Tag Archives: History

The First Archaeologists

People have always been interested in the past, as far back as Nabonidus who ruled Babylon from 555 – 539BC who had a keen interest in antiquities to such an extent he even excavated down into a temple to recover the foundation stone which had been laid some 2200 years prior.  Nabonidus also had a museum of sorts where he stored his collection.  During the Renaissance those with the wealth to travel and collect began to keep cabinets of curios.  In these you would find ancient artefacts displayed alongside minerals and natural history pieces. 

“…the Renaissance attitude to the examination of the past…involved travel, the study of buildings and the collection of works of art and manuscripts.” (K. Greene 1983).

Initially it was classical antiquity which grabbed the attention of the well-to-do but after awhile eyes began to turn towards relics of their own past. The great stone monuments of North-western Europe became the immediate focus, places such as Carnac in Brittany and Stonehenge in Britain.  Some of these gentlemen scholars would make systematic and accurate surveys of the monuments, which are still useful today, even if there were the less scrupulous who dressed up treasure hunting as scholarly research.  These antiquarians were in essence the first archaeologists and their contributions can still be useful today.

In Britain several antiquarians stood out between the 16th and 18th centuries.  John Leland (1503-1552) held the post of Keeper of the Kings Library and such travelled extensively throughout Britain.  Even though his main interest was in genealogy and historical documents he also recorded non-literary evidence as part of his wider researches, one of the first to do so. 

William Camden (1551-1623) learnt not only Latin but also Welsh and Anglo-Saxon in order to study place-names.  At the age of 35 he published ‘Britannia’ a general guide to the antiquities of Britain.  His descriptions of the ancient monuments are very detailed and he was one of the first to make a note of cropmarks and their possible links to sites no longer visible – an important part of aerial photography today.  Camden was also interested in other forms of material culture such as pottery as a source of information on the past, a concept regarded eccentric at the time.

William Camden (portrait by Marcus Gheeraerts the Younger)

In the mid 17th century John Aubrey was one of the earliest writers to assign a pre-Roman date to sites such as Stonehenge, Avebury and Silbury Hill.  His belief that such places were built and used by the Celts and Druids was so revolutionary there are still some who won’t let it go.  Following in Aubrey’s footsteps was William Stukeley (1687-1765) who although trained as a physician spent a great deal of time conducting extensive fieldwork in Wessex during the 1720s.  His highly accurate and detailed surveys of Avebury, Stonehenge and Silbury Hill are still used today.  Stukeley’s recording of the avenue of stones (now destroyed) leading from Stonehenge to the Avon aided present day archaeologists in their search for them.  However, in 1729 he was ordained and then attempted to use his fieldwork to establish a theological connection between the Druids and Christianity.

William Stukeley’s drawing of the Kennet Avenue – sensible and accurate fieldwork…
And then there is the more fantastical of Stukeley’s drawings – his interpretation of the Avebury landscape and it’s Druidical temple…

“Just as Dr Stukeley may be said to be the patron saint of fieldwork in archaeology, so can the Rev. William be held to be the evil genius who presides over all crack-brained amateurs whose excess of enthusiasm is only balanced by their ignorance of method.” (K. Greene 1983)

At the same time, across Britain, lesser well known antiquarians were busy studying and recording their own local areas.  In the county of Cornwall this was no different.  The earliest known antiquarian was Richard Carew (1555-1620) of East Antony, he was a member of the “The Elizabethan Society of Antiquaries” and in 1602 published his county history, “Survey of Cornwall”.  Perhaps the most well known and often cited antiquarian was William Borlase (1695-1772) who like so many began collecting natural rocks and fossils found in the local copper works in Ludgvan where he was the local pastor.  In 1750 he was admitted as a Fellow of the Royal Society and by 1754 he had published “Antiquities of Cornwall” which he then followed with “Observations on the Ancient and Present State of the Islands of Scilly and their importance to the Trade of Great Britain” in 1756. 

Zennor Quoit as drawn by William Borlase (1769)
Zennor Quoit as seen today (photo from wikicommons – geography.co.uk – 902) This highlights why early antiquarian researchers should be dismissed immediately as having nothing to contribute to our understanding of the past.

Borlase’s great great grandson – William Copeland Borlase (1848-1899) – continued with the tradition of antiquarianism conducting some of the first excavations in Cornwall at Carn Euny in 1863.  Copeland Borlase published many articles and books on the antiquities of Cornwall, including a two volume book titled “Ancient Cornwall” in 1871 and a year later “Naenia Cornubiae: a decscriptive essay, illustrative of the sepulchres and funereal customs of the early inhabitants of the county of Cornwall”.  There were also a lecture on the tin trade and a monography on the Saints of Cornwall, not to mention a piece on the dolmens of Ireland and one on the mythologies of the Japanese.

William Copeland Borlase (1848-1899)

William Copeland Borlase also spent a great deal of time getting his hands dirty excavating large numbers of barrows in Cornwall.  He has been criticised for poor archaeological practice in only writing up a small percentage of those he excavated.  Nothing makes an archaeologist bury their face in their hands then the lack of a written record for an excavation.  Copeland Borlase often employed the services of John Thomas Blight (1835-1911) as an archaeological illustrator, although Blight was a well known antiquarian in his own right.  He published two books regarding the crosses and antiquities of Cornwall, one for the west and the other for the east of the county. 

Blight’s drawings of Carwynnen Quoit were recently rediscovered by the lead archaeologist, Jacky Nowakowski, during her researches prior to the excavation and restoration of the quoit.  In particular, the pencil drawing which had actual measurements was very useful in the interpretation of a stone pavement discovered during the excavation when combined with modern techniques.  The archaeologists were able to get a better understanding of the positioning of the quoit within the Neolithic landscape.

