Tag Archives: mudlarking

It’s All A Lark

Just a few of my favourite things…

My addiction to beachcombing came about as I was walking my old dog, Brad, and I started to spot bits of pottery and glass in the sand of our favourite haunt. So begun a collection which I have written about elsewhere on here. But my curiosity and collecting did not stop with just one wee beach on the edge of the Waitemata…this blog is short catalogue of just some of the pieces I have found, these are prize possessions.

As some may be aware I live in New Zealand and as some may also be aware we have a relatively short history of human occupation – approximately 800 years give or take a decade or two – compared to other countries around the world. The finds below are restricted to the last one hundred and fifty years or so when Europeans first arrived in Aotearoa New Zealand and are by far the most numerous things to be found.

1, Glass stoppers

Long before plastic and screw tops many bottles were closed off with a glass stopper. The most common variety found are the ones in the picture below, used to seal sauce or relish bottles. Originally they would have had a ring of cork around the neck to ensure a tight seal. These very durable objects are a beachcombers delight. It is not a huge collection but each find of a glass stopper gives me an odd sense of joy…

2. Ceramics

Sea pottery is also a relatively common find on beaches and waterways around the world and here in New Zealand it is no different. The variety of ceramics is often quite surprising, the most common are the plain white or cream pieces. But the most sought after are the early pieces of transfer print earthenwares imported from the UK or brought out with the first settlers. These come in a variety of patterns and colours, my favourite (along with many others) are the blue and white patterned pieces including the ever present ‘willow pattern’. I have written extensively on the ceramics found at Fitzpatrick’s Bay, please feel free to check it out here. Included in this category are also stonewares, I have yet to find a complete example but I have many neck sections and bases.

Just a small selection of my blue and whites…typical of what can be found.
My one and only mocha ware piece.
And perhaps my favourite piece thus far, part of small cup with a hand painted house and windmill.
Unlike the pretty pieces often easily spotted, I thought I was very lucky to find amongst the detritus this well worn fragment of a toothpaste lid.

3. Glass

I have chosen to call this section glass as opposed to seaglass as there will be some who dispute my examples as seaglass. When I started to collect I was most surprised to find that there is an International Seaglass Association and they have defined true seaglass as;

Genuine sea or beach glass comes from discarded bottles, tableware, or household items and is found in oceans, lakes, and rivers. Genuine sea or beach glass tends to have: Lettering, embossed images, and distinguishing features such as handles, bottle necks, etc. A frosted patina on the surface with small “C”-shaped patterns, surface cracking, rounded edges, and small crevices where grains of sand may be found.

Much of the glass I find does fall into this category but the most interesting pieces are not so worn by tide and time. These are the bottle necks or fronts with lettering that can be researched. The other smaller (proper seaglass) pieces I collect go into the art pieces I make to sell at a local market (Magpie Designs)

The triangular piece is the top of a gin bottle with its distinct squat neck, on the right is a beer bottle.

The next photos shows a knarly chunk of sharp glass I found whilst larking under the harbour bridge. I wouldn’t normally have bothered to bring this home but the lettering got me curious. A quick search online found the following on the Auckland Museum website.

Grey & Menzies Ltd (1902-1962)
Established in 1902 following the merger of J Grey & Sons and Thames cordial manufacturer Menzies. The firm operated as Grey and Menzies until 1964 when a merger with CL Innes Ltd resulted in the soft drink brand of Innes Tartan. John Grey established J Grey cordial & aerated water manufacturers at Eden Cres. Auckland in 1874, and in 1880 his sons joined the business it became J Grey & Sons 1880-1902

Robert Menzies was born in Scotland in 1854 and came to New Zealand in 1858, working initially for Buteman Bros, Thames. He later worked for B Ballin (Thames), John Grey and George Gledhill before purchasing Buteman Bros. in partnership with Samuel Hirst to form Menzies & Co at Thames. In August 1902, with two partners he established Menzies Ltd, and leased a property in Stanley Street, Auckland but a month later joined with John Grey & Sons to form Grey & Menzies Ltd

The Grey and Menzies merger occurred in 1902 – the company now covered a considerable area including Northland, Auckland, South Auckland and Thames. The company began to introduce new lines including the ginger beer that became Tartan Dry Ginger Ale. In 1916 the company purchased the Paeroa spring, aerating and bottling the water in Auckland under the “Paeroa Water” label – later to become Lemon & Paeroa. In the early 1920s they began making Orange and Lemon Crush under license from the Crush Co’s reg’d USA patent office.”

Every object has a story…

The next photo is of a sweet wee ink bottle, again found under the Harbour Bridge. It was a strange moment…I was about to leave the area having found very little that morning, thinking about a post I had seen on Instagram about these cute glass ink bottles when I spotted nestled in the seaweed one of the very same. Known as Boat ink bottles for their shape and distinctive lip used for a pen rest they come in a variety of colours. During a recent visit to the Dargaville Museum north of Auckland I saw a vast collection of these bottles in all their beautiful colours.

I did a happy dance, much to the dog’s surprise, when I found this.

