the Rings trilogy. The original set was constructed of untreated timber, ply and polystyrene – it was always the intention to return the site to its original condition. However, with the filming of The Hobbit an agreement was struck between Peter Jackson and the Alexander family and Hobbiton was born, this time with more permanent materials.
The following are just a few of the many Hobbit holes, each individual in their own way with gardens and furniture. It seems as if the occupants have just stepped away and will be back in a tick…
“In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.” (The Hobbit. J.R.R. Tolkien).
Of course we were all looking forward to getting to the most important Hobbit hole of them all – Bagend…
“It had a perfectly round door like a porthole, painted gree, with a shiny, yellow brass knob in the exact middle.The door opened on to a tube-shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted…” (The Hobitt. J.R.R. Tolkien)
The oak tree in the picture above is an artificial tree made from steel and silicon with over 250,000 fake leaves…
From here our guide led us down to the Party field with its huge tree (this one is real and the reason for choosing this small part of the Waikato for a film set).
And then it was on over the bridge to the Green Dragon for mug of ale and food…
Two very happy hours later we turn and say goodbye to what can only be described as a magical place…
“By some curious chance one morning long ago in the quiet of the world, when there was less noise and more green, and the hobbits were still numerous and properous, and Bilbo Baggins was standing at the door after breakfast smoking an enormous long wooden pipe that reached nearly down to his wooly toes (neatly brushed) – Gandalf came by.” (The Hobbit. J.R.R. Tolkien)
Why fleeting you might ask? Well in a nutshell, the visit occured a couple of years ago during a whirlwind trip to London with the family and after a protracted visit to the Natural History Museum followed by getting distracted by a well known sci-fi shop I was left with a mere two and half hours to see the Museum…As some of you are well aware this is not nearly enough time and so it was, a fleeting visit. The following are a few of the photos I took along with brief explanations.
One of the first gallerys I made my way to was the early Medieval gallery – I had long wanted to see the artefacts from Mound 1 at Sutton Hoo, the famous Anglo-saxon ship burial. Sutton Hoo is located near Woodbridge in Suffolk and is the remains of a 6th and 7th century AD cemetary. Mound 1 was excavated in 1939 providing the world with a fascinating glimpse of the artistic ability of our Anglo-saxon forebears. The artefacts were richer and more intricate than any other found before.
An ornate purse lid – would have originally covered a leather pouch which hung at the waist.
These ornate shoulder clasps are one of kind in Europe and were originally used to hold together the two halves of a stiff leather cuirass so it can fit the torso snugly in the Roman style.
Not far from the Sutton Hoo treasure is the Lewis Chessmen. These fascinating wee carvings were discovered in 1831 in Uig on the Isle of Lewis (Outer Hebrides). They are 12th century in date and carved from walrus ivory; it is believed they were originally made in Trondheim in Norway – at the time the Outer Hebrides were ruled by Norway. A number of years ago, a travelling exhibition on the Vikings came to the Auckland Museum in New Zealand. Two of the Lewis Chessmen accompanied the exhibition and it was this that inspired me to write “A Viking Moon”.
Staying with the Vikings we have the Cuerdale Hoard from Lancashire. The display at the museum is only part an enormous hoard of silver found in a lead chest beside the River Ribble. The hoard itself consisted of 7500 coins and 1200 pieces of silver bullion, weighing in at forty kilograms. The coins come from a variety of sources – mainly the eastern Viking kingdoms of England but also from King Alfred’s Wessex, Byzantium, Scandinavia, Islamic and Carolingian sources. The Ribble Valley was an important Viking route between the Irish Sea and York and this may have some bearing on why the hoard was found here.