Throughout the country there have been numerous societies which promoted the work of antiquarians beginning with the prestigious Royal Society.  Even Cornwall had its own Royal Institute of Cornwall which is still operating today and currently manages the Royal Cornwall Museum as well as the Courtney Library which holds all manner of documents dating back into the 1700s.  These early scholarly societies however, did not focus on one aspect of research, natural history, geology, botany and other gentlemanly pursuits were all encouraged.  This attitude of open discourse across a variety of disciplines is one of the hallmarks of good archaeological research today. 

Archaeology is defined as the “study of the past through the systematic recovery and analysis of material culture” (The Penguin Archaeology Guide).  It is the recovery, description and analyse of material culture with the purpose of understanding the behaviour of past societies.  Material culture is defined as anything which has been altered or used by humans – it can be as small as shark tooth with a hole drilled into it for a pendant or as large as a European cathedral.  To study archaeology in general is to be a ‘jack of all trades and master of none’ – as a subject it borrows from history, anthropology, geology, chemistry, physics, biology, environmental sciences, ethnography to name but a few.  Archaeologists have never been afraid of pilfering theories, methodologies and techniques from other disciplines.

The value of the early antiquarians does not necessarily lie in the outdated interpretations but in the production of often accurate and highly descriptive illustrations, field surveys and texts that are the basis of many manuscripts.  Some of these ancient sites are now lost and/or destroyed, and the antiquarian illustrations are all we have as a record.  Fieldwork will always be a fundamental part of archaeological work and the antiquarians of the past where the very first fieldworkers and the societies they belonged to provided the basis for the discipline of archaeology.

Green K. (1985) Archaeology – an Introduction. Routledge.

http://www.giantsquoit.org   A website detailing the excavations and restoration of Carwynnen Quoit.

St Breaca – A Saintly Conundrum.

Amidst the chaos of house building I have been researching early medieval Cornwall as the backdrop to the new Sarah Tremayne novel.  One question which arose was – exactly how Christian were the locals?  At what point did Christianity take a firm hold?  And how were those who did not adhere to the new religion treated?  As a result I have been investigating early medieval Christianity with a great deal of frustration…the following blog serves to highlight a few of the issues using one of the more obscure Saints as an example.

In the small parish of Germoe partway between the Penwith peninsula and the Lizard is the village of Breage. It is an easy village to miss, the main road skirts its edges and unless you have done your research any ordinary person might just drive on by. However, there are several good reasons to stop and visit. The church is the focal point of the village and it is here you will find a number of medieval scenes painted on the walls of the church, a Roman waymarker dedicated to the Emperor Marcus Cassianius Latinius Postumus dated to between 258-268AD. (see an earlier post ‘The Frescoes of Breage’)

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The Church in Breage.

There are also several interesting stone crosses within the walls of the churchyard. The earliest is situated near to the front door and is likely to date between the late ninth and early tenth centuries. Carved from red sandstone it would have been highly decorated when first erected. Today only a little of this elaborate carving can be seen furthermore it is not in its original position, the cross was found buried in the churchyard and placed where it currently stands. The use of sandstone is very unusual, as the majority of Cornish crosses are carved from local granite. The cross has been described as a “four holed wheel cross with Hiberno-Saxon decoration” (N. Pevsner 1951 The Buildings of England: Cornwall).

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The early sandstone cross.

The church yard is also of interest, it is easy to discern its round shape, a feature often regarded as an indication of antiquity. Early Celtic missions would construct an enclosure around their settlement and in Cornish the prefix “Lan” is often found in conjunction with such sites.
Meaning church enclosure, it normally described an Early Christian foundation of the Celtic Church within a round or oval earthwork, usually a re-used prehistoric site. Parish churches still occupy many of these sites…” (C. Weatherhill 1998 Cornish Placenames and Language).
The church you see today was dedicated to St Breaca on the 26th December 1456 completely replacing the earlier Norman church. The earliest mention of Breage in documents is just prior to 1066 when the village was called “Eglosbrek” or “Eglospenbro” (the latter refers to the farm of Penbro) and was part of the large manor of Winnianton. By 1264 the church was being referred to St Breaca’s.

St Breaca is one of the many saints’ names which litter the Cornish landscape, however very little is known about her. A hagiography written in the late fourteenth century and which is now lost, recorded the lives of many Cornish saints. John Leland during his itinerary of 1540 did record parts of this lost hagiography as was pertinent to his travels.
According to Leland Breaca was born in the region of Lagonia and Ultonia in Ireland and she became a nun at the oratory founded by St Brigid of Kildare. At around the 460AD she travelled to Cornwall with seven other Irish saints – Germoe, Senanus (Sithney), Mavuanus (Mawgan), Elwen, Crowan, Helena and Tecia. They settled at Revyar on the River Hayle but some were killed by the tyrant king Tewdwr Mawr of Penwith. Breaca then travelled onwards visiting Castle Pencaire and establishing a church at Chynoweth. When she died the church was moved to its present location and many miracles occurred at her tomb.

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A view of the harbour at Hayle – one of only a few safe anchorages on the north coast of Cornwall. (from wikicommons -geograph.co.uk 179114)

On the face of it this is a good story but closer inspection reveals that a number of the story elements can be found elsewhere in other local saintly stories. Conflict with a local pagan tyrant, establishment of a hermitage in a remote part of the land, an Irish origin and connection with a more well known Saint. Simply read and compare the stories of St Ia or St Gwinear and you begin to get a feel for the standard hagiography, many of which were written some thousand years after the Saint concerned had lived and died. It is not surprising that the more obscure saints such at Breaca ended up with a mash up story for her life.