4. Clay Pipes

Finding clay pipes on the shores of Auckland’s harbour can be a bit hit and miss, however I do have a small collection of pipe stems and bowls. None of which have any visible decoration or makers mark, given the softness of the kaolin clay used to make these items it should not be surprising that it would easily wear away. Not so long ago I was sent pictures of a pipe stem found at Fitzpatrick’s Bay which did have a stamped name on it, ‘squatters budgeree’ which I have written about here.

For those who would like to know more about clay tobacco pipes in New Zealand the following links may be of interest. For those elsewhere there are a multitude of websites and books on the humble clay pipe.

Mechanics Bay, Auckland

Underground Overground, Christchurch

As you can see pipe stems are far more numerous than bowls due to the tendency for stems to go soft with long use and be broken off and discarded. The center bowl is a much prized part of the collection being a terracotta bowl rather then the usual kaolin, which may be why it survived in better condition than the others.

5. Kauri Gum

For those who are not familiar with Aotearoa New Zealand’s flora, there is a native tree called kauri. It is a slow growing hardwood which was much sought after by settlers and Māori alike. Its many attributes was the tendency to ooze sap which over time solidifies and becomes much like amber. Early settlers would often turn to gumdigging as a way of supplementing other income or when there was no other income.

The gum was used by Māori as a type of chewing gum (fresh gum), as a fire starter and when burnt and mixed with animal fat for tattoo moko. The early settlers used it in a variety of ways, much like amber for trinkets and jewellery. However, in the mid 1800s it was discovered that when mixed with linseed oil it made an effective varnish and as such was in great demand in the UK and Europe. Kauri gum became Auckland’s main export at this time – between 1850 and 1950 approximately 450,000 tons were exported. The growth of early Auckland owed much to this industry.

The area in which I live once had extensive kauri forests, so it is not surprising to find chunks of gum washing up (and down) onto the beaches. I collect them because of the history they remind me of. Below are a just a couple of the many pieces currently residing in my rockery…

For more on kauri gum read here.

6. A Gun Flint

I only have one gun flint and only a partial one at that. Gun flints are part of the striking mechanism for a flintlock gun and were in use in the UK from the 17th to the 19th century. For more on how they were used read here. Here in New Zealand the musket, which also used a flintlock mechanism, contributed to a period in our history known as the Musket Wars.

‘After Europeans brought muskets (long-barrelled, muzzle-loading guns) to New Zealand, these weapons were used in a series of battles between Māori tribes, mostly between 1818 and 1840. As many as 20,000 people may have died, directly or indirectly. Tribal boundaries were also changed by the musket wars.’ From Te Ara Encyclopedia

Although there is no telling who used this particular gun flint (it was found at Fitzpatrick’s Bay) it is a sobering reminder of our past – the good and the bad.

7. A Fossil

No I’m not talking about the other half…but rather this small reminder that the earth is old and for me at least, a reminder that our time here is but a moment.

8. Shoes

Occasionally I find parts of shoes, sometimes they are modern (so many jandals) and head straight to the bin but other times they are much older. When I look at these shoes parts I wonder who wore them, what was their life like? Oddly shoes feel very personal and connect me to someone in the past – will a person in the future find the sole of my favourite ugg boots and wonder about me too?

This sole consists of several layers and the copper nails are evidenced by the green spots around the edge.
This piece appears to be part of a heel, the rust suggestive of a ferrous metal. I can hear the wearer tapping their way across the floorboards…

9. A Mystery Object…

This final object confounds me and I hope there is someone out there who might be able to shed some light.

As you can see it is an interesting shape, being 6cm at its tallest, it looks like a crown with a blank space for perhaps a label (?) and locks of hair below. The material at first glance looks like milk glass but I am not sure as it it is quite matt and more like alabaster in appearance. All suggestions welcome…

And there you have it, just a few of my favourite things…

If you have enjoyed this blog please feel free to share, like and comment – tell me your favourite finds!

Mudlarking on the Thames – A Couple of Hours of Joy!

As an Amazon Associate, I earn from qualifying purchases and as such some of the links in this blog are affiliate links. This means if you clink on the link and purchase, I get a small commission, at no extra cost to you. The items I have linked are always ones that I myself have enjoyed/read – all opinions remain my own.

July 2022, it’s hot, humid and even though only 10am the sweat is beginning to accumulate between my shoulder blades and in other unmentionable places. Not for the first time I am surprised at how hot it is in the city. Crossing the road in search of shade, I find myself greeted by the vista of St Pauls Cathedral, but this is not my destination, turning left I head for the Thames and the Millenium Bridge. Today, or at least for a couple of hours, I am joining a group of like-minded people to…mudlark.

I am early, really early, but it gives me time to watch – the river and the people – from a shady spot, which, thankfully, is tickled by an occasional breeze. Observing the tide as it slowly retreats, numerous wooden structures begin to appear, the remains of old jetties and the like can be seen jutting out of the mud. The Thames has been the lifeblood of London for more than two thousand years and although officially it was the Romans who first established a settlement here there were other inhabitants of the area throughout prehistory.