Staying in the early Medieval my next photo is of the Burghead Bull. The town of Burghead in Moray, Scotland occupies part of what was once a Pictish promontory fort of great importance. The Burghead Bulls were discovered in the late nineteenth century when much of the fort was destroyed to make way for more houses. Originally there were thirty panels carrying carved images of bulls, now however, only six remain – one of which is held at the British Museum. They are dated to 5th century AD and it has been suggested they formed a frieze set into the ramparts of the fort and possibly represent a warrior cult which celebrated strength and aggression. Regardless of what the bull represents it is a fabulous piece of Pictish art.
Travelling back in time I moved onto the Roman and Iron Age galleries (this was a flying visit, I had just recieved a text from an impatient husband…)
In the Roman gallery I took a moment to admire a stone sarcophagus found in London in 1853 within what was described as an extensive Roman cemetary outside the city wall to the east. It is dated to the early 4th century AD.
Moving along swiftly I found myself in the British Iron Age and here I had to stop and admire the mirrors. Of all the artefacts from this period these are my favorite (and no its not because I have vain streak…). I have long held the belief that mirrors were more than a toilette item for these were never true mirrors that the modern person might be familiar with. Their surfaces were often burnished bronze and would at best reflect a fuzzy image. Instead I would suggest that the surface of a mirror acted in a similar way to the reflective surface of lake, pond or well providing access to the otherworld – a liminal space/place. Such places are well documented as being special, the vast numbersof artefacts found deposited into watery places at this time speaks for itself. Furthermore, it is surely no coincidence that later myths and stories use a mirror as a storytelling device (think Snow White).
The St Keverne Mirror (Cornwall) 120BC-80BC
The Desborough Mirror (50BC-50AD)
The Wetwang Mirror (Yorkshire) 210BC-160BC
Then of course something shiny caught my eye, first the Snettisham Torc and then the twisted gold torcs from the Ipswich Hoard. The Snettisham Torc was discovered in 1950 near the village of Snettisham in Norfolk. It is made up of a kilo of gold mixed with silver, there are 64 threads and each thread is 1.9mm wide, eight threads were pulled together and twisted then all were twisted again to make the torc. The terminal ends are hollow and were cast from a mould. The torc is dated to between 150BC and 50BC. The Ipswich Hoard was the second hoard to be found in the area, the first being Anglo-saxon in date. This particular hoard was discovered during the construction of a housing estate in 1968 by a digger driver and consisted of six twisted gold torcs. These torcs had less silver in them which has led the musuem to date their manufacture to around 75BC.
The Snettisham Torc
The Ipswich Hoard
Finally I wound my way through the Egyptian gallery and down the stairs to meet up with the family who were marvelling at the large statues from the ancient world. The following is a selection of the photos from this part of the museum.
There was so much else to see but I simply ran out of time and as we were flying out the next day any other sight seeing would have to wait until another visit – although I have heard recently that there are plans afoot for a downloadable VR experience for those who can’t visit in person.
Below are a few links which relate to the above photos.
Yesterday was the first day of New Zealand Archaeology Week, it is the first time in New Zealand that archaeology has been celebrated with its own ‘week’. As part of this celebration of the past I attended a lecture at the Auckland Museum about the long term archaeological project being undertaken on Great Mercury Island entitled The Changing Face of Archaeology – The application of technology to the Ahuahu Great Mercury Island Archaeological Project. The lecture was delivered by Louise Furey, Rebecca Phillipps and Joshua Emmitt.
Great Mercury Island is situated off the east coast of the Coromandel Penninsula and as the name would suggest is the largest island in the Mercury Group. The purpose of the project is to examine the history of the Maori occupation on the island. As an island it provides the ideal opportunity to study a landscape as a whole and how people utilised and interacted with the landscape over time. This post is not a comprehensive study of the archaeology of the island, it is only a brief foray into what is a complex landscape. I have included links for those who wish to do read more about the work that is being carried out by the archaeologists.
There is certainly plenty of archaeology on the island to keep the archaeologists busy for quite some time. Of that which is visible above ground there are twenty-three Pa (defended sites with ditches and banks), large areas of gardens (recognisable by the lines of cleared stones), kumara storage pits, stone working sites and shell middens. As recent excavations have indicated there is even more evidence lying beneath the surface.