So is there any hope in finding out the real story behind St Breaca? Possibly. But first we need to look at the much wider picture.

Cornwall during the Roman period appears to be semi autonomous and although the Romans were in complete control of trade, life in Cornwall went on much as it had during the Iron Age. The impact of the Roman Legions leaving Britain in 410AD would have had a minimal effect on Cornwall even if the repercussions in other parts of the country were felt keenly for several decades. Political manoeuvring (and warfare) in the mid fifth century resulted in Cornwall becoming part of the kingdom of Dumnonia which spread from the far west of Cornwall up into south Somerset. Into this seemingly unsettled time the Irish missionaries appear.

There is some conflict on how many Irish came to Cornwall, some accounts say few as seven others seven hundred and seventy seven. In 1899 Sabine Baring-Gould wrote about the Cornish saints, he believe that it was a much greater number which arrived on the Cornish shores but with a less than peaceful mission. For Baring-Gould this was an invasion, hence the bloody reaction from Tewdwr in slaughtering, thus martyring, a number of the Irish (St Ia being the most well known). Interestingly St Germoe who was said to be one of St Breaca’s companions was according to legend a king in Ireland – a claim not yet substantiated.

The invasion theory may sound a little far-fetched but given that the Cornish as a rule over the centuries were more than amicable with all their neighbours along the Atlantic seaboard an outright slaughter of a peaceful mission of Christians seems also far-fetched. Tewdwr is often portrayed as a pagan tyrant and this comes to us from a time when our pagan past was seen as a dark time, he becomes the demon which our Christian saints have to triumph over. Afterall, who triumphed in the end? Who wrote the hagiographies?

It is believed that later Tudor era writers used Tewdwr (who was not a king, more a local chief/lord) to lampoon and criticise Henry VII in the wake of his crushing defeat of the Cornish Rebellion of 1497. If this is the case it is perhaps necessary to take much of what is said about the “tyrant” with a grain of salt.

Those who escaped the battle (irrespective of who started it) would have fled to remoter parts of Cornwall perhaps seeking protection from local and more sympathetic chiefs.
This may be where St Breaca’s story has a ring of truth about it. She is said to have visited Castle Pencaire before setting up home at Chynoweth on the lower slopes of Tregonning Hill. Castle Pencaire is situated on the summit of Tregonning Hill and was originally an Iron Age hillfort. Although there is no current evidence (much later mining works have almost completely destroyed the inside of the hillfort) for its reoccupation during St Breaca’s time it is strong possibility. Other Iron Age hillforts were temporarily reoccupied at this time, such as Chun Castle in West Penwith, and why would Breaca visit an ‘abandoned’ antiquity? If Breaca wished to establish a mission in the local area she would have realised the importance of asking permission from the local chieftain/lord, his goodwill would have been important to the success of her mission.

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An ordnance survey map of the area around Breage (bottom right) from the late 1800s.  Tregonning Hill (Castle Pencaire) is the area of open moorland above and to the left of Breage.

The question does remain when did she arrive and was she actually Irish? The date of her arrival will never be satisfactorily agreed upon, it will have to be enough to say she arrived sometime in the late fifth but not later than the early sixth centuries AD. Was she with that first flux of Irish? This we will never know, the later successes of Irish saints would suggest there were several voyages to the Cornish coast.

The presence of the early cross with its “Hiberno-Saxon” decoration might point towards a later commemoration of an Irish saint, the use of sandstone rather than granite could be explained by one of two ways. Either the stone was carved elsewhere and then brought to Breage or the stonemason was not from Cornwall and did not have the skills needed to carve in granite.

Breaca is occasionally mentioned in writings from other parts of the county. In 1478 William Worcester refers to her feast day as being May 1st even though in later times her feast day is celebrated on June 4th and is appears to be quite an important festival. An idiom recorded in the village of Germoe in the 18th century refers to their patron saint – Germoe – as a king but Breaca was a midwife. The 19th century residents of St Leven believed Breaca to be the sister to the villages’ patron saint – Selevan or Salaman.
In all likelihood we will never know the truth of St Breaca but it has been fun trying to find out…

 

 

North Head Historic Reserve

One of the features of the Auckland landscape is the profusion of volcanic cones, all of which have been altered in some way by the people who have lived here – North Head is no exception.  Situated at the entrance of the harbour it has over time been used as a part of Aucklands strategic defences during times of unrest.

 

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Looking across Torpedo Bay from Duders Beach to North Head.  Photo taken by William A Price 1909-1910.  Source – By National Library NZ on The Commons – https://www.flickr.com/photos/nationallibrarynz_commons/21281084976/, No restrictions, https://commons.wikimedia.org/w/index.php?curid=45247808

The Volcanic Story

Long before people walked the land there were volcanoes – a distinctive feature of Aucklands skyline – and although North Head is just one of many, it is one of the oldest and was formed over 50,000 years ago.  The following photos demonstrate the ancient geology of the headland – the different layers of scoria, ash and mud clearly visible.

The Maori Story

The story of Maori in the Devonport penninsula begins with the tradition of the arrival of the Tanui waka having put ashore at Torpedo Bay (a stretch of beach below the headland facing the inner harbour). Excavations were carried out in 2010 in the bay as part of the redevelopement of the Naval Museum and surrounding areas.  During this time a great deal was discovered about the use of Torpedo Bay during the colonial era but it was the unexpected prehistoric Maori finds which had the archaeologists most excited.