The tide begins to fall…
The excitement builds as more of the foreshore is revealed…
Finally…I am on the foreshore…where do I look first? (note the ubiquitous clay pipe stem).

All of those people, have over thousands of years left traces of their lives on the foreshore of the Thames.

In the past mudlarks were group of souls who spent endless hours sorting and collecting useful debris from the mud to sell – it was an occupation for only the most desperate.

The searched for pieces of coal they could wash and sell on the streets; rags, bones, glass and copper nails they could take to various merchants to recycle…sometimes the children would turn cartwheels in the mud for the amusement of onlookers, who would toss in a penny for them to find. It was a pathetic existence and just a step away from the workhouse.” (L Maiklem ‘A Field Guide to Larking’ 2021).

Nowadays, mudlarks have a much-improved reputation – the twenty first century mudlarks of the Thames foreshore scour the mud and debris for stories of the past. Bits of broken pottery, clay pipes pieces, coins, buckles, pins, tiles, bones and much more all tell the story of London’s history. Not the story of kings and queens but one of ordinary people whose voices are often lost to us but who can speak to us down through time via the bits and bobs they lost and discarded along the river.

As some may already realise, larking is one of my favourite activities – in NZ it is dressed up as beach combing and often consists of finding odds and ends of glass bottles and 19th/20th century ceramics if I’m lucky. So when the opportunity arises for me to become a mudlark for a few hours…well…what can I say…(actually I yelled, ‘here take my money!’)

At this point it is important to note that not just anyone can mudlark on the Thames foreshore and there are a number of rules and regulations to follow. Everyone who is involved in the searching and removal of objects from the foreshore has to hold a permit to do so. There are also exceptions as to where you can and cannot search, for example, the foreshore in front of Westminster is completely out of bounds (for obvious reasons). There are places where only certain permit holders can go and there are rules surrounding the digging/scraping of the foreshore. For more information on the rules and regulations look here.

For the casual visitor to London there are two ways to get involved mudlarking – get a day permit from the Ports of London Authority or join a mudlarking tour. The Thames Explorer Trust do daily tours and give you plenty of time on the foreshore to fossick. Needless to say, my foray into mudlarking was with the Thames Explorer Trust, as I found it to be the cheapest and easiest way to get involved.

Our guide (standing in the hat) giving us a whistle-stop tour of London’s history through its artefacts.

Our guide for the morning was both knowledgeable and enthusiastic (and a fellow NZer!) She began the tour with a whirlwind introduction to the history of London and the types of artefacts we might find on the foreshore. Eventually, we were ushered to the steps that led down to the riverside. A few final words of warning from our guide (watch out for the wash of passing boats, no digging or scraping and don’t go past that point over there…) and we were left to our own devices.

The area where we were not allowed to venture – the round posts in the center of the photo are actually surrounding the remains of the Anglo Saxon wharf at Queenhithe. Only certain people are allowed to search in this area.

Bent over, eyes on the ground, the rest of the world receded to a low hum in the background as bit-by-bit London’s past revealed itself. The broken stems of clay pipes were by far the most numerous artefacts, along with red bricks and roof tiles, pottery fragments began to leap out. At first the ubiquitous willow pattern and plain white sherds but then as I looked harder, the green glaze of medieval pottery could be seen. Animal bones were plentiful, some the remains of someone’s fried chicken dinner, whilst others spoke of the butcher and the resources needed to feed the people of London. Oyster shells told a tale of cheap and easy eats (in the past oysters were not a delicacy but a cheap foodstuff for poor people).

The above photos show just some of the things I spotted – in truth I kept forgetting to take photos, I was so engrossed. The first photo is of a roof tile, the nail holes can be seen on either side (I would like to think this was Roman but I cannot say for sure), second photo is the jaw bone of a pig and represents just some of the vast amount of bones found on the foreshore. The third photo is the sole of a leather shoe, age is undetermined but most likely Victorian – the Thames mud is of type which preserves organic remains very well. The fourth picture shows first a chicken leg bone, clay pipe stems and a small sherd of green glazed medieval pottery. The final photo is a close up of the medieval pottery sherd, note the quantity of terracotta brick and tile.

It was, simply, two hours of joy that flew by in seconds.

Please note, as a participant of the tour artefacts could not be removed from the foreshore; if you have one day permit you can remove artefacts but if you are travelling overseas, it is important to know that it is illegal to remove any artefacts over 300 years old from the UK. I would also like to stress that there are many laws around the removal of artefacts from any archaeological site (The Thames can be considered an archaeological site in its entirety) and it is up to the individual to know and understand these laws.

The following books are a good source of information regarding mudlarking on the Thames.

L. Maiklem (2019) ‘Mudlarking. Lost and Found on the River Thames’

L. Maiklem (2021) ‘A Field Guide to Larking – Beachcombing, Mudlarking, Fieldwalking and More.’

J. Sandy & N. Stevens (2021) ‘Thames Mudlarking. Searching for London’s Lost Treasures.’