Prior to the current project the island was subject to two other single event excavations. The first being undertaken in 1954 in the early days of New Zealand Archaeology by then then newly appointed lecturer in archaeology at the University of Auckland Jack Golson. With a party of archaeology students he excavated a terrace on the Stingray Point Pa (Matakawau) identifying two kumara pits, each pit had more than 80 post holes suggesting a long period of rebuilding the roof structures. Golson’s work was neve published although this is soon to be rectified.
In 1984 Professor Geoffrey Irwin of the University of Auckland excavated a Pa in Huruhi Harbour. In 2009 a sever storm eroded about ten metres of sand from White’s Beach to reveal a shell midden and a rich charcoal layer. Bones from dogs and fish were found within the midden which was dated by radiocarbon to c.1400AD.
From 2012 the University of Auckland and the Auckland Museum have been working in conjunction with Ngati Hei on the previously mentioned long term project. The island is visited on regular basis with the main excavation season being held in Febuary, which is also a training dig for archaeology students from the university. The lecture held yesterday focussed on some of the finds from the excavations such as the large quantities of obsidian flakes some of which come from as far afield as Taupo, Mayor Island and closer to home on the Coromandel Peninsula. Although work/research is still ongoing it is becoming clearer how important Ahuahu is in our understanding of the early prehistory of New Zealand.
Because ultimately excavation is destruction it has long been universally acknowledged how important it is to record as much detail as possible. In the past this was often a labour intensive activity, if done at all. Today’s archaeologists now have a raft of technological tools at there disposal and at Great Mercury they are taking full advantage of what is available. The technology being used on site to record every find, feature and layer includes total stations, laser scanners and drones are in everyday tools for these excavations.
You Tube has several video’s of work being done on the island – the following are links to a couple to get you started if you are interested.
Whenever I go somewhere new my first stop (after a leg stretch and a coffee) is usually to the local museum. I have a deep fondness for museums and the people who put their heart and soul into their creation and upkeep. The Mercury Bay Museum was one of those musuems where the peoples love of their town and surroundings was evident.
Our first visit to Whitianga on the Coromandel Peninsula was in the winter and unfortunately the musuem was closed however we had much better luck on our second visit. Situated on The Esplanade just opposite the wharf, this small but well thought out musuem tells the history of the area beginning with Kupe who gave the local area the name Te Whitianga nui a Kupe or The Big Crossing Place of Kupe.
Originally the site of the museum was an urupa or cemetary for the local Maori iwi called Ngati Hei up until the 1870s. But when European curio hunters violated the tapu of the site members of the Ngati Hei removed the remains of their people and reinterred them safely elsewhere. The Maori history of the area represents only a small part of the musuem and was my one criticism of this otherwise outstanding museum. The displays of Maori artefacts were not clearly labelled and the display was largely restricted to the walls of the walkway as you entered and could be easily overlooked – personally I think the museum designers may have missed a beat in down playing the 800 years or so of Maori history.
The Museum is very child friendly – my daughter in particular enjoyed dressing up as Captain Cook who visited the area in 1769 on the HMS Endeavour. It was he who gave the area its European name of Mercury Bay after taking his longitude and latitude from the viewing of the transit of the sun across the planet Mercury.
As you head further into the museum there is a significant display on the wreck of The Buffalo which gave the local beach its name (Buffalo Beach), the Kauri room and shanty shack – Kauri were an important part of the economy in the 1800s, either as logs or from the fossilied resin/gum – a 1950s school room, a 1960s bach, a smithy, two rooms displaying birds of the area and displays regarding the importance of the fishing industry (commercially and recreationally) and agriculture to the area. A butter churn display harks back to the days when the museum was once a dairy factory producing butter from cream from all over the Mercury Bay area. The musuem also holds an extensive collection of photos covering the life and times of Mercury Bay and its residents.
Archaeology, History and a little bit of time travel…