“Unexpected nationally significant prehistoric Maori archaeology was also found near the end of the investigation, including cooking ovens, moa bones and an adze.

Three species of Moa and at least five individuals have been identified from the lower two settlement layers. All of the species are known North Island Species of Coastal bush Moa (Anomalopteryx didiformis, Pachyornis geranoides and Euryapteryx curtus). As the only site in the Auckland, Coromandel Northland region with definitive evidence of hunted Moa rather than industrial Moa usage by Maori, the dating of this site will potentially answer long held questions concerning moa extinction in the North Island. It may dismiss the general belief that the Auckland Coromandel area was not associated with Moa hunting and is not a primary area of archaic settlement by early Polynesians and was therefore occupied later than other areas of settlement.

A small rectangular adze (hand tool) made from Motutapu greywacke was found in the prehistoric site. The Hauraki Gulf was a centre of adze production and the evidence found suggests that occupation of Torpedo Bay, at least during the Archaic period, was extensive, and that the people who inhabited the Bay played an active role in Motutapu greywacke adze production.

The preliminary radiocarbon dates indicate settlement at the site ranged between the early 15th century and the late 17th century. It could be one of the earliest sites discovered in Auckland.”  (from http://www.wasteminz.org.nz/wp-content/uploads/1b.Strong.pdf).

 

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An eroding shell midden on the north side of Maungauika.

 

Early photographs show the lower slopes of North Head (Maungauika) as being used by Maori  for gardens and early Europeans describe a Maori settlement at the foot of the hill with gardens and fish drying racks. Tradition also tells us that the Ngati Paoa settled Maungauika until the 1700s when Nga Puhi attacked and beseiged the pa.  The later European story of North Head has all but wiped clean the Maori history of the headland although it is still possible to see the occasional evidence of Maori occupation such as middens eroding out of paths and the occasional unexplainable terrace.

The Colonial Story

The first part of the colonial story begins with North Head being used as a pilot station from 1836 to guide ships into the newly established European settlement of Auckland.  In 1878 it was made into a public reserve with the stipulation that should it be necessary North Head would be re-appropiated for defence purposes.  By 1885 this became a reality as fears of a Russian invasion began to sweep New Zealand.

North Head became one of several defence forts that were set up to protect Aucklands harbour.  On the headland itself there were three defences – the North Battery, the South Battery and Fort Cautley on the summitt.  Each had there own heavy guns, an observation post and high earth ramparts with bullet proof gates and barbed wire.  In addition each had the very latest in military technology – an 8 inch disappearing gun. In addition to these defences a minefield was in place across the inner harbour to Bastion Point.

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The above are photos of the North Battery.

Over the next twenty-five years these first fortifications were expanded and strengthened by convict labour who lived in a prison on the summit.  They dug out many of the tunnels and underground storerooms which are so popular with young explorers today.  With the threat of war once more looming in the early twentieth century new engines were put into the engine rooms, more searchlights were added, new barracks were built.

 

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The prison/barracks used to house the convict labour.

 

In all three instances (the Russian scare, WWI & WWII) not once were any of the guns fired in anger.  During WWII the headland became the regimental headquarters and main administrative centre for the Auckland’s coastal defences. Many of the guns were moved to Whangaparoa although North Head did become the site of the anti-submarine boom (a wire netting barrier covered by two guns at sea level) which protected the harbour from attack by submarine.

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The South Battery and its disappearing gun.

By the end of the 1950s the army had left the headland although the navy still ran a training school on the summit.  In 1996 the navy had also left and now the area is administered by the Department of Conservation.

Observation posts and tunnels associated with the North and South Batteries.

The Engine Room – an independent source of electricity for the search lights etc.

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One of the features for the defence of the Auckland Harbour was the minefield which went from North Head to Bastion Point.

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So much to explore all around the headland…

 

For more information –

A History of NZ Coastal Defences

The Russian Scare

The Department of Conservation  A PDF can found here for a self guided walk around the headland.

Stepping Back in Time – Howick Historical Village.

Tucked away in east Auckland is the suburb of Howick, here you can find a gem of living history – the Howick Historical Village.

Over the years the family and I have visited the village on numerous occasions, it is pleasant escape from the technology and mass produced entertainment which so very much a part of our lives today.  Although the bones of the place are immovable the addition of monthly live days and special events makes every visit different in some way.

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By Pseudopanax at English Wikipedia – Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=26380935

The Village depicts life as it was in nineteenth century New Zealand with particular emphasis on the fencible settlement of Howick.  Colonial Howick was originally founded by Governor George Grey who concerned about the potential threats from both Maori and the French. He established a chain of settlements around the southern part of Auckland as both an early warning system and a line of defence for the burgeoning new town.

Governor Grey originally requested troops to man these settlements however, it was decided to send retired soldiers to settle the area as members of the Royal New Zealand Fencible Corps, these were men who had served in the wars of Britain in the 1830s and 1840s.  To be eligible to emigrate under the scheme the veterans had to be under 48 years of age and of ‘good character’ with ‘industrious habits’.  If they qualified they were given free passage to New Zealand with their families, a cottage and an acre of land.  In return they were required to partake in certain military activities and after seven years the land and the cottage would be theirs. Although they were given a small pension they were also expected to undertake work of some kind in the new colony.

Between 1847 and 1854 some 2500 fencibles and their families arrived in New Zealand, doubling the population of Auckland at the time.  Other fencible villages included Panmure, Otahuhu and Onehunga.  The live days at the Village have volunteers dressed in costume doing activities you might see on any given day in a fencible/colonial village including soldiers parading, wood turning, blacksmithing, ladies doing the chores such as washing, sewing and baking.  There are also special themed days such as ‘A Colonial Christmas’ or an Easter egg hunt or a summer fete.

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The Village today is based around Bell House which was given to the Howick Historical Society in 1972, negotiations at the time then secured a further five acres of land which later became the seven acres it is today.  It took eight years of fundraising and working bees by many volunteers to turn it into a living museum.  Many of the cottages on site were donated and transported to the village, of which there are now thirty buildings.  It was officially opened on the 8th of March 1980.

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Today the village is enjoyed by school groups as part of their education outside of the classroom modules and students on school holiday programmes – children are encouraged to dress in period appropiate costumes, leaving technology behind.  Having attended during a school visit with my sons class, I can vouch for it being throughly enjoyed by all.  On that occasion, the students learnt how to churn butter, played games of the times, baked bread in a wood fired oven, drew water from a well and attended a session in a nineteenth century school.

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A school group playing skip rope.

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My son and daughter trying their hand at walking on blocks.

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“Seriously?! This was the only way to get water?!” All round disbelief from the tweens.

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Practising writing in cursive made doubly hard by using a ink pen.

One of the striking aspects of the village are the gardens which have in themselves become an important heritage project with links to the Heritage Tree Crops Association and Auckland Seed Savers.  Vegetables, herbs and eggs from the free range chickens are often available to buy at the main entrance.  Another less well known part of the village is its research library which contains many documents and photographs for the early days of Howick – a vital resource for those who interested in the history of the area or those researching family trees.

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A traditional cob and reed roof cottage.

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Inside the cob cottage.

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A soldiers camp with two very unlikely looking soldiers…

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A view of the village, looking over the green.

 

For more information on The Howick Historical Village go to:-

www.fencible.org.nz

or for information on their collections you can search at the following link:-

https://ehive.com/collections/3000/howick-historical-village

 

 

An Auckland Icon – One Tree Hill and Cornwall Park.

During the last school holidays the kids and I decided to venture beyond the safe confines of the North Shore. Our destination? The well known and much loved Cornwall Park and One Tree Hill.  What follows is a brief description and overview of the history of this iconic parkland in the heart of Auckland.

Essentially the parkland most people know is in fact two parks, Cornwall Park and One Tree Hill, are separate entities under different management but with very similar objectives. At the heart of the area is the volcanic cone, the largest and most recent of the forty eight which make up the Auckland isthmus – it last erupted around 20,000 years ago.

The Maori Story
The Maori name for the hill is Maungakiekie which can be translated as ‘the mountain of the kiekie’. The kiekie or Freycinetia banksia is a type of vine which once grew on the slopes of the volcanoe and is better known as the fruit salad tree. Its fruit is edible.
However, this name seems to be a recent attribution as traditional histories dating from around the 16th century, do refer to the hill as Te Totara i Ahua or ‘the totara that stands alone’.

It is said that a branch of the Ngati Awa who were migrating from Northland to Taranaki had stopped for awhile in Tamaki (Auckland). During this time the chiefs’ son was born and was named Korokino. The cutting of the umbilical cord has great significance in Maori culture and Korokino’s was cut using a sharpened totara stick. The cord was then buried on the summit and the totara sprig was planted in the soil used as backfill. It took root and grew into a magnificent and tapu tree.

Unfortunately, it was gone by the late 1700s and no European ever saw it. Early colonists would often write of a large pohutakawa on the summit in the early 1800s and this is what gave rise to its modern name – One Tree Hill. However, the story of the tree then goes ‘pear-shaped’ as in the mid 1800s it is felled for firewood. In 1875 Logan Campbell replanted – possibly a puriri – within a stand of pines which served as a wind belt. But the native tree did not survive and all but one pine tree survived until 2000 when it too fell to an axe when the City Council deemed it unsafe.

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One Tree Hill, in the 1990s when the lone pine was still standing, (to the right of the obelisk). From wikimedia commons.

What most people will notice as they make their way to the summit is the how uneven the ground is, dips, hollows, banks and seemingly random humps and bumps will catch the unwary walker. These landscape features are the remains of the Maori settlement. There are at least one hundred and seventy terraces covering approximately forty five hectares and it is regarded as one of the largest pa (hillfort) in New Zealand. The traditional occupants of the site were the Wai O Hua tribe and their histories refer to it as the head pa of their paramount chief Kiwi Tamake in the early 1700s.

IMG_0244An example of some of the many terraces and platforms.

Perhaps one of the more unusual archaeological features in the park is the Rongo stone. Rongo stones are carved stones which are regarded as manifestations of a god and are used ritually to aid the growth and harvest of crops. This particular Rongo positioned on plinth near the BBQ area is not in it’s original context. It was originally rescued by Logan Campbell from the side of the road where it had been unceremoniously dumped and taken back to the Park. It is known as Te Toka i Tawhio or ‘the stone which has traveled around’.

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Humps and bumps in the landscape…

 

The eroded edge of a shell midden.

More terraces and platforms.

IMG_0248One of many defensive banks.

 

IMG_0243Building platforms overlooking one of the volcanic craters

IMG_0242My daughter standing in one of the many hollows – possibly a storage pit for kumara.

IMG_0239A large midden suffering under modern footsteps.

Terraces, defensive walls, storage pits, boundaries and middens are all part of the archaeology on One Tree Hill and attest to a well populated landscape. Which perhaps is what makes the next phase of the story even more unusual…

The Early Settlers
In 1840 Governor Hobson chose the Tamaki isthmus to be the capital of New Zealand. There were several reasons for this, the good harbours and fertile soils not withstanding however at the time it was a mostly deserted landscape.

“Terraced volcanic cones and numerous abandoned plantations testified, in 1840, to dense habitation in the days of old. But, paradoxically, so few Maori were living there in 1840 that Tamaki could almost be regarded at the time as a population void…there was no well-established tribe to be displaced” (R.C.J. Stone, 2007, Logan Campbell’s Auckland. Tales from the Early Years).

Into this early settler world came John Logan Campbell (1817-1912) for whom much of the early history of Auckland and Cornwall Park is intricately tied to.

John_Logan_Campbell,_ca_1880sJohn Logan Campbell c.1880

Logan Campbell was born in Edinburgh and in 1839 graduated as a Doctor of Medicine, later that year he set sail for New South Wales, arriving in New Zealand in 1840. On that ship was also a William Brown who became Logan Campbell’s business partner. The two men built the first house in Auckland – Acacia Cottage – which still stands and they opened the first shop. Both men quickly took advantage of being ‘in at the ground floor’ as the new settlement of Auckland took off. Logan Campbell in particular rose in prominence rapidly and was/is regarded the ‘father of Auckland’.

The oldest remaining wooden structure in Auckland
The oldest remaining wooden structure in Auckland – Acacia Cottage.

In 1853 Logan Campbell and William Brown bought what was then known as the Mount Prospect Estate and renamed it One Tree Hill. By 1873 the partnership with Brown was dissolved and Logan Campbell became the sole owner. In 1901 he gifted the land to the city of Auckland during a Royal visit by the then Duke and Duchess of York and Cornwall (later King George V and Queen Mary) and it was renamed in their honor as Cornwall Park.
In 1903 the park was formally opened. 

When Logan Campbell died in 1912 he left instructions and funds for the construction of a monument to the Maori people whom he admired a great deal. However, it was not until the late 1930s that work began on the obelisk. It was completed in 1940 but the unveiling was not held until the 28th April 1948 after WWII was over in keeping with the Maori tradition of not holding ceremonies during times of war.

IMG_0150 - CopyJohn Logan Campbell’s memorial to the achievements of the Maori people.

The obelisk is 33m high and was designed by Atkinson Abbott. Logan Campbell is buried at the foot of the monument under the flat paved forecourt.

Today
Today both parks are well used by Auckland residents and it is still farmed with sheep and cows wandering the slopes of the hill. It is a place where people meet, families picnic, dogs walk, joggers jog and children play. Every city needs its green spaces in order to breath and here in Auckland we are lucky to have this and so many other such spaces…

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Playing in the crater of an extinct volcano…

 

 

The Devonport Museum

A recent addition to my television viewing is a locally produced show – ‘Heritage Rescue’.  Along the veins of a reality tv show and borrowing loosely from home makeover shows and the UK’s ever popular ‘Time Team’ (the shows presenter once worked on the latter as a humble archaeologist), Heritage Rescue visits small local museums, spending time (usually around a week) and resources to inject new life into these establishments.  More often than not they operate purely on the fuel of volunteers.

One such museum was the Devonport Museum in Auckland – I am sorry to say that even though I have lived only a fifteen minute drive from this musuem I had never visited…a fact I hastened to amend after watching the two episodes dedicated to giving the wee museum a new lease of life.  Having never been to the museum prior to its appearance on the telly I can’t compare so the photos that follow are of the new look museum.

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The one thing that has obviously remained the same is the essential fabric of the building.  The museum is housed in an old Presbyterian church which was moved to it present day location in an old quarry on the side of Mt Cambria in 1978.

On entering the museum to the left there is a timeline of Devonports history with a superb diorama of the local landscape taking centre stage.  I was fascinated to learn that once upon time it was possible to get a boat through at high tide directly from Narrow Neck beach to the Ngatringa Bay past what is now the golf course and along the present day Seabreeze Rd.

Devonport itself is an area rich in history, not just because it was one of the earliest nineteenth century settlements but also it was well utilised by Maori with its safe landing beaches, excellent access to kai moana and fertile soils on the slopes of its volcanic cones.  Jutting out into the wider Hauraki Gulf it also provides an excellent vantage point of all who come and go into Auckland.  The museum effectively reflects this tapestry of Devonports past.

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There are displays on the history of ship/boat building in the area, we are told that the foreshore was a hive of industry in the nineteenth century.  The above picture shows a model of New Zealands one and only remaining wooden light house which can be found just off the tip of Devonport, no longer being used as a light house but preserved as a historic site.

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Shop window displays using real shop windows from the towns retail past gives the visitor an impression of what the main street may have once looked like.

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Here a display panel gives information on Devonports main street – Victoria Road – who lived/worked and played there.

Devonport is well known for it old villas and colonial cottages – the museum has two models of these types of houses on display.  The one on the right is complete with washing on the line and a larder stocked with local produce.

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An old map of Devonport – the Takapuna Racecourse is now a golf course…

Overall our visit to the Devonport museum was very enjoyable, helped along by a friendly and informative volunteer who was able to answer my questions.  There is even a kids corner with old fashioned games for the littlies to have a go at and in a seperate room a research space is well appointed for those to local/family histories.  It is well worth a visit if you are in the  area and even if you’re not.

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Devonport Museum website

The Buried Village of Te Wairoa – some photos.

On June 10th 1886 Mt Tarawera erupted along a line of craters that extended sixteen kilometres and the space of a few hours the nearby village of Te Wairoa and the world famous Pink and White Terraces were covered in over a metre of volcanic mud and ash.

The death toll for the area was believed to have been as high as 153 – Te Wairoa at the time was a bustling village with two tourist hotels serving visitors to the Pink and White Terraces, two stores, a school, a blacksmith and a bakery.   By the end of the day not a single village house was left standing.

Today the site of Te Wairoa consists of several hectares of fields within which the visitor can walk amongst the excavated remains on the village.  There is also a lovely river walk and a musuem dedicated to the Maori and Victorian artefacts recovered from the site.  The following are a few of the photos which I  took during a visit in 2015.

Some of the displays from the museum

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The remains of the Rotomahana Hotel.

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and the bakers oven…

The unexcavated remains of two of the many houses in the area.

 

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A reconstruction of a simple Maori house – all of these were destroyed by the mud and ash.  Today their remains are marked by wooden frames and the stones of fireplaces. 

 

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The hearth inside the above reconstructed house.

 

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A Maori storehouse found under the ash layer beside the stream.  It is a rare example of the use of stone in building practices.

 

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A close up of the carving to the side of the storehouse.

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The above is the house of Tuhoto, a 100yr old tohunga (tribal priest) who bore the brunt of the blame for the disaster.  He had openly condemned the people for their decadent lifestyle and had predicted that disaster would fall on the community.  When the mountain exploded, he like so many was buried in his hut and local Maori were so angry they refused to dig him out.  He was eventually rescued by the Europeans (four days later) but died not long after in a sanitorium.

 

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Inside an excavated house – showing the depth of the mud and ash that fell on Te Wairoa.

For more information on visiting The Buried Village of Te Wairoa go to http://www.buriedvillage.co.nz/

Another article from NZ Geographic on the Tarawera eruption can be found here

The cover photo is of Lake Tarawera with the mountain in the background.

 

 

 

 

 

Some Photos from Roman Baths in Bath (and why it inspired me to write “A Roman Moon”)

Holidaying in the UK in winter can be rather satisfying.  Mainly because you don’t have to contend with the vast crowds which are usual in the warmer months at popular spots.  One such place was the Roman bath complex in Bath, here we were able to meander around the buildings and displays without being jostled by eager tourists trying to capture the perfect selfie.  This physical space allowed the imagination a chance to wander the halls of time.  A multitude of questions and possible scenarios playing out in my minds eye and so ‘A Roman Moon’ was born.

 

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The imposing stucture of Bath Abbey looms over the now open Great Bath – originally the Great Bath would have been roofed, most likely with an arched roof.

 

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Looking down on the Great Bath.

Bath complexes in the Roman period were not simply places to wash and clean the body but also places to meet, socialise, to be seen and make those all important contacts.  At the Roman town of Aquae Sulis (Bath) the baths rose to prominence from the late first century AD as a result of the natural hot springs which were a feature of the landscape and worshipped for many generations prior to the arrival of the Romans.

As with so many aspects of the Iron Age/Celtic landscape of the time, the natural springs here had its own diety who was recorded by the Romans with the name of Sulis.  The Romans were very good at adopting and blending local cultures with their own as part of their overall colonisation package. For the Romans the local goddess Sulis had much in common with one of their own – Minerva.  Thus the hot springs became dedicated to the amalgamated goddess of Sulis Minerva.

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The very roman looking head of a statue believed to be Sulis Minerva herself – most likely stood within the sacred space of the actual temple.

The success of Aquae Sulis (even the towns name pays homage to the goddess – ‘the waters of Sulis’) is down to it also being a place of pilgrimage.  People from all around would come to the town to make offerings or petitions to the goddess.  One such method to ensure the goddess knew what was required was to write a message on a sheet of lead.  For this purpose a trained scribe would be employed.  Once  the wording was just so the lead sheet was folded or rolled and then thrown into the sacred spring – a number of these have been recovered from the spring, mostly they were curses for relatively small wrong doings.

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A few examples of the inscribed lead sheets.

As well as the lead sheets, other gifts were found during excavations.  Thousands of coins (and even today people throw coins into the spring), jewellery, pewter dishes and cups usually inscribed with a dedication to Sulis Minerva.  The cups may have been used to drink the waters (as we continue to do so today) or as libation vessels.  The belief in the healing powers of the spring waters was an important part of the towns fame.

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Some of the jewellery finds from the spring.  It is interesting to note the continuity of ritual in this act of depositing important items into a watery context.  For more on this read here.

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And a few of the more everyday items found during excavations – people lived and worked here too.

Besides Sulis Minerva there were within the temple complex depictions of other deities.

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A relief carving of the goddess Luna – the disc of the moon can be seen behind her head and she holds a whip for driving her chariot across the sky.  This carving would have decorated one of the buildings in the temple precinct. 

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This massive pediment would have originally adorned the entrance to the temple of Sulis Minerva.  Although interpreted as a gorgon others have suggested it may in fact be Oceanus or even the sun god Sol (or Bel, ‘the shining one’ if you are looking for Celtic diety which is also the nickname of our heroines bodyguard and friend…). 

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This unassuming relief carving is believed to depict the triple goddess, a distinctly Celtic personification.  As to who and what this may be is a complicated discussion but foremost is the ability of the goddess to have many faces – to be one and the same.  Often the triple goddess in modern pagan/wiccan practice refers to the maiden, the mother and the crone however there is no way of telling if this was the case in the past.   An interesting take on this can be read here.

The rituals in Roman religion took place mostly outdoors, the temples buildings were often small affairs where only the priests or priestesses would be allowed to enter.  Public ceremonies would have been conducted outside in the surrounding precinct.  Within the precinct there would have been altars dedicated to the diety set up by individuals in anticpation of a divine favour or to give thanks, these would have been decorated in offerings of all kinds or with bowls of incense.

“The temple, in its original late first century form, was a purely classical building set on a high podium reached by a steep flight of steps.  Its porch was dominated by four massive Corinthian columns supporting an ornate pediment.  Behind lay a simple room, the cella, where only priests could enter to tend the flames kept burning around the life-sized cult statue of Sulis Minerva” (from ‘The Essential Roman Baths” – a guidebook).

The above is a selection of the numerous altar stones and memorials found in the Roman layers during excavations.

 

The complex at Aquae Sulis was quite extensive – with facilities for men and women to bath seperately which was rare and spoke volumes about the wealth of the town.  At the heart of the complex is the Great Bath, a rectangular swimming bath surrounded by a walkway with alcoves for people to sit and relax in.  The bath itself was and still is lined with 45 sheets of Mendip lead.

 

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A model of the bath and temple complex in its heyday. 

 

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The Great Bath – looking across to one of the alcoves.

 

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The East Bath – a rectangular tepid bath – the doors would have led to heated rooms known as tepidariums. 

 

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The remains of the extensive hypercaust system – ensuring visitors were kept warm and comfortable at all times.

 

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One of many mosaics which would have adorned the floors of the rooms within the complex.

 

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The arched overflow was part of the Roman engineering which kept the water flowing through the complex and still does today.

 

 

 

 

 

 

 

 

 

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The dark interior of the circular bath, here bathers would complete their visit to the steam rooms with a cold plunge to rinse off – note the coins littering the bottom of the pool. 

The complex at Aquae Sulis was quite extensive – with facilities for men and women to bath seperately which was rare and spoke volumes about the wealth of the town.  At the heart of the complex is the Great Bath, a rectangular swimming bath surrounded by a walkway with alcoves for people to sit and relax in.  The bath itself was and still is lined with 45 sheets of Mendip lead.

 

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A model of the bath and temple complex in its heyday. 

 

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The Great Bath – looking across to one of the alcoves.

 

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The East Bath – a rectangular tepid bath – the doors would have led to heated rooms known as tepidariums. 

 

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The remains of the extensive hypercaust system – ensuring visitors were kept warm and comfortable at all times.

 

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One of many mosaics which would have adorned the floors of the rooms within the complex.

 

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The arched overflow was part of the Roman engineering which kept the water flowing through the complex and still does today.

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The above shows a reconstruction picture of how the town may have looked at its height based upon what has been discovered through various archaeological excavations.  In “A Roman Moon” astute readers will note that I did away with the amphitheatre, replacing it with a Forum.  Why? Well, to begin with the evidence for an amphitheatre is at this stage is quite thin on the ground and I am sure that a town of such importance would have had a Forum.  In addition, you can also put it down to the authors whim, a bit of ‘literary licence’.

The river running beside the town is the Avon, known then as Afon which is Welsh for river (amusingly making the name of the River Avon, the River River)…

I hope you can see why the ancient town of Aquae Sulis inspired me to write ‘A Roman Moon’ – from the presence of Luna, the triple goddess and the sacred spring all play a part in Sarah’s story.

 

RM cover 1 (2)

 

The Roman Baths Official Website

Wikipedia – Roman Bath

 

Caerphilly Castle

So, I was in the mood for castle…

But before we get to pictures, a bit of background…

Built in 1268 by Gilbert de Clare (also known as “Red Gilbert” due to his hair colour) as part of his conquest Glamorgan and the continuing subjugation of the Welsh by the Normans.  It is constructed on a natural gravel bank in the middle of a river basin and consists of two large artificial lakes within thirty acres making it the second largest castle in Britain.

The water defences of the castle were most likely inspired by a similar design at Kenilworth which de Clare would have witnessed in action during the seige of Kenilworth in 1266.  The vast lakes prevents the castle walls from being undermined – a popular siege tactic at the time.   Caerphilly was also the first concentric castle to be built in Britian and its walls were built using Pennant Stone.

A Brief Timeline

1268 – Construction begins with the daming and digging of the lakes, temporary wooden palisades and buildings.

1270 – Rising tensions with Welsh resulted in the castle being attacked by Llywelyn ap Gruffudd and supporters – the wooden structures were burnt to the ground.

1271 – In an effort to quell the tensions between the Welsh and the Normans the castle is taken over by royal officials who promise to negotiate and arbitrate a solution to the ongoing problems.

1272 – de Clare’s men seize back the castle and work recommences, the castle is completed later that year.

1294 – Once again the castle is attacked but this time by Madog ap Llywelyn.

1316 – And again the castle is attacked, during the Llywelyn Bren uprising.

1326-27 – And again during the overthrow of Edward III…

From the fifteenth century the castle begin to decline…

1776 – Caerphilly is acquired by the Marquesses of Bute but it is not until the third and fourth Marquesses that extensive restoration work begun.

1950 – The castle and grounds were given to the state.

Today – The site is managed by CADW – the Welsh heritage organisation.

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The massive gatehouse entrance  – the large tower in the rear of the picture was designed to be defensible postion even if the entire castle was breached.  A working portcullis and murder holes are visible today.

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One of the massive fireplaces in the gate tower.

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Looking out onto the inner courtyard.

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Looking down onto the tower gatehouse and outer gatehouse towards town.  Originally there would have been a drawbridge across the moat.

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The archers corridor – made of timber with apertures for the archers to aim through and roofed this would have hung of the exterior walls of the castle and provided greater protection to the archers.

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The leaning tower – natural subsidence or as a result of Oliver Cromwell decreeing that the castle be ‘slighted’ during the Civil War?

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Caerphilly Castle was a defensive stronghold – the lack of windows and decoration combined with forbidding walls was testimony to this fact – it was a castle which meant business.

 

More Information can be found at the following links:

Caerphilly Castle

CADW